Böcker utgivna av Harvard University, Center for Hellenic Studies

Milman Parry and Albert B. Lord collected singularly important examples of Albanian epic song while conducting fieldwork in the Kingdom of Yugoslavia and northern Albania. A complete catalogue of their collected materials, Wild Songs, Sweet Songs is an authoritative guide to one of the most significant collections of Balkan folk epic in existence.

Greek Language, Italian Landscape traces the transformation of language ideologies and practices of Griko, a variety of Modern Greek used in the Italian province of Lecce, and proposes the concept of "the cultural temporality of language" to describe how locals are converting what was once considered a "backward language" into a symbolic resource.

Worlds of Knowledge rediscovers the works of authors from the eighteenth to the twentieth century and challenges the frequent focus in travel studies on English-language texts. Written by experts in a wide range of fields, this interdisciplinary volume sheds new light on the range, innovation, and erudition of travel narratives by women.

A reissue of James T. Monroe's classic study on the cultural history of al-Andalus that establishes Spanish scholars on the forefront of European scholars confronting the Orientalism and colonialism at the heart of their national projects. A new foreword by Michelle M. Hamilton and David A. Wacks examines the impact of Monroe's pathbreaking study.

Trachsel's work represents the first treatment dedicated to Demetrios of Scepsis in over a century. She offers a thorough analysis of the ancient and modern reactions to Demetrios's research into the Iliad and the Trojan landscape and provides new evidence about the impressively wide range of other topics Demetrios's work may have contained.

Casey Due, coeditor of the Homer Multitext, explores both the traditionality and multiformity of the Iliad. Due argues this multiform nature gives us glimpses of the very long history of the text, access to even earlier Iliads, and a greater awareness of the mechanisms by which such a remarkable epic poem could be composed in performance.

William Brockliss, responding to George Lakoff's and Mark Johnson's analysis of metaphor, explores the Homeric poets' use of concrete concepts drawn from the Greek natural environment to aid their audiences' understanding of abstract concepts. In particular, he considers Homeric images associating flowers with deception, disorder, and death.

First published in 1960, The Singer of Tales remains the fundamental study of the distinctive techniques and aesthetics of oral epic poetry-from South Slavic epic songs to the Iliad, Odyssey, Beowulf, and beyond. This edition offers a corrected text and is supplemented by an open-access website with audio recordings.

Priene provides a complete picture of life in an ancient Greek city of the late Classical and Hellenistic period. This study presents the first comprehensive look at the architecture of the city, combining material from the first excavation of 1894 and more recent work at the site. It includes redrawn architectural plans and reconstructions.

This book is a study of heroic femininity as it appears in the epic Mahabharata, and focuses particularly on the roles of wife, daughter-in-law, and mother, on how these women speak, and on the kinship groups and varying marital systems that surround them.

Heroic Krsna depicts a pre-Hindu superhuman hero who became the divinity Krsna. Drawn from the epic Mahabharata, Kevin McGrath's account of the warrior-charioteer and his friendship with Arjuna explores cultural continuities from the Bronze Age Vedic world and illustrates the pre-divine life of one of the most popular Indian deities of today.

Doak explores how the giants of the Hebrew Bible-which represent a connection to primeval chaos-offer insight into central aspects of Israel's symbolic universe. By placing biblical traditions within a broader Mediterranean context regarding giants and the end of the heroic age, Doak sheds new light on monotheism and monarchy in ancient Israel.

One of the most significant contributors to late antique literary culture, Eusebius of Caesarea has received only limited attention as a writer and thinker in his own right. Focusing on the full range of Eusebius's works, the new studies in Eusebius of Caesarea will change how classicists, theologians, and historians think about this major figure.

Explores the superficially minor role of Thetis in the Iliad. This volume features six additional essays, which cover a range of topics in the study of the Greek Epic: the workings of genre in Hesiod and Homer; the poetics of exchange; and the nature of enmity and friendship. It also includes a study of the Hesiodic Catalog of Women.

The Ancient Greeks not only spoke of time unfolding in a specific space, but also projected the past upon the future in order to make it active in the social practice of the present. This book shows how the Ancient Greeks' collective memory was based on a remarkable faculty for the creation of ritual and narrative symbols.

Jaya is a study of how the four poets of the Indian epic Mahabharata fuse their separate performances of the poem into a single and seamless work of art. The subtle poetics of preliteracy and literacy which are compounded in one performance are demonstrated and made distinct in both a literary and a conceptual light.

Within a growing scholarly literature devoted to the topics of biography and autobiography, especially in the Arabic literary tradition, the essays in this volume explore the forms and meanings of these genres with particular reference to Persian writings, as well as to writings in Arabic and Turkish that were also composed in Persianate societies.

This is the first collection of essays in English devoted to discussion of a newly recovered Sappho poem and two other incomplete texts on the same papyri. The contributions demonstrate how the "New Sappho" can be appreciated as a complete, gracefully spare poetic statement regarding the painful inevitability of death and aging.

This book offers the first interdisciplinary and in-depth study of the cultural practices and ideological paradigms that conditioned the politics of the "reading" of Sappho's songs in the early and most pivotal stages of her reception-the late archaic, classical, and early Hellenistic periods.