In thirteen chapters, the exhibition and the accompanying catalogue offer profound insight into the cosmopolitan thinking of Joseph Beuys, as manifested in his actions, which are presented in the form of video projections and photographs. For it is in this capacity-as an acting, speaking, and moving figure-that Beuys examined the central, radical idea of his expanded concept of art: "Every human being is an artist." The goal of his universalist approach was to renew society from the ground up. To this day, his influence can be felt in artistic and political discourses. In this exhibition, contemporary artists and representatives from various areas of society enter into a multilayered, transcultural dialogue with Beuys. From today's perspective, they confirm, question, and expand upon his theses about the possibilities of a future conceived via art. With B-Town Warriors, Phyllida Barlow, Nelly Ben Hayoun-Stépanian, Fatou Bensouda, Huma Bhabha, Dineo Seshee Bopape, Angela Davis, Dusadee Huntrakul, Charles Foster, Núria Güell, Donna Haraway, Raphael Hillebrand, Jenny Holzer, Michel Houellebecq, Mierle Laderman Ukeles, Zoe Leonard, Goshka Macuga, Tuan Andrew Nguyen, Milk Tea Alliance, William Pope.L, Tejal Shah, Vandana Shiva, Santiago Sierra, Patti Smith, Edward Snowdon, Christopher D. Stone, Suzanne Lacy, The Otolith Group, Thich Nhat Hanh, Greta Thunberg, Malala YousafzaiJOSEPH BEUYS (1921-1986) fundamentally changed the twentieth- century as a draftsman, sculptor, teacher, politician, activist, action, and installation artist. His 100th birthday in 2021 is an occasion to rediscover, appreciate, and critically question his complex body of work and his international influence.
Although it is still a relatively young art form, photography is characterized by a changeability and richness of facets that is unparalleled. Initially, as the "pencil of nature," it amazed its viewers because it was able to capture reality itself on glass and paper. But soon it shone through its possibilities for artistic mise en scène. Digital photography and its possibilities of manipulation multiply the expressive dimensions of the photographs to infinity. Ian Jeffrey takes us on a journey into the history of photography, where the great masters of this extraordinary medium pay their respects. As with a photograph itself, the most important stages in the development of this extraordinary medium are illuminated in order to finally arrive at a comprehensive picture of an inexhaustible wealth of creativity. IAN JEFFREY (*1942) is a writer and art historian who has intensively studied the history of photography. He was a tutor and professor at Goldsmiths, University of London and is the recipient of the J. Dudley Johnston Award of the Royal Photographic Society, Bath.
Social inequality, population growth, climate change. The artist Dawn DeDeaux does not shy away from difficult topics. Since the 1970s, she has been probing humanity's present and future in videos, performances, and installations. This catalogue, published to coincide with her first comprehensive museum exhibition at the New Orleans Museum of Modern Art, presents DeDeaux's work spanning five decades: from early multimedia works using radio and satellite to recent works from her MotherShip series, in which she imagines humanity's escape from a destroyed Earth. In her work, art is always closely intertwined with philosophy, science, and new technologies. Consequently, the text contributions go beyond art to contextualize her work. DAWN DeDEAUX (*1952) is a pioneer in the field of art and new technology. Based in New Orleans, she has had participated in exhibitions at the Whitney Museum of American Art, Mass MoCa, and the Transart Foundation for Art and Anthropology, among others.
Artist Sean Scully and Art Critic David Carrier in Conversation
A person's mien reveals the landscape of a life. In their expressive presence, not only do the eyes speak, but every detail of the face's features and folds tell of a life that has been lived. Therefore, it may not be entirely surprising that Giovanni Segantini, celebrated during his lifetime as a landscape painter and an innovator in Alpine paintings, saw the portrait as the noblest genre of art. It is all the more astonishing that this theme has received very little attention until now. The Segantini Museum in St. Moritz is now closing this gap with an exhibition and this companion catalogue. Assembled from private and public collections, this is the first exhibit to present Segantini's impressive portraits. An enchanting series of pictures, whose views of the models' lives also provides insight into the artist's life as well.GIOVANNI SEGANTINI (1858-1899) began his career at the Brera Art Academy in Milan. He became famous for his pointillist depictions of the Alps, as well as being a pioneer in Symbolism. His portraits are no less superior and open up new facets in the master's oeuvre.
Alfred Seiland's new study Between the Times shows Iran as an historically important cultural landscape on the edge of transformation into modern times. The country once known as Persia continues to be one of the most mysterious countries on Earth, this territory of enchantment and glamorous myths has constantly been the habitat of ancient civilizations. The origin of this most recent body of work is based on the work of his project Imperium Romanum (2013), where he documented ancient sites of the Roman Empire in their present situation. Seiland's Iran photographs also present compositions showing landscapes, architecture, and people as they present themselves today and render the juxtaposition of historical remains and the present without embellishment. In a time when Europe seems to be in doubt about its most recent unification processes and is also challenged by a stream of migrants from the Middle East, Seiland's work reminds us that some of our most evident and current political, cultural, and religious problems with that region have not been solved. This series documents the extent to which the reminiscence of historical civilizations is reflected in today's world and shows the viewer the great political, cultural, and religious civilizations in the Middle East with impressive images.ALFRED SEILAND (*1952) started his career as a photographic autodidact. He held a professorship for photography at the Staatliche Akademie der Bildenden Künste, Stuttgart, until 2019. Excerpts from his important study Imperium Romanum were published by Hatje Cantz in 2013.
Documentaries by the Dutch Artist Duo
Hardly any other epoch in art history has been marked by as many profound changes as the Late Gothic was in the fifteenth century. Inspired by Netherlandish role models, depictions of light and shadow, body and space, became increasingly more realistic. Everyday life found entry into the arts. With the invention of printing, images and texts were distributed to an extent previously unheard of. Artists such as Nicolaus Gerhaert and Martin Schongauer became widely known and influenced the development of the visual arts throughout Europe and across all genres. Featuring a wide selection of works, the Staatliche Museen zu Berlin present the first extensive exhibition of Late Gothic art in the German-speaking regions. Its comparison and contrast of the various genres turns the catalogue into a handbook for the arts at the threshold of the modern era.EXHIBITIONGemäldegalerieStaatliche Museen BerlinMay 1, 2021-September 5, 2021
Hardly any other epoch in art history has been marked by as many profound changes as the Late Gothic was in the fifteenth century. Inspired by Netherlandish role models, depictions of light and shadow, body and space, became increasingly more realistic. Everyday life found entry into the arts. With the invention of printing, images and texts were distributed to an extent previously unheard of. Artists such as Nicolaus Gerhaert and Martin Schongauer became widely known and influenced the development of the visual arts throughout Europe and across all genres. Featuring a wide selection of works, the Staatliche Museen zu Berlin present the first extensive exhibition of Late Gothic art in the German-speaking regions. Its comparison and contrast of the various genres turns the catalogue into a handbook for the arts at the threshold of the modern era.EXHIBITIONGemäldegalerie Staatliche Museen BerlinMay 1, 2021-September 5, 2021
Displacement and Migration as an urban issue
Of drawings and preliminary studies
In his paintings the Taiwanese artist Yahon Chang brings together traditional Chinese ink-wash painting and Western forms of artistic expression to produce a synthesis of East and West. Typically standing on large sheets of linen or Xuan paper and wielding a brush almost as long as he is tall, Chang creates works imbued with performative energy and characterized by large, sweeping brushstrokes. Drawing on Chinese literati and Zen (Chan) Buddhist traditions, the artist understands painting as an activity that connects body and mind. His entire body functions as an axis for these expressive paintings and is influenced by his training in calligraphy. This publication offers the first insight into the artist's extensive oeuvre and includes exhibition views as well as accompanying texts. YAHON CHANG (*1948) began his first calligraphy and painting lessons at the age of six and later studied at the National Taiwan Univerity of Arts (1976) and the Taipei Univeristy of the Arts (2009). Having launched his career in Asia, he has also exhibited in Europe and the USA since the early 2000s.
Familiar Images Read Differently
The Nature of Being is the sixth volume from the series of books about the Helsinki School. It concentrates on bringing together the various approaches used by the School's representatives to conceptualize nature visibly. The stated goal is not to limit oneself to purely physical depictions of animals, plants, and landscapes. Nature ought to be expressed through a di¿erent type of unit and with a new way of gauging time. Days, months, and seasons become the points of crystallization for time. Thus, the photographs reflect a Nordic sense about feelings of loneliness, jealousy, or desire. The works provide photographic insight into the complex horizon of emotions that characterize our individual views of nature. They do not portray landscape as such, but the world in which we live.Since the 1990s the name HELSINKI SCHOOL has been used to describe a group of fine art photographers who studied, taught, or graduated from the Aalto University's School of Art, Design and Architecture. The term unites a consistent conceptual approach.EXHIBITIONKunsthalle St. Annen, Lübeck, GermanyJanuary 26-April 26, 2020
The portrait offers the possibility of observation and introspection, and is at the same time one of the most private and representative artistic genres. But what distinguishes the specifically female gaze? On the occasion of the major fall exhibition 2021 at Fondation Beyeler, this catalogue brings together nine women artists from Europe and America from the beginning of modernism to the present day, whose works represent an outstanding contribution to the history of the portrait. The individual view of the artists on themselves and on their surroundings in the course of time is expressed. In the catalogue, renowned authors explore the individual artists and their fascinating ways of reflecting on themselves and on others.The featured artists are Berthe Morisot, Mary Cassatt, Paula Modersohn-Becker, Lotte Laserstein, Frida Kahlo, Alice Neel, Marlene Dumas, Cindy Sherman, and Elizabeth Peyton.
Between 1561 and 1562 Georg Bocskay, secretary to Emperor Ferdinand I, assembled a large selection of contemporary and historical writings in the Mira Calligraphiae Monumenta, in an attempt to demonstrate his technical skill as a court scrivener. Around thirty years later, Ferdinand's grandson, Emperor Rudolf II commissioned Joris Hoefnagel, one of the last great European manuscript illuminators, to provide exclusive illuminations for the pages. Currently in the collection of the J. Paul Getty Museum, this unique book-the only one worldwide-was first published in facsimile form in 1993, with extensive commentary by Lee Hendrix and Thea Vignau-Wilberg. Now, at last, there is a newly produced facsimile edition in German. Besides biographies of these two exceptional artists, as well as an analytical observation of the role the manuscript played in the careers of both, Hoefnagel's illuminations are examined more closely. An indispensable volume for anyone interested in design, typography, manuscript illumination, and exquisite craftsmanship."The ultimate book-lover's gift book," raves The Los Angeles Times.
Ottilie W. Roederstein, born to German parents in Zurich in 1859, was one of the leading painters in the German-speaking world during her lifetime. She also enjoyed early recognition in Paris. As one of the few women artists of her time, she successfully dedicated her entire life to art and led an unconventional but respected existence in Germany together with her partner, the gynecologist Elisabeth H. Winterhalter. Although Roederstein's early work adhered to the conventions of the academy, the painter increasingly opened herself up to other currents in her more mature work and in the 1920s found her way to an austere, objective visual vocabulary. Despite her international reputation as a portraitist and painter of still lifes, Roederstein fell into obscurity almost immediately after her death in 1937. Now, after several decades, the Kunsthaus Zürich and the Städel Museum in Frankfurt am Main are presenting the first monographic show of her work, accompanied by this comprehensive catalogue. OTTILIE W. ROEDERSTEIN (1859-1937) had fought for her success: not only against the resistance of her parents, who did not want such a "dubious" activity for their daughter, but also against the numerous prejudices of that time. Like her friend Elisabeth H. Winterhalter, she fought for equal rights for women. She opened a teaching studio that was also for female students.
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