Böcker utgivna av Hatje Cantz

You can find him on the stage or in front of a film camera, in the director's chair or at the mixing board-Lars Eidinger has many faces, and not just as an actor. His performances testify to a sheer, inexhaustible energy that makes every appearance a tour de force that infects and electrifies the audience in an almost magical way. No less can be expected from his photographic works, which are gathered together here for the first time in a publication. As diverse as the subjects of the pictures are, they still allow us to recognize Eidinger's signature: elements of film and theater unite to form a unique rhythm that transforms the everyday into a paradoxical world essence. Only one word can suitably describe the richness of these visual spheres and the way of seeing that they articulate: epic.LARS EIDINGER (*1976, Berlin) is one of Germany's best-known actors. Berliners can experience him close-up as a member of the Schaubühne's ensemble, while an international audience will know him from his fi lm performances. Autistic Disco is the title of both his photographic work and his DJ set.

In a practice spanning nearly two decades, Jose Dávila has created an expressive body of work that explores the visual tropes and iconic symbols of art, architecture, and urban design. Initially trained as an architect and self-educated as a visual artist, Dávila creates sculptures, installations and photographic works that simultaneously emulate, critique, and pay homage to 20th-century avantgarde art and architecture, referencing artists and architects from Luis Barragán to Josef Albers and Donald Judd. Humor and melancholy co-mingle in works that often explore the tension between industrial and organic materials and the forces of compression and balance.This monograph assesses the full scope of Dávila's practice in all media for the first time, and includes texts attesting to the historical and social dimensions of Dávila's art. Essays address the artist's early pieces, his exercises on balance, sculpture, graphics and paintings, and his works in public space.JOSE DÁVILA (*1974, Guadalajara) studied architecture in the Instituto Tecnológico y de Estudios Superiores de Occidente in Guadalajara. His carefully constructed artworks are meditations on balance and the relationship between different combined elements. Dávila lives and works in Guadalajara, Mexico.

Transit dreams

Technology and the city

Why do women architects still not receive the recognition their work deserves? Women in Architecture is a manifesto for the great achievements of women in architecture.

For quite some time now, ethnographic museums in Europe have been compelled to legitimate themselves. Their exhibition-making has become a topic of discussion, as has the contentious history of their collections, which have come about through colonial appropriation.Clearly, this cannot continue. That the situation can be different is something that Clémentine Deliss explores in her current publication. She offers an intriguing mix of autobiographically-informed novel and conceptual thesis on contemporary art and anthropology. Reflections on her own work while she was Director of Frankfurt's Weltkulturen Museum (Museum of World Cultures) are interwoven with the explorations of influential filmmakers, artists and writers. She introduces the Metabolic Museum as an interventionist laboratory for remediating ethnographic collections for future generations. CLÉMENTINE DELISS has achieved international renown as a curator, cultural historian and publisher of artist's books. In her role as Director of the Weltkulturen Museum in Frankfurt, as a curator, and as a professor and researcher at eminent institutes and academies, she focuses on transdisciplinary and transcultural exchanges. She is Associate Curator of KW Berlin and Guest Professor at the Academy of Arts, Hamburg.

Why is it that people refer to Dresden as "Florence on the Elbe"? And why is the nickname "Venice of the North" claimed by several cities, from Amsterdam, Bruges, and Hamburg, to St. Petersburg and Stockholm? And where will you not find a Rome-whether you're in Constantinople, the so-called new Rome with its seven hills, or in Moscow, which is known as "the third Rome"? It becomes really interesting when cities that model themselves after cities are themselves elevated to role models, as in the case of Paris. Is the pleasure that cities take in "citing" or imitating other cities even relevant today? The architectural historian Wolfgang Pehnt takes us along on an examination of all these questions in this informative and enlightening volume. Through his vivid, succinct writing style he explores the origins, legends, and role models of cities, from Athens to Jerusalem. He teaches his readers to read cities like a book.¿WOLFGANG PEHNT (*1931, Kassel), architectural historian and critic, studied German, art history, and philosophy at the universities of Marburg, Munich, and Frankfurt am Main. From 1957 to 1963 he was an editor at the Gerd Hatje publishing company in Stuttgart. From 1963 to 1995 he was an editor and department head for Deutschlandfunk. From 1995 to 2009 he taught architectural history at the Ruhr University, Bochum. He is the recipient of honors in the fields of criticism and theory from a variety of groups, such as the Verband Deutscher Architekten- und Ingenieurverein, Bund Deutscher Architekten, and the Erich Schelling Foundation.