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The highly anticipated concluding volume of Robert Storr's writings collection, completing the first comprehensive series of writings on art by the leading American art critic and curator.

A collection of 559 paintings in watercolour depicting a series of poppies by celebrated British artist Brian Clarke, titled Vespers analogous to the ritual of evening prayer. Featuring a foreword by the artist and an introduction by renowned art critic Robert Storr.

An epistolary collection of paintings by French painter and philosopher Eugenie Paultre, Matter of Life is a diaristic account of the artist's six-month residency at Damien Hirst's workshop where she discovered and documented new possibilities in her painting, as well as a more profound connection to the work of her host.

Hans Ulrich Obrist celebrates the art of handwriting with a collection of aspirational Post-it notes from world-renowned contributors to his ongoing Instagram project.

The first collection of essays by one of America's decisive and most lucid critical voicesFollowing on from the much-lauded Robert Storr: Interviews on Art, Heni presents the first in a two-volume publication featuring the collected writings of Robert Storr, one of the world's leading art critics and curators. Featuring the best of Storr's criticism--reviews, articles and essays--from the 1980s to the mid-2000s, this publication includes texts on a wide range of artists such as Jean-Michel Baquiat, Louise Bourgeois, Carroll Dunham, Eva Hesse, Ilya Kabakov, Martin Puryear, Louise Lawler, Bruce Nauman, Adrian Piper, Jackson Pollock, Chéri Samba, Nancy Spero, Yvonne Rainer and Rachel Whiteread (among many others). Writings on Art offers fresh insights on some of the most influential artists of our era, and is a must-read for curators and students, artists, exhibition-goers and all those interested in the art and culture of today. Robert Storr (born 1949) is a renowned American critic, curator and artist. His writing has appeared in countless books and exhibition catalogs. He was curator and senior curator in the Department of Painting and Sculpture at the Museum of Modern Art, New York, for more than a decade, and became the first North American curator of the Venice Biennale in 2007. Storr led the Yale University School of Art as Dean from 2006 to 2016, and continues to teach there as professor of painting.

The most comprehensive collection of artworks by world-renowned artist Brian Clarke to date. Designed in close collaboration with the artist himself, featuring stunning photography that captures Clarke's revolutionary approach to the medium of stained glass, with an introduction by Norman Foster and an essay by Paul Greenhalgh.

Martin''s work is characterised by a unique freedom, expressed through the possibilities of her chosen canvas - a piece of paper or textile, a sculptural surface, wall or screen. She interrogates ''who we are at the core, as people'', and since her beginnings with live performance drawing in the mega clubs of Tokyo she has navigated creative worlds to interrogate and play with the role of artist and viewer. This monograph charts her career and includes early pieces, larg-scale murals and commissions, and collaborations with museums, technical institutes, museums and fashion brands.

This publication, one of the only books in print on Belfast-born artist Cathy Wilkes, features a new set of drawings related to the highly anticipated work for the Venice Biennale 2019, and providing rare insights into Wilkes' creative process.

In Lead White Zarina Bhimji explores the history of Zanzibar. Filtered through Bhimji's artistic vision, national archives and found documents become a poetic exploration of numerous topics including national health, education and contemporary Africa.

WORLDRECORDS collects highlights from the photo series "worldrecords" where Schafer photographs the great albums of music history on classic turntables, presented on oversized prints.

Acclaimed on first publication, 'Groovy Bob' is the cult biography of hedonistic gallery owner Robert Fraser and a dazzling evocation of 1960s culture and counter-culture. Taste-maker, heroin addict and promiscuous homosexual, Fraser astonished London with the artists he introduced, including Warhol, Blake, Haring, Oldenburg and Basquiat.