Böcker utgivna av Hippocampus Press

Enter the shadows of New York's dark secrets and haunted past!From a city and state that have witnessed all manner of menace-from serial killers and corrupt political machines to natural disasters and terrorist attacks-come twenty-four visions of dread from New York horror authors-all to benefit the next generation of New York writers. Presenting stories set in New York locations, A NEW YORK STATE OF FRIGHT gathers tales by new and established writers who give voice to New York's everyday fears, macabre mysteries, and worst nightmares.To help New York's rich literary tradition endure into the future, the authors, editors, and publisher of A NEW YORK STATE OF FRIGHT pledge to contribute all proceeds to New York City's Girls Write Now non-profit organization, which pairs at-risk teen women interested in writing with professional writing and career mentors. Find out more at www.girlswritenow.org.

This volume contains the ghostly tales of the British writer W. W. Jacobs (1863-1943), best known for the immortal classic "The Monkey's Paw." But Jacobs wrote many other weird tales throughout the course of his life, many of them set on the high seas. Jacobs was best known in his time as a comic writer, and he fuses humor and weirdness with a deft touch. This volume is the first to include Jacobs's complete weird writing-and also includes two dramatic adaptations of his stories as well as Louis N. Parker's celebrated dramatization of "The Monkey's Paw." The Classics of Gothic Horror series seeks to reprint novels and stories from the leading writers of weird fiction over the past two centuries or more. Ever since the Gothic novels of the late 18th century, supernatural horror has been a slender but provocative contribution to Western literature. Edgar Allan Poe, Ambrose Bierce, the Victorian ghost story writers, the "titans" of the early twentieth century (Arthur Machen, Algernon Blackwood, Lord Dunsany, M. R. James, H. P. Lovecraft), the Weird Tales writers, and many others contributed to the development and enrichment of weird fiction as a literary genre, and their work deserves to be enshrined in comprehensive, textually accurate editions. S. T. Joshi, a leading authority on weird fiction, has done exactly that in establishing this series. Using scholarly resources honed over decades of wide-ranging research, he has assembled volumes featuring not only the complete weird writings of the authors in question, but exhaustive bio-critical introductions and bibliographical data.

This volume presents the weird fiction of the British writer Thomas Burke (1886-1945), author of the scintillating horror collection Night-Pieces (1935). But Burke-celebrated for his evocative tales of London's Chinatown, gathered in Limehouse Nights and other volumes-wrote other weird tales, scattered through his many other collections. One of the most distinctive is "Johnson Looked Back," a tour de force of second-person narration. This volume constitutes the first occasion when Burke's complete supernatural writing has been gathered in a single volume. The Classics of Gothic Horror series seeks to reprint novels and stories from the leading writers of weird fiction over the past two centuries or more. Ever since the Gothic novels of the late 18th century, supernatural horror has been a slender but provocative contribution to Western literature. Edgar Allan Poe, Ambrose Bierce, the Victorian ghost story writers, the "titans" of the early twentieth century (Arthur Machen, Algernon Blackwood, Lord Dunsany, M. R. James, H. P. Lovecraft), the Weird Tales writers, and many others contributed to the development and enrichment of weird fiction as a literary genre, and their work deserves to be enshrined in comprehensive, textually accurate editions. S. T. Joshi, a leading authority on weird fiction, has done exactly that in establishing this series. Using scholarly resources honed over decades of wide-ranging research, he has assembled volumes featuring not only the complete weird writings of the authors in question, but exhaustive bio-critical introductions and bibliographical data.

Simon Gregory Williams, known as "the beast" in Sesqua Valley, has been so corrupted by his reading and memorizing every existing edition of the Necronomicon that his tainted psyche cannot enter into Randolph Carter's Dreamland. However, there is another dreamland, "the dreamland of witches," into which Simon can slink because of his brilliance as an alchemist; and it is into that dreamland that Simon accompanies an innocent young woman in her quest for rare magick. Yet even Simon, who is so experienced in eldritch lore, has never been so confronted by such outlandish Lovecraftian lunacy as he finds in this dreamland of witchery. In this fascinating excursion into the Lovecraftian fantasy/horror realm of Dreamland, two veteran authors of weird fiction have written a novel that is by turns horrific and poignant, with vibrant characters and a compelling narrative that carries the reader on from scene to scene to the novel's cataclysmic conclusion. David Barker is a widely published author and poet whose work has appeared in Fungi, Cyäegha, and Shoggoth.net. W. H. Pugmire is a longtime Lovecraftian author whose work has been gathered in many volumes, notably The Tangled Muse and An Ecstasy of Fear. The two authors have collaborated on The Revenant of Rebecca Pascal and In the Gulfs of Dream and Other Lovecraftian Tales.

Table of ContentsThe Melancholia of H. P. Lovecraft's "The Music of Erich Zann"James GohoFeminine Powerlessness and Deference in The Case of Charles Dexter WardCecelia Hopkins-DrewerRavening for Delight: Unusual Descriptions in LovecraftDuncan NorrisWhere Lovecraft Lost His Telescope: His Kingston and the Towns around ItRobert H. WaughWhy Michel Houellebecq Is Wrong about Lovecraft's RacismS. T. Joshi"Whaddya Make Them Eyes at Me For?": Lovecraft and Book PublishersDavid E. SchultzTwo Centenaries: H. P. Lovecraft and Elsa GidlowKenneth W. Faig, Jr.2001: A Lovecraftian OdysseyMichael D. MillerThat Fool OlsonBobby DerieA Placid Island: H. P. Lovecraft's "Ibid"Francesco BorriLovecraft, Aristeas, Dunsany, and the Dream JourneyDarrell SchweitzerH. P. Lovecraft-Beacon and GatewayDonald Sidney-FryerThe Void: A Lovecraftian AnalysisDuncan NorrisHoward Phillips Lovecraft: Romantic on the NightsideJan B. W. PedersenHow to Read Lovecraft: A Column by Steven J. MaricondaReviewsBriefly Noted

This volume includes the complete weird writings of Mary Shelley (1797-1851), who wrote the imperishable novel Frankenstein before she was twenty. This novel not only is a pioneering weird tale but also a foundational work of science fiction; its provocative notion that human life can be created in the laboratory is rich in complex moral overtones. Shelley went on to write shorter weird tales, including the reanimation stories "Valerius" and "Roger Dodsworth"; "Transformation," a story of psychic transference; and "The Mortal Immortal," about the quest for eternal life. The Classics of Gothic Horror series seeks to reprint novels and stories from the leading writers of weird fiction over the past two centuries or more. Ever since the Gothic novels of the late 18th century, weird fiction has been a slender but provocative contribution to weird fiction. Edgar Allan Poe, Ambrose Bierce, the Victorian ghost story writers, the "titans" of the early twentieth century (Arthur Machen, Algernon Blackwood, Lord Dunsany, M. R. James, H. P. Lovecraft), the Weird Tales writers, and many others contributed to the development and enrichment of weird fiction as a literary genre, and their work deserves to be enshrined in comprehensive, textually accurate editions. S. T. Joshi, a leading authority on weird fiction, has done exactly that in establishing this series. Using scholarly resources honed over decades of wide-ranging research, he has assembled volumes featuring not only the complete weird writings of the authors in question, but exhaustive bio-critical introductions and bibliographical data.

This volume presents Lovecraft's correspondence with Maurice W. Moe, who knew Lovecraft for nearly the entirety of the latter's adult life, from 1914 to 1937. Moe, a high school teacher in Wisconsin, was a devoted amateur journalist and also a fervent and evangelical Christian, and both subjects elicited sharp discussions from Lovecraft. The Providence writer's years-long assistance on Moe's book about the appreciation of poetry, Doorways to Poetry, may have helped inspire his later weird verse, including the Fungi from Yuggoth sonnets. The volume also contains Lovecraft's extensive correspondence with Bernard Austin Dwyer, a weird fiction fan who engaged in wide-ranging discussions with Lovecraft on such subjects as cosmicism, Lovecraft's upbringing, and political developments in the 1920s and 1930s. In addition, the relatively few surviving letters that Lovecraft wrote to the poet Samuel Loveman, as well as a year-long correspondence with the noted bookman Vincent Starrett, are included here. As with other volumes, this book contains a fascinating array of writings by Lovecraft's correspondents, ranging from Moe's essay on "Life for God's Sake" to a rare weird tale by Dwyer. The volume has been exhaustively annotated by David E. Schultz and S. T. Joshi.

This volume presents the weird fiction of the American writer Mary E. Wilkins Freeman (1852-1930). Better known for her mainstream writings focusing on the lives of men and women in New England, Freeman was frequently attracted to the weird, and her work culminated in the notable volume The Wind in the Rose-bush and Other Stories of the Supernatural (1903). But that book contained only a small number of her weird tales, and this volume for the first time reprints all the weird work written over her long career, including a rare play about the Salem witchcraft, Giles Corey, Yeoman. The Classics of Gothic Horror series seeks to reprint novels and stories from the leading writers of weird fiction over the past two centuries or more. Ever since the Gothic novels of the late 18th century, supernatural horror has been a slender but provocative contribution to Western literature. Edgar Allan Poe, Ambrose Bierce, the Victorian ghost story writers, the "titans" of the early twentieth century (Arthur Machen, Algernon Blackwood, Lord Dunsany, M. R. James, H. P. Lovecraft), the Weird Tales writers, and many others contributed to the development and enrichment of weird fiction as a literary genre, and their work deserves to be enshrined in comprehensive, textually accurate editions. S. T. Joshi, a leading authority on weird fiction, has done exactly that in establishing this series. Using scholarly resources honed over decades of wide-ranging research, he has assembled volumes featuring not only the complete weird writings of the authors in question, but exhaustive bio-critical introductions and bibliographical data.

This volume contains the weird tales of the British writer E. Nesbit (1858-1924), who wrote two early collections of horror stories, Grim Tales (1893) and Fear (1910), while gaining celebrity with an array of books for children. But the weird attracted her throughout her career, and she devoted herself to such themes as the haunted house, the ghost, psychological terror, and even some ventures into proto-science fiction, in such celebrated tales as "Man-Size in Marble" and "The Five Senses." Her weird work, long out of print, is now available again in this meticulously edited volume. Editor's Note: The stories in this book have largely been taken from the collection Fear (1910); "The Mass for the Dead" is taken from Grim Tales (1893), while "The Pavilion" is taken from To the Adventurous (1923), as reflecting the author's late revisions to the tale. The uncollected stories are taken from their magazine appearances as specified in the bibliography. There have been several other collections of Nesbit's weird tales-E. Nesbit's Tales of Terror, edited by Hugh Lamb (Methuen, 1983), subsequently revised as In the Dark: Tales of Terror (Equation, 1988) and In the Dark (Ash-Tree Press, 2000)-and they include stories not included here; but in my judgment these tales are not genuinely weird. The Classics of Gothic Horror series seeks to reprint novels and stories from the leading writers of weird fiction over the past two centuries or more. Ever since the Gothic novels of the late 18th century, supernatural horror has been a slender but provocative contribution to Western literature. Edgar Allan Poe, Ambrose Bierce, the Victorian ghost story writers, the "titans" of the early twentieth century (Arthur Machen, Algernon Blackwood, Lord Dunsany, M. R. James, H. P. Lovecraft), the Weird Tales writers, and many others contributed to the development and enrichment of weird fiction as a literary genre, and their work deserves to be enshrined in comprehensive, textually accurate editions. S. T. Joshi, a leading authority on weird fiction, has done exactly that in establishing this series. Using scholarly resources honed over decades of wide-ranging research, he has assembled volumes featuring not only the complete weird writings of the authors in question, but exhaustive bio-critical introductions and bibliographical data.