Böcker utgivna av Hollywood Comics

Some tell of a great city of black jasper which has streets and buildings like any other city but is eternally in mourning, enveloped by perpetual gloom. Some call it Selene, some Vampire City, but the vampires refer to it among themselves by the name of the Sepulchre... To destroy the dreaded vampire lord Otto Goetzi, writer Ann Radcliffe, Merry Bones the Irishman, and Grey Jack her faithful servant, launch an all-out attack on Selene..."We can easily see in Vampire City the ultimate literary ancestor of Buffy the Vampire-Slayer."-Brian Stableford. Paul F?val (1816-1887) was the author of numerous popular swashbuckling novels and one of the fathers of the modern crime thriller. Brian Stableford has published more than fifty novels and two hundred short stories. Vampire City was written in 1867-thirty years before Bram Stoker's Dracula-and is one of three classic vampire stories also available from Black Coat Press.

In vita mors, in morte vita! In life, death; in death, life! The particular gift of Countess Addhema was to be reborn beautiful and young every time she could apply to the hideous bareness of her skull a living head of hair, a scalp, torn from the head of a living victim. This was why her tomb was full of the skulls of young women... Ren? recoiled in horror at the sight of his mistress restored to her real condition: the cadaver of an old woman, fleshless, cold, totally bald and already turning to dust..."After 1856, it would be a long time before any other writer contrived a vampire as perversely charismatic as Addhema; she is really three vampires in one. She is, first and foremost, the vampire-as-libido-run-wild, but she is certainly the vampire-as-gold-digger too, and she may well have something of the vampire-as-muse to complete her mystique."-Brian Stableford. Paul F?val (1816-1887) was the author of numerous popular swashbuckling novels and one of the fathers of the modern crime thriller. Brian Stableford has published more than fifty novels and two hundred short stories. The Vampire Countess was written in 1855-forty years before Bram Stoker's Dracula-and is one of three classic vampire stories also available from Black Coat Press.

In the middle of the Great Hungarian Plain, there are two graves. Each is covered by a black stone, which carry inscriptions in French. On the larger one: Jean T?n?bre, Chevalier; on the smaller: Ange T?n?bre, Priest. They are the T?n?bre brothers... On many occasions, during the last four hundred years, those graves have opened, to the terror and the horror of the surrounding country... "The brothers T?n?bre are the Eternal Adversaries against which Eternal Champions and Thousand-Faced Heroes are pitched."-Brian Stableford.Paul F?val (1816-1887) was the author of numerous popular swashbuckling novels and one of the fathers of the modern crime thriller. Brian Stableford has published more than fifty novels and two hundred short stories. Knightshade was written in 1860-almost forty years before Bram Stoker's Dracula-and is one of three classic vampire stories also available from Black Coat Press.

Gaspard de la Nuit (originally published in 1842) combines the haunting Gothic imagery of ETA Hoffman with the colorful romantic verve of Victor Hugo. In it, you will meet Scarbo the vampire dwarf, Ondine, the faerie princess of the waters, and an unforgettable assortment of lepers, alchemists, beggars, swordsmen and ghosts.Gaspard de la Nuit inspired Baudelaire, Rimbaud, Mallarmé, the Surrealist Movement and composer Maurice Ravel, who wrote a suite of virtuoso piano pieces patterned after it. This new edition has been entirely retranslated by renowned poet and literary historian Donald Sidney-Fryer, the author of Songs and Sonnets Atlantean who has edited four collections of prose and poetry by Clark Ashton Smith. In his extensive introduction and afterword, Sidney-Fryer retraces the steps in Bertrand's life, casts a new light on his works and follows the elusive Gaspard from the Three Kings of Bethlehem to Casper the Friendly Ghost. This collection features a foreword by T.E.D. Klein and is illustrated by drawings from Bertand himself.