Chinese opera embraces over 360 different styles of theatre that make one of the richest performance arts in the world. It combines music, speech, poetry, mime, acrobatics, stage fighting, vivid face-painting and exquisite costumes. First experiences of Chinese opera can be baffling because its vocabulary of stagecraft is familiar only to the seasoned aficionado. Chinese Opera The Actor's Craft makes the experience more accessible for everyone. This book uses breath-taking images of Chinese opera in performance by Hong Kong photographer Siu Wang-Ngai to illustrate and explain Chinese opera stage technique. The book explores costumes, gestures, mime, acrobatics, props and stage techniques. Each explanation is accompanied by an example of its use in an opera and is illustrated by in-performance photographs. Chinese Opera The Actor's Craft provides the reader with a basic grammar for understanding uniquely Chinese solutions to staging drama.
As a special administrative region of China, Hong Kong has its own legal system rooted in the common law. Reforms to this system take into account Hong Kong's unique conditions as an international city and draw widely on practices around the world. Since 1980, recommendations from a Law Reform Commission, chaired by the Secretary for Justice, have resulted in comprehensive revisions in key areas of law, ranging from commercial arbitration and interception of communications to divorce and copyright. Recently, however, the government has been slow to act on the Commission's recommendations. Questions have also arisen about whether the Commission -- under-resourced, part-time and government-led -- can really meet the needs of an increasingly sophisticated society. Is law reform itself also in need of reform? This collection of essays by distinguished experts from around the world seeks answers to the question. The book explores the varied experience of law reform in Hong Kong and other common law jurisdictions and makes recommendations for strengthening the process of law reform both in Hong Kong and elsewhere.
"Try Something Different. Something Really Chinese" The Happy Hsiungs recovers the lost histories of Shih-I and Dymia Hsiung, two once highly visible, but now largely forgotten Chinese writers in Britain, who sought to represent China and Chineseness to the rest of the world. Shih-I shot to worldwide fame with his play Lady Precious Stream in the 1930s and became known as the first Chinese director to work in the West End and on Broadway. Dymia was the first Chinese woman in Britain to publish a fictional autobiography in English. Diana Yeh traces the Hsiungs' lives from their childhood in Qing dynasty China and youth amid the radical May Fourth era to Britain and the USA, where they rubbed shoulders with George Bernard Shaw, James M. Barrie, H. G. Wells, Pearl Buck, Lin Yutang, Anna May Wong and Paul Robeson. In recounting the Hsiungs' rise to fame, Yeh focuses on the challenges they faced in becoming accepted as modern subjects, as knowledge of China and the Chinese was persistently framed by colonial legacies and Orientalist discourses, which often determined how their works were shaped and understood. She also shows how Shih-I and Dymia, in negotiating acceptance, "performed" not only specific forms of Chineseness but identities that conformed to modern ideals of class, gender and sexuality, defined by the heteronormative nuclear family. Though fêted as 'The Happy Hsiungs', their lives ultimately highlight a bitter struggle in attempts to become modern.
A factual account of the course of the ten-year Cultural Revolution in the Foreign Ministry, based on documents issued during the Cultural Revolution, talks by Zhou Enlai and Chen Yi, and the manuscripts of those concerned, as well as interviews with Foreign Ministry staff members who took part in the events.
Taking into account cultural differences between Asian and Western patients, this book focuses on delivery of effective treatment at an early stage in psychosis, especially for young people. It pays particular attention to early intervention programmes established in Hong Kong and Singapore, and assesses recent developments in Korea, Japan and other countries. The volume covers approaches in the management of psychosis, including pathway to care, stigma and interventions. With reference to the experiences of frontline practitioners, research findings and theories, it highlights the practical needs in non-Western healthcare settings. Culturally relevant discussions on recovery, relapse, self-harm and comorbid substance abuse are discussed. It also covers case studies to illustrate challenges and strategies in managing early psychosis.
This book is published in conjunction with Edward S. T. Ho's first solo exhibition of his watercolour paintings at the Exhibition Gallery of Hong Kong City Hall in March 2013. Entitled 'Watercolour Journey', these are images of mostly far off places in Mr. Ho's travels. "I have been fortunate to have a group of friends who like to travel with me to fairly exotic places, to Africa, the Middle East, South America, the Antarctic and countries such as India, Iran, Jordan, Sri Lanka and Bhutan. Images of these places have provided me with interesting subjects for my paintings and wonderful mementos of my journeys. I wish to share those memories with my friends once again, and also with those who also enjoy seeing new places and experiencing different cultures."
The book confronts the popular conjecture of a Pax Sinica emerging to replace Pax Americana in the wake of global financial crisis. It argues that by virtue of its overwhelming economic, technological and military clout, US hegemony will continue to prevail, though increasingly less coherently, as China's ascendance as a global power accelerates. The argument is underpinned with analysis of different junctures in China's trajectory towards the status of economic giant, from the tacit creation of the "Greater China" growth triangle and ordeal of the Asian Financial Crisis, through the breakthrough with China's membership in the WTO and the subsequent large-scale realignment of productive forces in the Asia Pacific region. A chronological approach is combined with topical analysis, focusing in particular on the interplay between economic imperatives and geopolitical dynamics. Taken together, the book provides a highly refreshing and coherent perspective for looking at China arising as a dominant Asia-Pacific power with significant global implications. As an interdisciplinary study it will appeal to scholars and academics, as well as businessmen and government policy-makers interested in Asian and global affairs; and especially to students of economics, politics, international business and globalization studies.
Ecology / Environmental Studies
Ecology / Environmental Studies
Imperial Contagions complicates common historical narratives portraying a straightforward shift from older, enclavist models of colonial medicine to newer pursuits of prevention and treatment among indigenous populations and European residents. In a series of essays, the volume shows colonial medicine was not a homogeneous, "on the ground" phenomenon but rather a practice rife with tensions and contradictions. Indigenous elites contested and appropriated Western medical knowledge and practices for their own purposes, while colonial policies contained contradictory and cross-cutting impulses. Contributors ultimately challenge the long-standing belief that colonial regimes uniformly regulated indigenous bodies and that colonial medicine served as a "tool of empire."
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