Böcker utgivna av House of Anansi Press Ltd ,Canada

"These days, everyone feels insecure. We are financially precarious, overwhelmed and anxious, and worried about the future. While millions endure the stress of struggling to make ends meet, in reality, the status quo isn't working for anyone, even the affluent and comparatively privileged; they, too, are deeply insecure. What is going on? The Age of Insecurity exposes how seemingly disparate crises -- our suffering mental health and rising inequality, the ecological emergency, and the threat of fascism -- are tied to the fact that our social order runs on insecurity. Across disparate sectors, from policing and the military to the wellness and beauty industries, the systems that promise us security instead actively undermine it. We are all made insecure on purpose, and our endless striving shapes how we feel about ourselves and others -- including what we believe is personally and collectively possible. The Age of Insecurity sheds new light on our contemporary predicament, exposing the psychological and political costs of the insecurity-generating status quo, while proposing ways to forge a new path forward."--]cProvided by publisher.

"What is breath for? What is archive? Why write a poem, instead of... something else? Theophylline is a work of poetry motivated by asthma, seeking poetry's futurity in a queer and female heritage. Moure crosses a border to engage the poetry of three American modernists--Muriel Rukeyser, Elizabeth Bishop, and Angelina Weld Grimkâe--as a translator might enter work to translate it. But what if that work is already in English? Moure listens to rhythms, punctuation, conditions of production and reception, and finds migration patterns, queeritude, mother mimory, wars, silence, constraints on breath, and social bias played out in terms of race and/or class. Moving from present to past to a future in the unwritten; querying borders, jarred by intrusions from alter ego Elisa Sampedrâin, Theophylline finishes with poems informed by pandemic walks and human aging that include two translations: from Rosalâia de Castro, pre-modernist poet who wrote in Galician calling on women to speak, and from Câesar Vallejo, the twentieth century Peruvian whose poetics shattered the colonial (Spanish) tongue."--

"While bok choy is now a staple on Western grocery store shelves, other Asian vegetables remain unknown--even though they're delicious, nutritious, and easy to grow in northern climates. Caroline, Stâephanie, and Patricia Ho-Yi Wang, three sisters of Cantonese descent, have made it their mission to introduce gardeners, cooks, and vegetable lovers of all flavours to wider sources of sustenance. Organized around fifteen Asian vegetables that are presented according to the rhythm of the seasons, this lush, full-colour book offers advice on growing and harvesting organic crops intended for both weekend and commercial gardeners, along with a host of ideas to preserve and prepare them, including forty or so recipes, some of which have been developed by renowned chefs. The Wang sisters complement the book's practical advice by offering thoughts on Asian vegetables from a cultural point of view and sharing the importance of these foods within their own family, members of whom left China to immigrate to Madagascar before settling in Quâebec. Asian Vegetables is a generous and gorgeous tribute to good food, to the land, and the importance of strong roots."--

"Brandi Bird's long-anticipated debut poetry collection, The All + Flesh, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird's work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the "I" of the self, a tradition of movement that has been lost for many who don't speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird's poems seek to delve into and reflect their cultural lineages--specifically Saulteaux, Cree, and Mâetis--and how these transformative identities shape the person they are today."--

The universe makes a sound-is a sound. In the core of this sound there's a silence, a silence that creates a sound, which is not its opposite,but its inseparable soul. And this silence can also be heard. -Etal AdnanThe Griffin Poetry Prize is among the world's most significant prizes in literature. Awarded each year to the most outstanding volumes of poetry published worldwide, the prize recognizes works written in, and translated into, English. This anthology, edited by Gregory Scofield, offers a selection of poems from the 2023 shortlist, together with the judges' citations.

"Genre-blending stories of transformation and belonging that centre women of colour and explore queerness, family, and community. A couple in a crumbling marriage faces divine intervention. A woman dies in her dreams again and again until she finds salvation in an unexpected source. A teenage misfit discovers a darkness lurking just beyond the borders of her suburban home. The stories in Chrysalis, Anuja Varghese's debut collection, are by turns poignant and chilling, blurring the lines between the monstrous and the mundane. Poetic, sensual, and surreal, Varghese's stories delve into complex intersections of family, community, sexuality, and cultural expectation through an unapologetically feminist lens. Drawing on folklore, fairy tale, and magical realism, they take aim at the ways in which racialized women are robbed of power and revel in the strange and dangerous journeys they undertake to reclaim it."--

Finalist, Crime Writers of Canada 2024 Awards of Excellence, Best Crime Novel categoryWhen a killing spree threatens Dundurn, MacNeice risks everything to protect his team and put an end to it. Detective Superintendent MacNeice returns to Dundurn following a month-long suspension and is immediately thrown into the mysterious case of a wounded runner named Jack and a blood trail that spans over forty miles. At the trail's source in a Carolinian forest, MacNeice and DI Fiza Aziz find evidence of two homicides, but no bodies. Two days later, Mac is called to a torn-up orchard set ablaze by lightning. A body has been found lying next to a stack of burnt fruit trees. There's no evidence to suggest the killings are related, and yet MacNeice suspects they are. Buy why disappear the bodies in the forest and leave the orchard corpse to be discovered?As the case develops, the team is confronted by the daylight abduction of a Brant University professor-Mac is convinced it's a killing about to happen. Going on the offensive, he employs the provincial alert system, in part, to let the kidnappers know the net is closing.

"Moving, insightful, linked stories about the determination of Somali immigrants -- despite duty, discrimination, and an ever-dissolving link to a war-torn homeland. In the insular rooms of The Private Apartments, a cleaning lady marries her employer's nephew and then abandons him. A woman accepts an opulent gold bangle from one man yet weds another. A depressed young mother finds unlikely support in her community housing complex. A new bride attends weddings to escape her abusive marriage. A failed nurse is sent to relatives in Dubai after a nervous breakdown. Beginning in 1991, the year the Somali Civil War started, these eight articulate stories dwell in the domestic sphere -- marriages, friendships, families -- in high-rises and low-income neighbourhoods from Rome to Toronto. Resilient, resolved women do what it takes to thrive in new cities, while feeling estranged from a conflict-ridden homeland and grappling with the privilege of having the resources to facilitate such an escape. Recurring characters are delicate threads that eloquently showcase the intricate linkages of human experience and the ways in which Somalis, even as a diaspora, are indelibly connected."--

"Hannah Green's edgy, often darkly comedic debut, Xanax Cowboy, is a long poem that considers the romanticization of addiction and mental illness (particularly in relation to the notion of the artist) via the romanticization of the Wild West. Cowboys are supposed to be messed up, a bit raw around the edges. The speaker wants to be loved for this too, and doesn't care if she is the only one laughing. The long poem is known for its resistance to form and expectation. Xanax Cowboy is as obsessed with itself as other long poems. It is vain. It is ridiculous. It is a tangent with new shapes, line breaks, and metaphors. Highly referential, mostly in terms of pop culture and iconography -- drawing from sources such as Michael Ondaatje's The Collected Works of Billy the Kid and the films of Quentin Tarantino -- Xanax Cowboy also deploys a specifically feminist approach, giving it additional urgency and energy. Xanax Cowboy insists on its variety of form and approach. Its strangeness. Its boldness. Its smoking pistols. Prepare yourself for a whiskey-drenched Western where pills fall from the sky and the speaker swallows Hollywood's version of the cowboy, its loneliness resting in her belly."--

"Kukum recounts the story of Almanda Simâeon, an orphan raised by her aunt and uncle, who falls in love with a young Innu man despite their cultural differences, and goes on to share her life with the Pekuakami Innu community. They accept her as one of their own: Almanda learns their language, how to live a nomadic existence, and begins to break down the barriers imposed on Indigenous women. Unfolding over the course of a century, the novel details the end of traditional ways of life for the Innu, as Almanda and her family face the loss of their land and confinement to reserves, and the enduring violence of residential schools"--

A writer¿s witty and surprisingly optimistic account of learning to live with Parkinson¿s disease. When he was sixty-five, François Gravel was diagnosed with Parkinson¿s disease, upending the old age he had imagined for himself. As a way of contemplating his new life with a degenerative illness, he turned to what he knew best and loved most: writing. Gravel immersed himself in research on Parkinson¿s, exploring its medical history and treatments and paying close attention to the changes he experienced, all in service of learning how to best manage his symptoms throughout the advancement of this incurable disease. With a lightness of touch that belies a difficult subject (he imagines Dr. Parkinson as a military man who has set up camp in his brain), Gravel shares what he has learned in a memoir that is at once charming, serious, and moving. He writes, ¿For a long time, I believed that Parkinson¿s was a disease. Now, I realize it¿s a philosophy course.¿ Colonel Parkinson in Charge is, in some ways, the companion text for this course, engaging with and demystifying a daunting subject to help readers better understand life with Parkinson¿s disease.

Featuring full-colour illustrations, Scenes from the Underground is the fully uninhibited field notes of the club scene.

"Ava Lee is in the French Riviera with Pang Fai and Lau Lau for the long-awaited premiere of Tiananmen at the Cannes Film Festival. As the film wins numerous awards and international acclaim, a distribution deal with a major American firm is arranged by the film's producer, Chen. When several months go by with no word from the Americans, Chen decides to travel to Los Angeles to determine what is preventing the film's release. En route from his home in Bangkok, Chen goes missing. Ava is called in to investigate and soon learns that Chen is being held by the Thai Immigration Services on orders of the Chinese government, which is unhappy with the film's depiction of the infamous massacre at Tiananmen Square. Using its growing power and influence, the Chinese government seeks to block the film's distribution and punish those responsible for its production. To protect her investment, Ava must find a way for Tiananmen to be released, while keeping secret her own involvement in the film's creation and ensuring that her friends are kept safe from retribution. It is a difficult balancing act, perhaps the most difficult of her life, as the stakes have never been higher nor has failure been more costly."--

"A poet and journalist looks back on a remarkable journey from Turkey to Nepal in 1978, when the region was on the brink of massive transformation. In the spring of 1978, at age twenty-two, Mark Abley put aside his studies at Oxford and set off with a friend on a three-month trek across the celebrated Hippie Trail -- a sprawling route between Europe and South Asia, peppered with Western bohemians and vagabonds. It was a time when the Shah of Iran still reigned supreme, Afghanistan lay at peace, and city streets from Turkey to India teemed with unrest. Within a year, many of the places he visited would become inaccessible to foreign travellers. Drawing from the tattered notebooks he filled as a youthful wanderer, Abley brings his kaleidoscope of experiences back to life with vivid detail: dancing in a Turkish disco, clambering across a glacier in Kashmir, travelling by train among Baluchi tribesmen who smuggled kitchen appliances over international borders. He also reflects on the impact of the Hippie Trail and the illusions of those who journeyed along it. The lively immediacy of Abley's journals combined with the measured wisdom of his mature, contemporary voice provides rich insight, bringing vibrant witness and historical perspective to this beautifully written portrait of a region during a time of irrevocable change."--

"The fourth and final installment in Ian Hamilton's exhilarating Ava Lee spin-off series The Lost Decades of Uncle Chow Tung. Following a diagnosis of terminal cancer, Uncle begins preparing for his inevitable death. As he sets his affairs in order, he recalls the moments in his life that meant the most to him -- including his first encounter with the talented forensic accountant Ava Lee and the origins of their life-changing partnership."--

Originally published by Anansi in 1971, this attractive A List edition features Northrop Frye's timeless essays on literature and painting along with a new introduction by celebrated Canadian author Lisa Moore.

A muscle's "twitch force" is a measurement of its energy potential. It's history dependent: you can forget it, but it's engraved on you where you can't see it, and all it wants to do is repeat. Scotiabank Giller Prize winner Michael Redhill's first collection of poetry in eighteen years, Twitch Force has a gnomic, satirical, and lucid intelligence. In "Ingredients," heredity's recipe is told via short-form family narrative; in "My Arrangements," a stolen laptop battery leads to an encounter with the Israeli Olympic women's beach volleyball team; while in "The Women," human beauty is parsed down to the level of chromosomes: "I'm beautiful; I have my mother's feet. The women who change into men are beautiful men who were once beautiful women."This is poetry concerned with love and its loss, despair and hard-won hope, knowledge and essential mystery, aging and timelessness. Readers are cautioned: ideas that present as self-explanatory may be closer than they appear. Twitch Force is a stunningly realized return to the form from one of Canada's bravest and most original poets.

The prestigious and highly anticipated annual anthology of the best Canadian and international poetry from the shortlist of the 2019 Griffin Poetry Prize. Each year, the best books of poetry published in English internationally and in Canada are honoured with the Griffin Poetry Prize, one of the world's most prestigious and richest literary awards. Since 2001 this annual prize has spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation.

A groundbreaking meditation on sexual politics, love, and human tenacity from the world-renowned pioneer of feminist writing and prophetic author of The Handmaid's Tale, Margaret Atwood.

Reissued for the first time in a handsome A List edition, the Governor General¿s Literary Award¿winning collection from one of Canadäs most profoundly inventive and eminent poets, featuring an introduction by award-winning poet Sonnet L¿Abbé.The poetry in the Governor General¿s Award¿winning collection Furious is charged with Erin Moure¿s characteristic energy and wit as she explores the limits of pure reason and the language of power. There is, too, a fresh and often celebratory look at love, and, in an unusual finale, ¿The Acts,¿ Moure challenges us to explore a feminist aesthetic: of thinking, of the page, of working life and the possibility of poetry.

The prestigious and highly anticipated annual anthology of the best Canadian and international poetry. The 2018 edition will be edited by Ian Williams, who was previously shortlisted for the Griffin Poetry Prize himself, as well as the Robert Kroetsch Poetry Book Award.

Each year, the best books of poetry published in English internationally and in Canada are honoured with the Griffin Poetry Prize, one of the world’s most prestigious and richest literary awards. Since 2001 this annual prize has acted as a tremendous spur to interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation. And each year The Griffin Poetry Prize Anthology features the work of the extraordinary poets shortlisted for the awards, and introduces us to some of the finest poems in their collections.Royalties generated from The 2017 Griffin Poetry Prize Anthology will be donated to UNESCO’s World Poetry Day, which was created to support linguistic diversity through poetic expression and to offer endangered languages the opportunity to be heard in their communities.

This book is an exhilarating revelation. No other poet in Canada has the depth and range of Dennis Lee. Jazzman, jester, and metaphysician, hardball political thinker and passionate lover, he has been publishing poems for fifty years, working across the spectrum from nursery rhymes and skipping songs to uncompromising moral introspection to full-tilt love songs, plangent psalms, and ecstatic, solitary prayer. This Omnibus represents them all, and it will make your head spin.There are poets’ poets and people’s poets. And then there are those few who are neither and both: the few who become, over time, part of the warp and weft of their culture. The Dennis Lee Omnibus collects for the first time work from all corners of this extraordinary career, from Lee’s searing early breakthroughs to his beloved children''s verse to his visions of environmental apocalypse. A must-have collection from one of Canada’s literary icons.

Twenty years after the publication of his debut, Little Dogs: New and Selected Poems brings together selections from Michael Crummey’s first four books of poetry with a significant offering of new work. In this collection, Crummey emerges not only as the master storyteller we know him to be, but also as one of our great poets of connection. Whether reporting from a solitary room or a shared bed, recalling the barbed delirium of adolescence, the subtler negotiations of mature love, or the generational echoes between fathers and sons, these poems are deeply engaged in the business of living with others. Of living with the absence of those who have shaped and sometimes scarred us. Unafraid of confronting the darker corners of desire or of digging into the past to make sense of the present, Crummey has already given us a tremendous body of work. Little Dogs showcases the evolution of one the most distinct and celebrated Canadian writers of his generation.

The Corpses of the Future is a sustained, confessional new collection of poems by Lynn Crosbie. It tells the story of her father’s battle with frontotemporal dementia and blindness, following a stroke. The poems chronologically recount the poet’s conversations and time with her father, and capture his still-astonishing means of communicating. The book’s title is his, sardonic, remark. Crosbie considers, strategically, dementia to be a symbolic language and as such, similar to poetry. The author’s attempts to understand her father’s distress, pain, fear, and brave love are assisted by her understanding of the “negative capability” required of readers of poetry.This is a harrowing book, with moments of joy and even levity. It is a collection of poetry about love, and love’s persistence, even under the most unspeakable circumstances.

A brand new edition of the smash-hit play, now a wildly popular CBC TV series. Mr. Kim is a first-generation Korean immigrant and the proud owner of Kim¿s Convenience, a variety store located in the heart of downtown Torontös Regent Park neighbourhood. As the neighbourhood quickly gentrifies, Mr. Kim is offered a generous sum of money to sell ¿ enough to allow him and his wife to finally retire. But Kim¿s Convenience is more than just his livelihood ¿ it is his legacy. As Mr. Kim tries desperately, and hilariously, to convince his daughter Janet, a budding photographer, to take over the store, his wife sneaks out to meet their estranged son Jung, who has not seen or spoken to his father in sixteen years and who has now become a father himself. Wholly original, hysterically funny, and deeply moving, Kim¿s Convenience tells the story of one Korean family struggling to face the future amidst the bitter memories of their past.

Winner of the Trillium Book Award for PoetryIn Intruder, acclaimed poet Bardia Sinaee explores with vivid and precise language themes of encroachment in contemporary life.Bemused and droll, paranoid and demagogic, Sinaee's much-anticipated debut collection presents a world beset by precarity, illness, and human sprawl. Anxiety, hospitalization, and body paranoia recur in the poems' imagery - Sinaee went through two-and-a-half years of chemotherapy in his mid-twenties, documented in the vertiginous multipart prose poem "Twelve Storeys" - making Intruder a book that seems especially timely, notably in the dreamlike, minimalist sequence "Half-Life," written during the lockdown in Toronto in spring 2020.Progressing from plain-spoken dispatches about city life to lucid nightmares of the calamities of history, the poems in Intruder ultimately grapple with, and even embrace, the daily undertaking of living through whatever the hell it is we're living through.

Spanning three centuries and set against the backdrop of the Appalachians from Quebec to Tennessee, The Longest Year is a magical and poignant story about family history, fateful dates, fragile destinies, and lives brutally ended and mysteriously extended.