前 言 自2021年12月1日征稿以来，《世界华人三行诗荟萃》受到了广泛的关注，踊跃的投稿。我们以优秀佳作作为择稿标准，从海量的来稿中录用了120多位诗人的600多首作品。这些作品，涉及了广泛的题材，呈现了多样的风格，运用了多种创作技巧。题材上，有表现哲理的、人生的、励志的、乡愁的等等；风格上，有爱好抒情的，偏重描景的，营造气氛的，勤于造境的等等；创作技巧上，有采用特征法、对比法、反衬法、提问法、叠加法等等。在这些作品的创作者中，有重量级诗坛老手，有初出茅庐的诗坛新秀；有专攻三行诗的微型诗诗人，也有涉猎各种诗型的多面手。这确实是一部很有可读性、咀嚼性、启发性的三行诗优秀作品之荟萃。 那么，什么是三行诗呢？顾名思义，所谓三行诗，就是用三行文字写成的微诗，它一般被冠以标题、不超过30个字。那么，为什么偏偏用三行文字组成一种特定诗型，而不是一行、两行，或者更多呢？这是因为，除特例外，一般来说，一行不成文，只成句；两行也不成文，只成对；只有三行才具最精炼的完整性。从结构角度看，三行诗最具完整性。世界上，不论什么作品，不论它多长，哪怕是鸿篇巨著，都只有开头、中间和结尾三个部分。这三个部分，三行诗里的三行正好全部胜任，全部涵盖。所以，三行诗是一种最具完整性且又最具精炼性的诗型。从物理角度看，三行诗里的"三"最具稳定性。比如三脚架、中国古代酒杯"爵"或者圆形大鼎，它们之所以都采用三条腿，正是因为"三"的这个稳定性。俗话说"三足鼎立"就是这个道理。所以，三行诗在结构上又最具稳定性。从生成角度看，三行诗最具繁衍性。老子说，"道生一，一生二，二生三，三生万物"，世界上的万事万物都由"三"生成而出。我们都知道，世界上色彩万千，绚丽灿烂，也都来自于红、绿、蓝三种原色，只要将这三种颜色以不同比例混合，就可以得到自然界中存在的所有色彩。因此，"三"这个数字包含了世界上万事万物的生成源泉。所以说，三行诗虽小，但它是最小体积里的最具完整性的诗型。它体积虽小，却可以包罗万象，具有鲜活的生命力、强大的繁衍力、广泛的涵盖力。所有这些都告诉我们，让三行诗作为一种固定诗型，一点也不为过。 三行诗具有很多优势。首先，从读者的角度看，现代社会日新月异，生活节奏十分快捷，特别是因为有了互联网，信息之多之广浩如烟海，很都人都没有读完一首新诗的闲情逸致。而三行诗由于短小精悍，一眼就能读完，所以它很受广大读者的青睐。其次，从创作者的角度看，它便于书写，出稿速度快。由于它体积小，我们躺着、站着、走着，甚至一边干活一边就可以在脑子里创作。创作完后，在方便的时候转写在纸上或者输入电脑、手机等。因此，
AWAKEN YOUR INNER WARRIORJoin the authors on a journey from fit to fat to fit as ever! They have compiled everything they learned along their journey and are presenting it to you in an easy to read and understand format! With all the analytical data to back it up!
Short stories telling tales from a small world; an eclectic, compilation from different corners of the globe. Sixty-one heartfelt sketches often laced with longing.We travel to Europe, Scandinavia and Oceania, The Middle East, Africa, Asia and The Americas; visit places of seclusion and reflection, mountains and memories, quiet towns and villages, cities immersed in their hustle and bustle. We visit the obvious to find the not so obvious. We visit the unusual. There is history and humour, mystery and regret, an odd assortment of bibs, bobs and bibelots - often nostalgic, reflective, happy or sad - sometimes all of the above. We meet many people along the way, including teachers, doctors, backpackers, country and city folk along with travelling souls of all ilks.Most of these offerings have been previously published here and there, in some form at least, scattered across various blogs, websites, the occasional newspaper and/or offered up in some literary competition.While there is lots of `travel' in this world-wide wander, the stories are very much focused on people, places and the human condition. The tales vary in length, a menagerie of the tall and the true, all intended to lead the reader to who knows where.
Short stories telling tales from a sunburned country. A wandering walkabout of a book, both Urban and Outback. Thirty-seven heartfelt sketches laced with longing.Within these pages we travel to the most eclectic corners of the country, from secluded sand spits and beaches to inland Birdsville; dine with dingoes, fishermen, farmers and cassowaries. There is history and humour, mystery and regret, an odd assortment of bibs, bobs and bibelots - often nostalgic, reflective, happy or sad - sometimes all of the above. We wander ruins and rocks with their own ancient stories; smell the mountain air, the mud and bulldust, the spinifex and baking sand from dune and desert. We meet Station hands, backpackers, country and city folk, travelling souls of all ilksMost of these offerings have been previously published here and there, in some form at least, scattered across various blogs, websites, the occasional newspaper and/or offered up in some literary competition.While there is lots of `travel' in this Antipodean oddity of a book, the stories are very much focused on people, places and the human condition. The tales vary in length, a menagerie of the tall and the true, all intended to lead the reader to who knows where.
X¿a nay không ít ng¿¿i có quan ni¿m nh¿m l¿n cho r¿ng Ph¿t giáo bi quan y¿m th¿, thoát ly cu¿c ¿¿i, tiêu c¿c ¿¿i v¿i cu¿c s¿ng nhân sinh, không thích h¿p v¿i ¿à v¿n minh ti¿n b¿ c¿a nhân löi. Th¿t ra, ¿¿o Ph¿t là ¿¿o tích c¿c yêu ¿¿i. Ch¿ riêng vi¿c Thái t¿ T¿t-¿¿t-¿a t¿ b¿ ¿¿i s¿ng v¿¿ng gi¿ quy¿n uy danh v¿ng t¿t ¿¿nh ¿¿ xu¿t gia tu hành ch¿ng ¿¿o, r¿i hòa mình v¿i qu¿n chúng bình dân, tr¿n ¿¿i t¿n t¿y cho s¿ nghi¿p giáo hóa, c¿ng ¿ã ¿¿ ¿¿ ch¿ng minh cho tinh th¿n v¿ tha c¿u th¿ c¿a ¿¿o Ph¿t. Và hào quang trí hu¿ giác ng¿ c¿a ¿¿c Ph¿t ¿ã soi sáng cho n¿n v¿n minh nhân löi ti¿n lên không ng¿ng. Nh¿ng phát minh khoa h¿c ngày càng thành công r¿c r¿, thì nh¿ng l¿i ¿¿c Ph¿t thuy¿t gi¿ng n¿m x¿a l¿i càng tr¿ nên s¿ng ¿¿ng, ch¿ng nghi¿m sáng t¿ trong m¿i hoàn c¿nh, kh¿p m¿i lãnh v¿c sinh höt c¿a con ng¿¿i.Tr¿n gian nh¿ ¿êm t¿i, trí th¿c nhân löi nh¿ ngàn sao, còn trí hu¿ giác ng¿ c¿a ¿¿c Ph¿t ch¿ng khác nào m¿t tr¿i mùa xuân bu¿i sáng. ¿¿c Ph¿t ¿em trí hu¿ giác ng¿ ¿ó ¿¿ xây d¿ng cu¿c ¿¿i v¿i ch¿t li¿u t¿ bi, h¿ x¿, v¿ tha, giúp chúng sanh có ¿¿¿c ¿¿i s¿ng an l¿c th¿ng hoa, hi¿n hòa, sáng s¿a. Ngài xu¿t thân t¿ con ng¿¿i, do phát tâm tu hành mà thành b¿c giác ng¿, r¿i tr¿ l¿i giáo hóa ¿¿ sanh. T¿t nhiên h¿n ai h¿t, Ngài th¿u rõ th¿c tr¿ng xã h¿i b¿t an, ki¿p s¿ng nhân sinh l¿m than t¿m t¿i b¿i nh¿ng giáo ¿i¿u mê tín th¿n linh ích k¿ và nh¿ng t¿p t¿c h¿ l¿u t¿ lâu ¿¿i ¿è n¿ng lên ki¿p s¿ng con ng¿¿i không l¿i thoát.¿¿ gi¿i phóng th¿c tr¿ng ¿au lòng trong ki¿p s¿ng nhân sinh, ¿¿c Ph¿t ¿ã hi¿n tr¿n ¿¿i mình cho công cu¿c höng pháp giáo hóa, nh¿m th¿c t¿nh th¿ nhân nh¿n th¿c chân giá tr¿ kh¿ n¿ng Ph¿t tánh thánh thi¿n c¿a mình. Ngài xác quy¿t: "T¿t c¿ chúng sanh ¿¿u có tình th¿c. Trong m¿i ng¿¿i ¿¿u có dòng máu cùng ¿¿ và dòng n¿¿c m¿t cùng m¿n. M¿i ng¿¿i ¿¿u có Ph¿t tánh. Ta là m¿t chúng sanh ¿ã thành Ph¿t. Chúng sanh là nh¿ng v¿ Ph¿t s¿ thành." Rõ ràng ¿¿c Ph¿t thuy¿t minh ¿¿c tánh nhân b¿n, nh¿m xây d¿ng xã h¿i công b¿ng bình ¿¿ng, ¿¿ m¿i ng¿¿i ¿¿u ¿¿¿c quy¿n s¿ng an lành h¿nh phúc, t¿ ¿ó ti¿n lên c¿nh gi¿i thánh thi¿n huy hoàng c¿a b¿c thánh nhân.
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