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The first of its kind - original, unique and beautifully illustrated by the author. Engagingly written, it will appeal to fans and academics alike.A lavishly illustrated study of the heavy metal battle jacket in a historical and cultural context, with a unique approach to analysis and interrogation of form and style through painting practice and theory.Since the 1970s, customized denim 'battle jackets' have been worn by heavy metal fans to signify their devotion to the music and subcultures of metal. Embellished by the wearers with patches, badges and studs, these jackets are works of art that communicate the values of metal to the world at large. This book features a series of detailed paintings that visually document examples of jackets alongside photographic portraits of the fans that wear them.The accompanying chapters describe the significance of battle jackets in metal scenes and trace a lineage of customized clothing starting in the Middle Ages. Connections are made with a wide range of historic and contemporary artworks, suggesting a broad context within which to more fully appreciate the significance of the jackets. The methodology spans a range of disciplines from art theory to ethnography and subcultural studies, and the discussion is informed by responses from a series of interviews conducted over the years with metal fans.The book has a highly original focus and the author's approach to the subject is unique. It reaches across a range of fields: the history and cultural context of heavy metal music, style and dress; art history and practice, particularly painting; subcultural studies; fashion and dress; music graphics, branding and marketing.Tom Cardwell is an artist and researcher specialising in contemporary painting, customized clothing and heavy metal subcultures. He is senior lecturer in painting atCamberwell, University of the Arts London.It will appeal to readers with an interest in metal subcultures; fashion, style and dress; music branding and identity; contemporary art theory and practice.The writing style and content is relaxed, engaging and will be of interest to a wider casual readership with an interest in popular culture and the arts.A useful resource for academics and students interested in heavy metal, customized clothing/DIY subcultures, painting and visual arts. Could appeal to undergraduate as well as postgraduates and scholars in these fields, and a broader interest in visual culture.

Examines how scientific objects in museums and other collections act as inspiration to contemporary art practice, its histories, curating and aesthetics. Cross-disciplinary essays from leading arts professionals explore how scientific encounters in museums provoke new modes of creative thinking about art, science and curating. 84 col. illus.

Veganism is so much more than what we eat. It's about striving to live an ethical life in a profoundly unethical world. What does veganism have to do with wider struggles for social justice - feminism, LGBTQ+, anti-racism, environmentalism? This compulsively readable book dives deep into the heart of these questions.

The result of five years of practice-based creative research focused on Nicole Garneau's UPRISING project, Performing Revolutionary presents a number of methods for the creation of politically charged interactive public events in the style of a how-to guide.

Space is the ultimate canvas for the imagination. In the 1950s and '60s, as part of the space race with the United States, the solar system was the blank page upon which the Soviet Union etched a narrative of conquest and exploration. In Picturing the Cosmos, drawing on a comprehensive corpus of rarely seen photographs and other visual phenomena, Iina Kohonen maps the complex relationship between visual propaganda and censorship during the Cold War.

Few contemporary television shows have been subjected to the critical scrutiny that has been brought to bear on David Lynch and Mark Frost's Twin Peaks since its debut in 1990. Yet the series, and the subsequent film, Fire Walk With Me, are sufficiently rich that it's always possible for a close analysis to offer something new - and that's what Franck Boulègue has done with Twin Peaks: Unwrapping the Plastic.

Imaging the City brings together the work of designers, artists, dancers and media specialists who investigate how we perceive the city, how we imagine it, how we experience it, and how we might better design it. The editors open up the field of urban analysis and thought to the perspectives of creative professionals from non-urban disciplines.

Last Artist Standing shares the essays of the lives of 31 artists over the age of 50, how they have sustained their creative lives, what paths they have led, and shows who contemporary artists are today. They are mentors to other artists, having learned how to thrive and be creative through decades of life's travails. 33 b&w illus.

Faced with severe technological constraints on system memory, composers of the Nintendo Entertainment System (NES) sought ways to disguise repetition in music that repeats extensively. Their efforts gave rise to a set of compositional techniques for creating the illusion of variety. This book distills these techniques into a theory of harmony and form for the analysis of NES music. It then uses this theory to analyze five landmark scores of the NES era: Super Mario Bros., Dragon Warrior, Metroid, Mega Man 2, and Silver Surfer. Both theory and analysis are scaffolded by a detailed description of the NES hardware and its attendant constraints, highlighting the ever-evolving dialogue between technology, commercial demand, and artistic sensibility that characterizes video game music of the 1980s and 1990s.

The Handbook of Popular Music Methodologies attempts a comprehensive overview of methodological approaches within the field of popular music studies. The volume includes a wide range of methodologies, including semiotics, ethnography, psychology, intersectionality, archeology, livestreaming and esports. 30 b&w illus.

Featuring work by key figures in international documentary scholarship and talented emerging scholars, the Handbook is a landmark publication for documentary studies in the 21st century. It tackles key topics and debates and the shifting practices of documentary activism and the professionalization of impact.  24 b&w illus.

A collection of performance texts ranging from orthodox plays to group-devised texts. The book traces from most recent to earliest Schechner's work as a "writer" and a "wrighter" -- the author of plays and the conceptualizer and leader of teams of artists. 20 b&w illus.

El Vez performances present a powerful message of social justice and inclusion in changing US and social contextsMake the Dream Real interrogates how artist Robert Lopez playful engagements as El Vez hold the United States to its egalitarian promises, voicing and enacting a just, richly inclusive social space through performance. 34 col. illus.

A collection of performance texts ranging from orthodox plays to group-devised texts. The book traces from most recent to earliest Schechner's work as a 'writer' and a 'wrighter' - the author of plays and the conceptualizer and leader of teams of artists. 34 b&w illus.

A critical analysis of UK performance company Bodies in Flight's work and collaborative methodology, including archival images, text extracts, reflections by collaborators, arts professionals, performance scholars, providing a context for small-scale performance making and insights into devising methods and key questions.120 b&w, 14 col. illus.

A transnational exploration of busking, Urban Music Governance examines the intricate limits and potentialities of policymaking, data collection and the right to the city from the perspective of those working at the social and regulatory margins of society. 18b&w illus.

What political power do videos on social media have? Understanding video activism feels particularly relevant when the forms, practices, and opportunities of activism depend on its media environment, and that is changing rapidly in terms of ownership, legal regulations, and governmental control. 22 b&w illus.

Draws on over twenty years of scholarship during Diane Conrad's academic career in applied theatre research with systemically marginalized youth in high schools, in a youth jail and with street-involved youth. Explores strategies for engaging youth, the potential for youth empowerment and applied theatre's role in social change. 8 b&w illus.

A critical analysis of UK performance company Bodies in Flight's work and collaborative methodology, including archival images, text extracts, reflections by collaborators, arts professionals, performance scholars, providing a context for small-scale performance making and insights into devising methods and key questions.120 b&w, 14 col. illus.

In a directorial career spanning from 1938 to 1972, Aleksandr Rou transformed the landscape of Soviet fantasy and filmmaking. Featuring detailed analyses of Rou's films and their social and industrial contexts, this book introduces the exhilarating oeuvre of one of the world's great masters of fairy-tale cinema to Western audiences. 19 b&w illus.

A book about the biography of projects and objects. Where projects serve as book ends to a detailed account of objects with the homes of the not so rich. By silencing the designer, the book allows accounts of objects to emerge as periodic irruptions that serve as evidence of a hidden maelstrom of passion, ideas and failed projects. 61 b&w illus.

Traditionally, popular music has long been said to intrinsically contest, resist, and defy the powers that be. This new book challenges this long-standing orthodoxy, arguing that popular music more often participates in the social reproduction of the biggest power there is: neoliberal capitalism. 11 b&w illus.

This interdisciplinary book takes the reader on global journeys from the UK to China, from Ecuador to Jamaica, through a melange of music genres. In doing so, it raises key questions as the contributors reflect upon doing and communicating ethnographic research on popular music. 14 b&w illus.

Comprises scholarly engagements with the various outputs of the prolific Berlin based German artist Ulrike Ottinger born in Constance in 1942 to a Jewish mother and a non-Jewish father both of whom were protected from the Nazis by the paternal grandmother. The book consists of thirteen contributors, one commentator and 5 interviews. 20 b&w illus.

In Smithereens centres on an artistic material encounter with costumes from the archive of iconic British choreographer Lea Anderson. It offers new strategies to understand performances through their material remnants - suggesting alternative ways in which these arguably haunted costumes can live on as ghosts inside and outside of the archive. 20 col and 80 b&w illus.

This anthology highlights emerging critical perspectives on digitization, computational methods and datafication in art history and the museum/heritage sector. The aim is to develop a deeper understanding of the theoretical and political aspects of the use of digital tools in these areas. 25b&w illus.