Böcker utgivna av ITNA PRESS

OUR LITERARY LEGENDLambda-Award-winning author and editor Tom Cardamone brings together a diverse collection of queer writers and their supporters to celebrate the rich, innovative works of Edmund White, the eminent memoirist and author of the American literature classic, A Boy's Own Story, not to mention other outstanding works of fiction and several lauded nonfiction works that include Genet: A Biography.In Crashing Cathedrals: Edmund White by the Book, established writers, new voices, journalists, friends, former students, White's husband, and a recent editor/publisher provide personal appraisals of White's work in the order in which his books were published. The collection forms a unique tribute-cum-biography of the most significant contemporary gay writer in the world.With appreciations by Alysia Abbott, Michael Carroll, Allan Gurganus, Zachary Lazar, Sarah Schulman, Lynne Tillman, Colm Toibin, Charlie Vazquez, and many other exciting voices!

TO HONOR AND OBEY...?First published in 1892, Mary Belle Freeley's Fair to Look Upon stands as a trailblazing feminist gem far ahead of its time. In a bold defiance of traditional gender roles, the protagonist challenges her fiance's expectation of obedience, leading to a postponed wedding until she studies the Bible to grasp the art of being a 'dutiful' wife.What unfolds is a captivating narrative that offers a witty, sardonic, and wholly enjoyable reinterpretation of various Old Testament stories. Through the narrator's eyes, these tales reveal intelligent, manipulative, and courageous women who are anything but submissive to their husbands... Mary Belle Freeley's enigmatic background adds an extra layer of intrigue to this astonishing achievement. With original illustrations by W. L. Dodge, Fair to Look Upon, as part of the ITNA ICONS Collection, is a nuanced and entertaining analysis of a woman's role in marriage that deserves a place on every contemporary young woman's reading list.

"In this work of fiction, Pure Creative, an ad agency, has set its sights on popular rap star Markus in hopes of cinching one of the most profitable collaborations ever: turning the music video for his number-one song "Holy War"-in which he ventures into poor neighborhoods to make broad gestures of generosity-into an ad campaign for their most lucrative client, the telecommunications giant Telco. Pure Creative's client services lead, Ella, is dealing with other challenges. She's struggling with deteriorating judgment and frayed nerves caused not only by work overload but by several traumatic events in her past. As a result, she's mismanaging the Telco account, putting her her career, and the entire Holy War project, at risk. As if that weren't enough, an onslaught of bad press about Markus's very politically incorrect private life will begin to threaten Pure's squeaky clean image as the "woke-est" agency in the world. Despite these hurdles standing between Pure Creative and success, its creative director, Link, has convinced himself that this campaign will finally give him a chance to do some real good in the world. Why, then, can't he shake the nagging feeling of being an imposter? In this Swiftian, often comical narrative, Stoddard satirizes the newest and perhaps most manipulative weapon of today's advertising industry: branded content that promotes progressive social values-and all for the "pure" and unadulterated goal of... sheer profit"--

A producer at an advertising firm, whose gender and name are never revealed, recounts a disturbing tale of emotional fixation and eventual rejection by the two key figures in their life, leaving them bereft of self-esteem and violently desperate. The first of these obsessions is a promiscuous yet charismatic underground art star whose psychic power and extreme drug use draw the main character into a disorienting world of gallery openings and sex-fueled parties. The second, a handsome actor narcissistically preoccupied with his budding movie career, offers moments of sex and tenderness punctuated by irrational tirades of anger, before he tires of the main character's overweening love and threatens abandonment. Both these relationships weave their harrowing stories against a brilliantly evoked background of contemporary Brooklyn and Manhattan, a place where advertising and consumption have even corrupted the language we use to speak about love. At Night Only is a tragedy that could only be written in this new millennium.