A complete history of Bohemian architecture during the seventeenth and eighteenth centuries. The art of the seventeenth and eighteenth centuries forms one of the most important chapters in the cultural history of Bohemia. In this period, art attained a remarkably high level, with Bohemia emerging as a rival to the other cultural centers of Europe. This was especially true in terms of architecture, which not only transformed the appearance of towns and villages in Bohemia but also played a part in the creation of the phenomenon known as the Baroque, which to this day remains an essential part of Czech cultural identity. The monumental Baroque Architecture in Bohemia brings together multiple generations of art historians from Charles University and the Czech Academy of Sciences to offer the single most comprehensive examination and exploration of Bohemian architecture during this extraordinary period. The book begins with the Renaissance roots of Baroque Bohemia: it introduces readers to the influence of the cultured and eccentric Rudolf II, who moved the seat of the Holy Roman Empire back to Prague, inviting foreign artists, architects, and alchemists with him; it shows the importance of Albrecht von Wallenstein, whose military success in the Thirty Years' War heralded a massive building campaign that helped usher in the Baroque age. When the book moves to the period commonly understood as the Baroque, it discusses leading Czech architects, such as Jan Blaej Santini-Aichel and Kilian Ignaz Dientzenhofer, but also focuses on lesser-known regional architects and the important Italian architects and artists that left their mark on Bohemia. The architectural and artistic developments are all set among the broader cultural and social context of the seventeenth and eighteenth centuries. The book contains extensive pictorial documentation-most impressively Vladimír Uher and Martin Micka's gorgeous architectural photographs.
A critical examination of the life and legacy of Charles IV. Charles IV, King of Bohemia and Holy Roman Emperor, has been called "one of the most learned and diplomatically skillful sovereigns" of the fourteenth century. Having moved the seat of the Holy Roman Empire to Prague and founding the first university in Central Europe, Charles IV is a towering figure in Czech history and a crucial character in the story of medieval Europe. Recent research, especially in art history, has tended to present Charles IV in a purely positive, unblemished light: viewing him and his imperial court as the engine behind a flourishing of culture in the region. This book views Charles IV through a more critical lens, examining the careful construction that went into the way he presented himself and the characteristic manifestations of Charles' execution of royal power. The first part of the book offers a chronological description of Charles' life within the broader context of the times and the House of Luxembourg. The second part provides a close look into Charles IV's style of rule while focusing on phenomena that reveal his personal conception of power and how it was wielded.
A rethinking of Cantor and infinitary mathematics by the creator of Vopenka's principle. The dominant current of twentieth-century mathematics relies on Georg Cantor's classical theory of infinite sets, which in turn relies on the assumption of the existence of the set of all natural numbers, the only justification for which-a theological justification-is usually concealed and pushed into the background. This book surveys the theological background, emergence, and development of classical set theory, warning us about the dangers implicit in the construction of set theory, and presents an argument about the absurdity of the assumption of the existence of the set of all natural numbers. It instead proposes and develops a new infinitary mathematics driven by a cautious effort to transcend the horizon bounding the ancient geometric world and mathematics prior to set theory, while allowing mathematics to correspond more closely to the real world surrounding us. Finally, it discusses real numbers and demonstrates how, within a new infinitary mathematics, calculus can be rehabilitated in its original form employing infinitesimals.
Bohemian Jewish culture and literature during the underexamined 1820s to 1880s. This book on Jewish culture and literature focuses on the "quiet" decades of the nineteenth century, a scarcely written-about period of time in Bohemian Jewish history. Using a myriad of sources, including travelers' accounts, poems, essays, short stories, guides, and newspaper articles, the volume explores Jewish expression, Jewish-Czech relations, and the changing attitudes toward Jews between the 1820s and 1880s. It offers close readings of writers like Karel Havlícek Borovský, Ján Kollár, Siegfried Kapper, and Jan Neruda, as well as lesser-known authors and sources. Combining skillful sustained analysis, judicious argumentation, and elegant writing, the book is a truly enriching reading experience.
A comprehensive reader on the Czech literary avant-garde. In recent years a prominent trend in the study of European modernism and the avant-garde has been increased attention to texts and traditions that have long stood in the shadow of the French, German, and British traditions that dominate the canon. Yet this more expansive view of European modernism and the avant-garde has been hindered by the limited range of texts available outside the original languages. This book addresses that problem by offering a wide-ranging selection of literary, theoretical, and documentary sources from one of the most dynamic and original European avant-garde traditions: that of the first Czechoslovak Republic and of the Bohemian lands. The Czech avant-garde is in many respects the ideal "alternative" avant-garde to present in detail to a wider readership: it tracks Central European developments and was often influential internationally while being deeply embedded in particular cultural dynamics that produced original forms. This volume returns interwar Czech avant-garde writings to their place as a firmly embedded component of the European avant-garde.
A lavishly illustrated exploration of forward-looking Czech art around the turn of the twentieth century. Though it's less widely heralded than Berlin and Vienna, 1890s Prague was every bit as much a fin-de-siècle cultural center as its Mittel European peers. At the end of the nineteenth century, the city found itself home to a fervent coterie of young visual artists all deliberately pushing against--indeed, seeking to secede from--the traditional artistic structures of the day. This book traces Czech Secessionist art from the turn of the twentieth century by following its three main stylistic schools: naturalistic-impressionistic, symbolist, and ornamental-decorative. Though these styles developed separately, their symbiotic relationship gives the art a deeper significance and disrupts the traditional understanding of Art Nouveau and Secessionist art as an eclectic decorative style that faded away at the beginning of the twentieth century. Illustrated with more than three hundred color plates, Czech Secession is a fittingly lush tribute to one city's underappreciated and forward-looking artistic blossoming.
Drawing on continental philosophy, Devouring One's Own Tail examines culture and society as a type of ouroboros. Inspired by Niklas Luhmann's theories on social systems, this book examines the concept of autopoiesis, or self-creation, as it relates to society and culture. Approaching the concept from a variety of fields--philosophy, philology, aesthetics, linguistics, archaeology, and religious and media studies--the contributors present the products of humanity as self-referential, self-sustaining, and self-creating systems. Through four sections, the book addresses the philosophical concept of autopoiesis and its relations to creativity, destruction, and self-organization; autopoiesis in literature and art history; autopoiesis in religion; and autopoiesis in historiography, cognitive linguistics, and social media. Whether exploring Hegel's theory of knowledge or the viral spread of conspiracy theories on the internet, the authors concentrate on the ouroboros-like nature of their subjects in the ways they feed off of themselves.
A paranoid thriller of life under surveillance in Soviet Czechoslovakia. A deputy minister in the Communist Party of Czechoslovakia, Ludvík enjoys all the luxuries that success in the party affords him, but he must be careful: he's under no illusions about the secret police bugging his apartment. Luckily, he and his wife, Anna, know where the bug is and where they can safely converse. However, any comfort they feel disappears the evening they attend an official party, where they learn that Ludvík's boss has just been arrested after presenting a report written by Ludvík himself. Is Ludvík next? Back home after the party, the couple must get past unresolved marital tensions to get rid of absolutely anything that could incriminate them--all while contending with the strange men outside their apartment and the bug inside. Penned under the oppressive watch of Soviet authorities in 1960s Czechoslovakia--but touching on still-current themes of surveillance and paranoia--this cinematic thriller is as tense and timely as ever. A promising Party member who became persona non grata after the Soviet occupation of Czechoslovakia, author Jan Procházka knew firsthand the gnawing terror of life in a surveillance state: after his death in 1971, the new tenants of his apartment discovered twelve hidden listening devices. As Ear makes terrifyingly clear, the most frightening horror stories are the ones closest to everyday reality.
Postcolonial reflections on Indonesia's influence upon the avant-garde poetry of a non-colonial European. In 1926, the Communist avant-garde poet Konstantin Biebl (1898-1951) traveled from Czechoslovakia to the Dutch East Indies. In the writings from his journal-texts simultaneously poetic and comic-both landlocked Bohemia and the colonized tropical islands are seen in disorienting new perspectives, like "mirrors looking at themselves in each other." Jan Mrázek's On This Modern Highway, Lost in the Jungle takes us on a journey of our own, crisscrossing Biebl's life and work-with particular attention to his travel writing-as they mirror Mrázek's own experiences as a multinational academic: a Prague conservatory graduate, educated at Michigan and Cornell, and now a scholar of Indonesia living in Singapore. Biebl's writings are also the book's point of departure for a broader exploration of the intersections of travel and poetry, issues of colonial and social injustice, and the representation of otherness in the Czech literary and visual imagination. In its attention to how poetic travel reflects the Czech historical experience in the shadow of imperial nations, Mrázek's book elevates scholarly reflection on literary travel, modernity, and colonialism to a new level.
An examination of the cultural and artistic consequences of post-WWI nationalism in Europe. World War I was a seismic event in Europe whose most concrete ramifications were the sweeping changes made to maps of the continent after 1918. A number of new, independent states were established in the wake of the Armistice, and these tectonic developments found varied expression in the arts, transforming the image of the continent both cartographically and artistically. This new edited collection focuses primarily on how modernism and the avant-garde responded to these geographic changes in Central and Eastern Europe, the Baltic States, and Scandinavia. The contributors explore the clashes between the national, the transnational, and the cosmopolitan as they played out in diverse artistic genres. In many countries across Europe, the struggle for national independence--which in many cases began in the nineteenth century and culminated only after World War I--had important cultural and artistic consequences, which are only beginning to be understood. This book--copublished with Artefactum--provides a crucial new lens to rethink the methodological tools used to understand the complexity and the multiplicity of avant-garde forms in twentieth-century Europe, encouraging scholars to reconstruct global cultural history without tired nationalistic approaches.
Traces the history of visual representations of anti-Jewish hatred in Czech Bohemia. The vicious scourges of religion-based anti-Judaism and ethnically-rooted anti-Semitism are tragically deep-seated aspects of Czech Bohemian history. Images of Malice--copublished with Artefactum--examines visual instances from the well-known low points of historic Bohemian anti-Semitic resentment, while also recasting common views of eras not typically associated with rises in virulent anti-Jewish sentiment. This mapping of the visual signs of anti-Judaism and anti-Semitism is also an account of their broader meaning, as the processes of stereotyping, delegitimization, dehumanization, and exclusion from society represent a more dire and universal problem. As Images of Malice makes bracingly clear, the danger of anti-Jewish visuals is still an urgent problem today, in Europe and beyond.
A haunting novel of post-Soviet Slovakia, centering on an enigmatic one-sided conversation. "So, as you see, I am familiar with the case. However, we can't discuss it unless you learn more about some other court cases, so that you can compare your father's trial with other, more baffling cases, and see it in the context of the madness that reigned at the time." Ján Johanides' riveting Slovak novel immediately thrusts you into the midst of a bewildering second-person dialogue, bestowing the reader with the role of a silent partner in a one-sided conversation with a mysterious archivist. As the story unfurls piece by piece, it becomes clear that the archivist, who can't seem to stay on topic, has both a tragic history and the key to unlocking your family's darkest secret, a secret that may or may not involve the Czechoslovak secret police, American and Soviet intelligence, Israeli politics, and a tire full of dollars. Set after the fall of the Soviet Union and the dissolution of Czechoslovakia, But Crimes Do Punish is awash with paranoia, revealing how the madness of the Communist era continues to bleed into the instability of the present. Written in 1995, this haunting novel--the first work of Slovak fiction published by Karolinum Press--evokes the spirit of John le Carré and the style of Carlos Fuentes while illuminating issues that still plague post-Communist Europe.
A crucial contribution to Romani studies focuses on a single Slovak village to explore universal issues of belonging. Â In this important contribution to contemporary Romani studies, Jan Ort focuses his anthropological research on a village in eastern Slovakia reputed for the ostensibly seamless coexistence of its ethnically and linguistically heterogeneous inhabitants. Ort offers an ethnographic critique of this idyllic view, showing how historical shifts, as well as the naturalization of inequality and hierarchies, have led to the present situation between the villageâ¿s Roma inhabitants and other ethnic populations. However, he also shows examples and methods of subversion and resistance to the villageâ¿s current power dynamics. Based primarily on participant observation within Roma families, Ortâ¿s long-term research results in a fascinating book replete with ethnographic descriptions that allow readers to understand local experiences, contexts, and divisions. These insights about the village lead to the key question of the book: Who actually is a local? Â
A re-examination of Western interpretations-and distortions-of Indian religious traditions. In India in the Eyes of Europeans, Martin Fárek argues that when Western scholars interpret Indian traditions, they actually present distorted reflections of their own European culture, despite their attempts at unbiased objectivity. This distortion is clearest in the way India is viewed primarily through a religious lens-a lens fashioned from an implicitly Christian design. While discussing the current international dialogue on the topic and the work of such scholars as S. N. Balagangadhara, Fárek's study presents the results of original research on several key topics: the problems in assigning religious significance to the Indian traditions that gave rise to Hinduism and Buddhism; Europeans' questioning of Indians' historical consciousness; the current debate surrounding the arrival of the Aryans in India; and controversial interpretations of the work of the reformer Rammohan Raj. The result is a provocative study that should prove fascinating to Indologists, theologians, anthropologists, and anyone interested in the history of thought.
A close read of the rich collections of texts left behind by Václav Havel, one of the most important Czech thinkers and leaders of the twentieth century. No one in Czech politics or culture could match the international stature of Václav Havel at the time of his death in 2011. In the years since his passing, his legacy has only grown, as developments in the Czech Republic and elsewhere around the world continue to show the importance of his work and writing against a range of political and social ills, from autocratic brutality to messianic populism. This book looks squarely at the heart of Havel's legacy: the rich corpus of texts he left behind. It analyzes the meanings of key concepts in Havel's core vocabulary: truth, power, civilsociety, home, appeal, indifference, hotspot, theatre, prison, and responsibility. Where do these concepts appear in Havel's oeuvre? What part do they play in his larger intellectual project? How might we understand Havel's focus on these concepts as a centerpiece of his contribution to contemporary thought? How does Havel's particular perspective on the meaning of these concepts speak to us in the here and now? The ten contributors use a variety of methodological tools to examine the meaning of these concepts, drawing on a diversity of disciplines: political science and political philosophy, historical and cultural analysis, discourse/textual analysis, and linguistic-corpus analysis.
A collection of nineteenth-century folklore-infused tales of Jewish life in Prague. Trained in philosophy and medicine, the writer, translator, scholar, and political and cultural activist Siegfried Kapper (1821-1879) devoted significant effort to the advancement of Jewish culture in Bohemia, Jewish emancipation, and to the commitment of Jews to contemporary Czech society. The three stories in this collection, which first appeared in the press in the 1840s and were posthumously published as a collection at the end of the century, offer a Romantic and folkloric vision of Jewish culture in Prague. The first story, "Genenda," displays Kapper's operatic eye for detail and drama with its account of a dutiful rabbi's daughter being swept away by a dashing young man, a Christian nobleman disguised as a Jew. "The Curious Guest" is an intricate tale of a quest for wisdom and power. The final story, "Glowing Coals," is a supernatural tale of romantic desire and revenge, displaying Kapper's skill at deploying the tropes of folklore for dramatic literary effect. The collection not only provides a colorful snapshot of nineteenth-century Czech-Jewish culture but also resonates with universal human themes that transcend a single national experience.
The first collection of poetry in English by an acclaimed twentieth-century Czech writer. From the eighth floor of a tower block in Central Europe, Jan Zábrana surveyed the twentieth century. He had been exiled from his own life by Communism. His parents were imprisoned, their health was broken, and he was not allowed to study languages in college. Refusing both to rebel outright or to cave in, he thought of himself as a dead man walking. "To all those who keep asking me to do things for them, I sometimes feel like saying: 'But I'm dead. I died long ago. Why do you keep treating me as if I were one of the living?'" Yet during some of Europe's most difficult years, he wrote The Lesser Histories, a collection of sixty-four sonnets that range through themes of age, sex, and political repression-a radiant testament to his times. The lines are emptied both of personal pathos and political stridency. Often Zábrana's own voice segues into those of poets he had translated over the years, leaving only a bare shimmer of subjectivity-humorous, oblique, pained-with which to view his own works and days. The poems document a splendid and bitter isolation, and are immersed in the humor, hatreds, and loves of the everyday. Published in Czech in the ill-fated year of 1968, they subsequently fell into neglect. After the fall of Communism in 1989, Zábrana's collected poems and selected diaries were published in Czech, and he was acclaimed as a major twentieth-century writer. Now, with this collection, he can begin to reach English-language readers for the first time.
A new look at the development of innovative postwar writing in France, Britain, and the United States. The Avant-Postman explores a broad range of innovative postwar writing from France, Britain, and the United States. Taking James Joyce's Ulysses and Finnegans Wake as a joint starting point, David Vichnar draws genealogical lines from there through the work of more than fifty writers up to very recent years, including William Burroughs, B. S. Johnson, Ian Sinclair, Kathy Acker, Alan Moore, David Foster Wallace, and many others. Centering the exploration around five strategies employed by Joyce--narrative parallax, stylistic metempsychosis, concrete writing, forgery, and neologizing the logos--the book reveals the striking continuities and developments from Joyce's day to our own.
An exploration of the place of material objects in modern poetry. In this volume, fifteen scholars and poets, from Austria, Britain, Czechia, France, Germany, Ireland, Lithuania, and Russia, explore the topic of things and objects in poetry written in a number of different languages and in different eras. The book begins with ancient poetry, then moves on to demonstrate the significance of objects in the Chinese poetic tradition. From there, the focus shifts to things and objects in the poetry of the twentieth and the twenty-first century, examining the work of Czech, Polish, and Russian poets alongside other key figures such as Rilke, Francis Ponge, William Carlos Williams, and Paul Muldoon. Along the way, the reader gets an introduction to key terms and phrases that have been associated with things in the course of poetic history, such as ekphrasis, objective lyricism. and hyperobjects.
A clever investigation into two unsolved mysteries of poetic authorship.  The technique known as contemporary stylometry uses different methods, including machine learning, to discover a poemâ¿s author based on features like the frequencies of words and character n-grams. However, there is one potential textual fingerprint stylometry tends to ignore: versification, or the very making of language into verse. Using poetic texts in three different languages (Czech, German, and Spanish), Petr PlecháÄ? asks whether versification features like rhythm patterns and types of rhyme can help determine authorship. He then tests his findings on two unsolved literary mysteries. In the first, PlecháÄ? distinguishes the parts of the Elizabethan verse play The Two Noble Kinsmen written by William Shakespeare from those written by his coauthor, John Fletcher. In the second, he seeks to solve a case of suspected forgery: how authentic was a group of poems first published as the work of the nineteenth-century Russian author Gavriil Stepanovich Batenkov? This book of poetic investigation should appeal to literary sleuths the world over.  Â
An analysis of metaphor in the legal texts of the Old Testament using the tools of cognitive and cultural linguistics. The Old Testament is rich in metaphor. Metaphorical expressions appear not only in places where you might expect them, like the poetic verses, but also in the legal texts. They appear in the preambles to collections of laws, in their final summaries, in general considerations on compliance with and violation of the law, in texts concerning the meaning of the law, and those dealing with topics now reserved for legal theory and legal philosophy. These metaphorical expressions reveal how the authors of the relevant Torah/Law texts understood their function in society and what the society of the time preferred in the law. Anchored in cognitive and cultural linguistics, The Torah/Law Is a Journey investigates Hebrew metaphorical expressions concerning the key Old Testament concept of Torah/Law. Ivana Procházková identifies Hebrew conceptual metaphors and explicates the metaphorical expressions. She also uses cognitive linguistic analysis to look at modern translations of selected metaphorical expressions into Czech and English. Procházková closes with an analysis of the metaphors used in the Council of Europe publication Compass: Manual for Human Rights Education with Young People to conceptualize human rights.
An examination of representations of human migration in three centuries of Northern European literature. Migration is a frequent topic of many debates nowadays, whether it concerns refugees from war-torn areas or the economic pros and cons of the mobility of multinational corporations and their employees. Yet such migration has always been a part of the human experience, and its dimensions--with its shifting nature, manifestations, and consequences--were often greater than we can imagine today. In this book, ten scholars from Czechia, Denmark, the Netherlands, Norway, Poland, and Sweden focus on how migration has manifested itself in literature and culture through the nineteenth, twentieth, and early twenty-first centuries in Denmark, Norway, Sweden, Finland, and Iceland. Examining the theme of migration as it relates to questions of identity, both national and individual, the authors argue that migration almost always leads to a disturbance of identity and creates a potential for conflicts between individuals and larger groups. The book digs deep into such cases of disturbance, disruption, and hybridization of identity as they are represented in three centuries of literary works from the European North.
From his panoramic views of Prague to his enigmatic still lifes, photographer Josef Sudek (1896-1976) captured the unique spirit of the Czech capital during a wide swath of the twentieth century. Sudek enjoyed worldwide fame during his lifetime, yet a substantial part of his practice--photographing works of art--has remained largely unexplored. This book shines a light on Sudek's most beloved pictorial subject, sculpture, which acted as a bridge between his fine art photography and his commercial work. Sumptuous full-page reproductions of Sud'ks black-and-white photographs illustrate a series of thematic essays, focusing on the scope and legacy of his work, while cameos from the key people and institutions who supported his career reveal Sudek's rich connection to the artistic circles and movements of his day. Together, they uncover the shifting tension between the ability of photographs to bring art closer to the people and their potential as works of art in their own right.
A groundbreaking analysis of Alfred North Whitehead's thinking on aesthetics.
The first publication of a charming fieldwork memoir by a giant of legal anthropology.
A collection of short stories by Czech women from the turn of the twentieth century.
A richly illustrated reconsideration of the life and work of painter Bohumil Kubista.
The first English-language translation of a classic Czech antiwar novel written in the wake of WWI.
This book focuses on the typological differences among the four most widely spoken Romance languages--French, Italian, Portuguese, and Spanish--and Czech.
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