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Being a journalist in Nigeria is very risky business especially when you decide to go against the grain and print the truth. Jerry comes to see just how risky his job is when he is whisked away to jail after publishing a particularly scathing article. While in custody we see the prison system through his eyes and he takes us back as he feeds us with anecdotes of his former life.

The author carried out work 1994 to 2013 in three fields of communication and societal change namely: media communication of health-related policies; the use and appropriation of the internet and ICTs; and the media, politics and public space in a society in crisis. Communication mediated in Ivory Coast (mainly Abidjan) finds itself at the heart of this research, a society still "anthropologised" (Balandier) and in motion, a place of concrete change, contrast and multi-faceted crises where daily life goes on and where the contradictions of modernity are seen. Then, based on a broad view of communication, he invites us to critically reflect on the teaching and research methods in Communication Science in Ivory Coast. In effect, communication with the Other, being necessarily a political act, is inevitably translated in the "anthropo-logiques" to a composition in all societies. It is thus a question of rooting one's research more firmly in communicational anthropology in order to give an account of the abounding social change and the post-colonial social instability. A communication based anthropology, ambitious but cautiously so, bold yet measured, removed from all naive mimicry, should contribute to the development of Ivorian Information and Communication Sciences by focusing them on the construction of authentic objects.

The myths of peace and democracy in Africa are at the heart of this volume. Democracy and peace have become buzz words across postcolonial Africa. The gospel of democracy and peace is preached by national governments and by civil society and international organisations alike. But to what extent are the ongoing sideshows and charades of quasi-oligarchies in Africa really democracy? What do ordinary Africans mean when they hunger and thirst for democracy and peace? Positive and noble as the loud sounding rhetoric about democracy and peace in Africa might seem, the reality of propaganda and dissemblance and of multi-dimensional violence are simply too overwhelming not to be disillusioning. This book interrogates the rampant violence, enduring conflicts, autocratic governance, and facades of democracy amidst claims and calls for enduring peace on the continent. This is a monumental resource book for human rights activists, conflict management practitioners, civil society activists, political scientists, statesmen and development practitioners. It poses a challenge to those African governments who claim to embrace principles of democracy and respect for human rights to rethink and reconsider their role as ambassadors of peace, hope, transformation, and good governance.

Using expibasketical theory and findings, this book attempts to understand and explain some of the wonders of love and the impacts these have on the other human institutions (such as marriage and family) that are supposed to be erected on love and understanding. Love is a phenomenon that is hard to correctly master, most probably because it is loaded with a lot of uncertainties. This simple fact must be the reason behind the commonplace saying that love is blind; a statement that can have several interpretations, one of which being that it is hard to read or know exactly what is on the other party's mind. Love thus becomes not only an intriguing feeling but also potentially full of intrigues. Can love be so blind to realities and still be love? The book answers many of such queries by expanding and delineating the frontiers of love, and thence marriage and family.

Zimbabwean history is rooted in ethnic and cultural identities, inequalities, and injustices which the post-colonial government has sought to address since national independence in 1980. Marginalisation of some ethnic groups has been one of the persistent problems in contemporary Zimbabwe. Of particular significance to this book is the marginalisation of the BaTonga people of north-western Zimbabwe - a marginalisation whose roots are right back to the colonial era. Post-colonial Zimbabwe's emphasis on cultural identity and confirmation has, however, prompted the establishment of community museums such as the BaTonga Community Museum (BCM), to promote cultures of the ethnic minorities. This book critically examines the effects and socio-economic contribution of the BCM to the local communities and other sectors of the economy. It draws extensively on and problematizes prevalent debates on the biography of things to surface out the primacy of agency in heritage and sustainability.

Pride Aside and Other Poems rattles the brain as it blurs thematic boundaries. Even though Bill F. Ndi's poems seem to clearly draw inspiration from everyday life, almost all the poems are structured as sonnets. Through the lines of the various poems in this collection, influences of poets from different schools of poetic creativity and streams of inspiration resonate. They bring to mind the metaphysical poets, the Romantics, the Symbolists, the Confessionalists, poets of the Beat Generation, Committed poetry, etc. As such reading the collection places the reader before a multifaceted and intriguing cultural document imbued with literary influences from Chaucer to W.B Yeats and beyond. However, their insight and the richness of their humanity transform the poems essentially into meditations on the soul of our civilization. This poetic work is vibrant and thought provoking.

Consisting of 214 poems and 79 poets, from over 23 African countries and the Diasporas, Best New African Poets 2015 Anthology: Poetry Progeria contains poems that deal with a panoply of issues, feelings, thoughts, ideas, beliefs..., on identity, Africanness (Blackness, Whiteness, Arabic, Asian...), culture, heritage, place, politics, (mis)governance, corruption, exile, loss, memory, spirituality, sex, gender, love, the individual and many others. It travels from Cape to Cairo, Monrovia to Nairobi, rooms in the beautiful Moroccan Sahara desert, pastoral idyllic Savannas, the rainy equatorial rainforests and then flies into the Diasporas as each poet speaks his/her own story of the Africa that she/he knows, dreams and envisions with protective pride and resolute dedication.

The relationship between police and the public in formerly colonised countries of Africa has never been smooth. It is plagued with clichés of suspicion, mistrust, and brutality which are all a result of the legacy of draconian policing in colonial Africa. This colonial hangover has chiefly been an upshot of sluggish switching from the mantra of colonial policing to community progressive policing advocated in democratic societies. This book, the result of five years of ethnographic and library research on the interaction and relationships between police and members of the public in Zimbabwe, is a clarion call for a generative progressive working together between the police and the public for a peaceful and orderly society. While it traces the historical trends and nature of policing in Africa and in particular Zimbabwe, the book demonstrates how law, morality and policing enrich one another. The book offers critical insights in the interpretation of contemporary policing in Zimbabwe with a view to inform and draw lessons for both police and the public. It should be of interest not only to legal anthropologists but also political scientists, members of the public, police instructors, police officers, and students and educators in academic disciplines such as criminal justice, criminology, law, sociology, African studies, and leadership and conflict management.

In Boundaries, Musang, from the Grassfields, falls in love with Etonde from the Coast. Although aware of some existing tension and unfounded mistrust between both camps, the couple is ready to marry when Etonde's father, incredibly, rejects the marriage proposal at the last minute. Although traumatized, Musang, finally, deems the rejection a sign from heaven and so reconsiders a lingering vocation idea - the priesthood. Meanwhile, a devastated Etonde, now defiant of men, struggles on to regain her equilibrium. Years after, however, and barely months away from his ordination into the priesthood, Musang, an exemplary postulant, is suddenly given the deprecating choice to go on probation or leave the seminary; he leaves.