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Contemporary social science is a product of the capitalist world-system and Eurocentrism is constitutive of the geoculture of this system characterized by the parochiality of its universalism, assumptions about the superiority of Western civilization and imposition as the sole theory of global progress. The creation of these structures of knowledge, specifically the institutionalization of the social sciences, is a phenomenon that is inextricably linked to the very formation and maturation of Europe's capitalist world system or imperialism. There is therefore nothing that is natural, logical, or accidental about the institutionalization of the social sciences. These Europeanized structures of knowledge are imposed ways of producing knowledge of the world. This Eurocentrism of social science has justifiably come under increasingly vigorous scrutiny, especially in the period since 1945 with the formal decolonization of Africa, Asia, and much of the Caribbean. This book forcefully argues that if social science is to make any progress in the twenty-first century, it must overcome its Eurocentric heritage that has distorted social analyses and its capacity to deal with the problems of the contemporary world and embrace other non-Western funds of knowledge production.

This book brings together twenty think-pieces on contemporary Human Rights issues at the international, regional and national level by one of Africa's foremost scholars of International Human Rights and Constitutional Law, J. Oloka-Onyango. Ranging from the 'Arab Spring' to the Right to Education, the collection is both an in-depth analysis of discrete topics as well as a critical reflection on the state of human rights around the world today. Taking up issues such as the African reaction to the International Criminal Court (ICC), the question of truth and reconciliation before the outbreak of post-election violence in Kenya and the links between globalization and racism, the book is a tour de force of issues that are both unique as well as pertinent to human rights struggles around the world.

Secrets, Silences, and Betrayals is an invitation to readers to consider factoring in the often discarded or censored but useful information held by the dominated. The book's principal claim is that the unsaid weighs in significantly on the scale of semantic construction as that which is said. Thus, it legitimates the impact of the absentee in broadening and clarifying knowledge and understanding in most disciplines. In other words, just as exogenous epistemologies have underlain and explicated the basis for understanding diverse encounters-social, political, historical, cultural, literary, etc.-Secrets, Silences, and Betrayals challenges, from a pluridisciplinary angle, such highly dominant approaches to investigating the origin, nature, ways of knowing, and limits of human knowledge. It thus yields to the deontological basis to critically reexamine our understanding of the world around us. It is in this regard that the present volume points towards the need for human history to become a cumulative record and re-recording of every human journey and endeavor in life; it brings together disparate voices illuminating topical issues that would be or have been legated to posterity as nonexistent, partial, or half-truths.

The idea that human beings are inextricably bound to one another is at the heart of this book about African agency, especially drawing on the African philosophy Ubuntu, with its roots in human sociality and inclusivity. Ubuntu's precepts and workings are severely tested in these times of rapid change and multiple responsibilities. Africans negotiate their social existence between urban and rural life, their continental and transcontinental distances, and all the market forces that now impinge, with relationships and loyalties placed in question. Between ideal and reality, dreams and schemes, how is Ubuntu actualized, misappropriated and endangered? The book unearths the intrigues and contradictions that go with inclusivity in Africa. Basing his argument on the ideals of trust, conviviality and support embodied in the concept of Ubuntu, Francis Nyamnjoh demonstrates how the pursuit of personal success and even self-aggrandizement challenges these ideals, thus leading to discord in social relationships. Nyamnjoh uses a popular Ivorian drama with the same title to substantiate life-world realities and more importantly to demonstrate that new forms of expression, from popular drama to fiction, thicken and enrich the ethnographic component in current anthropology.

Takumbeng and Other Poems from Abakwa is a tribute to the Takumbeng in Cameroon. This collection of poems celebrates the prowess of the Takembeng, a militant female secret society in the Northwest Region of Cameroon. The poems address human rights violations, rape of democracy, misgovernment, and other forms of societal ills that plague post-colonial Cameroon. It is written in impeccable Standard English. The strength of the book resides in the vastness of the thematic terrain broached.

"A la tête du client is a vitriolic indictment of the unsettling myths and stereotypes surrounding the HIV/AIDS pandemic in Cameroon. It problematizes and lampoons the unethical practices of medical personnel that have made this disease an intractable ailment in Cameroon and beyond. The English translation of A la tête du client titled Fly over the Crooks' Crooked Nest denounces and scourges the predatory behaviour of the wicked who take advantage of the weakest in a context of HIV/AIDs. When two rascals decide to open their own laboratory for medical analysis, without any skills or equipment, the least harmful results amount to 'Obama... blood type O, Axelrod...blood type A...'" Dr. Peter Wuteh Vakunta, University of Indianapolis, United States of America

Home is a place in ourselves where we are happy with ourselves, where we find peace with ourselves, where we are satisfied, fulfilled... The important theme coursing through all the stories in the novel, Finding a way home, is that we have to make the journey to find our homes, we have to find the path, and start walking in that path.

Despite all the talk about African renaissance, much of the continent is plagued by poverty and instability. To break out of that cycle, the guardians of African heritage (the old independence freedom fighters turned political leaders and their successors) and much of Afrocentric literature rightly promote African ideas and solutions for African problems. While the idea in itself is noble, the danger is for Africa to close itself off and ignore 'outside' technical and intellectual innovations that it desperately needs to advance further. Africa through Structuration Theory - ntu joins the discourse by attempting to restore intellectual freedom and convincingly defends structuration theory not only as the way forward for Africa but also as a legitimate African concept. It is innovative, refreshing and deserves to be heard across the world and appreciated especially by African graduates, current and future leaders of various African institutions or businesses, non-Africans who might hesitate to refer to such a theory when trying to understand and deal with African problems and the wider public who constitute the audience for this book.

This book, the first of its kind on Anglophone Cameroon, brings significant local context into the practice of law particularly at a juncture when civil practice has been radically altered by Cameroon's ongoing effort at harmonization of both the substantive and procedural laws applicable in the courts. The book covers a wide spectrum of topics including: the commencement of civil actions, jurisdiction, simplified recovery procedures and measures of execution, provisional execution and stay of execution. It provides a detailed analysis of the relevant rules of court applicable in both the high court and court of appeal. One of its major strengths lies in its use of recent cases to demonstrate the way Cameroonian judges have dealt with local procedural laws, as well as how the differences between Cameroonian indigenous rules of practice and those imported particularly from Nigeria and England are reconciled.

"Poems from Abakwa in Cameroon Pidgin English is one patriotic rage. An anthology of sorts, this book of poems contains wisdom, inspirational reflections and witticisms for all. Through apt descriptions, illustrations, dialogues, interrogations and incisive phraseology, Peter Wuteh Vakunta creates an effective balance of colorful images that traces and documents disturbing accounts and evidences of corruption, greed, skewed values and life experiences that have assaulted his fatherland, betrayed political leaders and institutions, court judges, and parliamentarians as the police-cum-military continue to put their ambitions above the country's needs while forsaking future leaders-children. Vakunta describes how civil servants represent selfish interests and aspirations. Judges are intimidated as the nation's laws continue to be transgressed. The police and military continue to abuse the trust invested in them by civilians and misdirect their patriotism while virtually the entire nation continues to live shaky lives with a punctured integrity. Vakunta does this in popular lingos commonly used by musicians, business folks, and the common man under several labels-pidgin English, Camfranglais, Cam-tok, Camspeak, Majunga tok ..." Dr. Fidelis Achenjang, Union College, USA

Flashlight on Drama and Film succinctly describes how to use drama to afford target audiences opportunities to analyse environmental situations, presented through drama, with a view to enabling them to make informed decisions and take responsible actions in similar situations in the real world. This constitutes the guiding principle of Drama for Situation Analysis (DRASA), with Flashlight on Drama and Film as its training guide.in the drama effort. The guide is divided into three parts. Part One looks at the development of the play script from the research stage. Part Two describes the stages involved in interpreting a play, including the skills, techniques and terminology of acting, from a simple definition of drama. Part Three gives a rundown of the stages in rehearsing and presenting a play, either as stage drama or film production.

The Forest: An African Traditional Definition is aimed at providing the conservationist with some basic ideas as to which cultural areas to explore (using a few African cultures-from some ecologically and culturally rich forest zones of Cameroon that has earned the description of Africa in miniature due to its diversity and representativeness of ecological and cultural landscape that reflect the continent-for illustration) in order to direct him or her to the appropriate beliefs and customs that could be exploited in favour of conservation. There is no overemphasising that most, if not all, African cultures have at least some rudimentary aspects of conservation in the modern sense. These aspects constitute the strong colours that could be used to create an indelible picture of the importance of conservation on the continent.