Böcker utgivna av Letterform Archive

Typographic treats in the form of perforated pull-out postcards including works by design giants Saul Bass, Seymour Chwast and Takenobu IgarashiSan Francisco museum Letterform Archive boasts a curated collection of over 100,000 items related to lettering, typography, calligraphy and graphic design that spans the history of the written and printed word. Letter Love shares the collection with a full alphabet sourced from across its holdings, plus 10 numerals and four punctuation marks. Each postcard features a scene-stealing character by design favorites including Saul Bass, Seymour Chwast, Hansje van Halem, Imre Reiner, Jean Midolle, Takenobu Igarashi and Hermann Zapf. Printed with metallic ink and presented in a unique perforated booklet, the postcards tear off to reveal an illustrated catalog that shares reproductions and details about the art. Both delightful and practical, Letter Love makes an ideal gift for design and lettering enthusiasts.Artists and designers include: Vincent de Boer, Armin Haab, Peter Malutzki, Hans Donner, Sylvia Trenker, Julien Priez, Angel de Cora, Tauba Auerbach, Maurice Dufrène, Tezzo Suzuki, Kuwayama Yasaburo, Milton Glaser, Paul Rand, Tom Carnase, James Edmondson, Ross F. George, Roger Excoffon.

"Organized into chapters that explore the many ways to express dissent (RESIST!, VOTE!, STRIKE!, TEACH! and LOVE!), Strikethrough presents more than 120 signs, posters, publications and ephemera in vivid imagery and incisive prose. From the colorful affiches of the Paris '68 uprising to Memphis strike workers' placards to the Black Panthers' newspaper, this generously illustrated volume showcases the role of graphic design in a wide range of protest movements in the United States and abroad. Including selections from artists and art collectives such as Jenny Holzer, the Guerrilla Girls and Fierce Pussy, this book provides a broad and critical survey of the typographics of activism. Strikethrough also features 10 profiles on the designers behind the graphics--including Corita Kent, Emory Douglas and Ben Shahn--and a custom display typeface based on historical protest graphics by Trâe Seals, plus an introduction by activist and design scholar Colette Gaiter and an essay on type by Stephen Coles. Charting a typographic chant of resistance that spans more than 150 years, Strikethrough curators Silas Munro and Stephen Coles reveal how the message makes its way to the masses via marker, screen print, spray paint, collage and both physical and digital type, and how it calls on us all to craft our own demands for social change. Exhibition: Letterform Archive, San Francisco, USA (23.07.2022 - 14.01.2023)." --Provided by publisher.

An unprecedented, definitive look at the school's typography and print design, from its early expressive tendencies to the functional modernism for which it is famed today0The Bauhaus looms large as one of the most influential legacies in 20th-century graphic design. Known for its bold sans-serif typefaces, crisp asymmetrical grids and clean use of negative space, the school emerged as the forebearer of a new look?one that seized the tools of mass production in the creation of a radical new art. Today, just over 100 years after the Bauhaus's opening in 1919, the school's visual hallmarks have come to define modernity as it appears on the printed page.00Exhibition: Letterform Archive, San Francisco, USA (13.11.2021-27.04.2022).0.