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"In an unprecedented anthology edited by the poet and critic Rigoberto Gonzâalez, Library of America brings together more than 180 poets whose poems bear witness to the beauty and power of this vital and expanding tradition: its profound engagement with pasts both mythical and historical, its reckoning with the complexities of language, land, and identity, and its vision of a nation enriched by the stories of immigrants, exiles, refugees, and their descendants."-- Provided by publisher.

"The premise of Ronald Fair's short, parable-like novel, Many Thousand Gone: An American Fable (1965), is that in a rural corner of Mississippi--the fictional Jacobs County--slavery did not end in 1865 but continued uninterrupted into the 1960s through the brutal tactics of the local sheriff's office and the willing complicity of surrounding counties. Black outsiders are not allowed into Jacobs County while Black inhabitants attempting to escape are hunted down and killed. All the Black women in the county have been made sexually available to any white man for generations, resulting in the mixed blood of nearly all the enslaved population.When the last all-Black child, "the Black Prince," is born, he is secreted out of the county by his great-grandmother and a family friend, and eventually makes his way north to join his father. Years later, when the Black Prince becomes a celebrated writer in Chicago, his growing fame puts an unwanted spotlight on Jacobs County, emboldening the enslaved population, exposing the white supremacists' false sense of superiority, and setting in motion a series of events that will change everything. Will the white population change with the times? Or will they willingly see the destruction of Jacobsville--the county's principal town--before sharing power with the Black population?"--Provided by publisher.

Library of America presents the definitive novel of the Jazz Age in an authoritative new text--along with a quartet of brilliant stories that explore variations on the theme of desperate longing for an unattainable someone or something --

Into the Blue revisits the remarkable trajectory of Americans in air and space, gathering sixty of the best eyewitness and participant narratives from Benjamin Franklin's letters on the first hot air balloons to Chris Jones's account of being marooned on the International Space Station. Here are those who made flight happen: Orville and Wilbur Wright, self-taught pioneers whose homespun invention stunned the world; World War I ace Eddie Rickenbacker, whose memoirs (excerpted here for the first time in unedited form) describe the frightening novelties of aerial combat; and daredevils like Texas barnstormer Slats Rodgers and test pilot Jimmy Collins. Ernest Hemingway offers a vivid dispatch on a 1922 flight over France, and Gertrude Stein muses on the look of America from the air; Charles A. Lindbergh and Amelia Earhart narrate their groundbreaking transatlantic flights; Ralph Ellison reflects on the experience of African American airmen at Tuskegee; William F. Buckley Jr. recounts his mishaps as an amateur pilot; Wernher von Braun envisions a space station of the future, while astronauts John Glenn, Michael Collins and Buzz Aldrin provide firsthand recollections of the conquest of space. Here too, among many other subjects, are scenes and episodes in the development of commercial aviation, from the hiring of the first stewardesses and the high stress lives of air traffic controllers to the new ubiquity of what Walter Kirn calls "Airworld." A thirty-two-page insert offers photographs, some previously unpublished, of the writers and their crafts.

Thomas Jefferson defined, at the moment of our nation's birth, the issues that still direct our political life. Displaying his extraordinary variety of interests and powerful and precise style, Jefferson's writings are an invaluable and incisive record of the landscape, inhabitants, life, and daily customs of America in the Revolutionary and early national eras, as well as a testimony to the brilliance of one of the most influential and controversial figures in our nation's history.

From the American Revolution to the present day, public oratory has profoundly shaped American history and culture-not only our politics but our language and our sense of national identity. Edited by historian and former presidential speechwriter Ted Widmer, American Speeches presents the complete texts of forty-seven of the greatest speeches in American history: from Patrick Henry's address before the Virginia Convention in 1775 ("give me liberty, or give me death!") to "A More Perfect Union," Barack Obama's profound meditation on race from the 2008 presidential campaign. Classic speeches like Sojourner Truth's stirring declamation to the 1851 Women's Rights Convention, Abraham Lincoln's masterpiece at Gettysburg, John F. Kennedy's still-inspiring inaugural address, Martin Luther King, Jr.'s prophetic "I Have a Dream" speech, and Ronald Reagan's clarion call at the Brandenburg Gate come together to form a dynamic portrait of our ongoing struggle to define and to realize the possibilities of the American experiment. For almost thirty years, The Library of America has presented America's best and most significant writing in acclaimed hardcover editions. Now, a new series, Library of America Paperback Classics, offers attractive and affordable books that bring The Library of America's authoritative texts within easy reach of every reader. This book features detailed biographical notes about the speakers, an essay on the choice of the texts, and explanatory notes.

This groundbreaking Library of America volume offers a fresh look at early American poetry, charting its evolution over a span of almost two centuries, from the first years of English settlement in the New World to the death of George Washington. Gathering the work of more than 100 poets-including many poems never previously anthologized and some published here for the first time-it is the most comprehensive collection of its kind ever assembled, a celebration of the rich, varied, and often surprising beginnings of American poetry.The range of voices is unprecedented: broadside and newspaper satires, epitaphs, children's verse, popular songs, ballads, and Christian hymns evoke the vital currency of poetry in daily life; exhortatory elegies for public figures and historical epics declaimed on occasions of state stand alongside intricate meditative lyrics and private epistolary verses. The dramatic unfolding of American history is made immediate and vivid in the words of the participants: William Bradford reflects on the growth of New England's first colonies; Roger Wolcott recounts the incidents of the Pequot War; Thomas Paine hails the victories of the American Revolution; Ann Eliza Bleecker describes her flight from General Burgoyne's invading army; loyalist Jonathan Odell bitterly mocks the new Continental Congress.The first comprehensive anthology of early American poetry in more than a generation, this volume incorporates recent scholarly discoveries that have altered our understanding of the early American literary landscape. Alongside generous selections from long admired New England poets such as Anne Bradstreet, Edward Taylor, and Michael Wigglesworth are poets from the Middle Colonies and the South, newly emerged from the archives. Along with familiar favorites by Phillis Wheatley, celebrated pioneer of the African-American tradition in poetry, are little-known verses by Benjamin Banneker, known as "the Sable Astronomer," and African-American Minuteman Lemuel Haynes. The anthology includes hymns recently attributed to Mohegan preacher Samson Occom and the earliest known translation of a traditional Native American chant, Henry Timberlake's Cherokee "War-Song."The unpublished poems of Henry Brooke, Elizabeth Graeme Fergusson, Joseph Green, Hannah Griffitts, Margaret Lowther Page, and Annis Boudinot Stockton, among others, reflect the rediscovered vitality and importance of manuscript exchange as a form of publication in an era when it was sometimes considered indecorous, especially for women, to appear in print.Unprecedented in its textual authority and unrivaled in its scope, the anthology includes newly researched biographical sketches of each poet and extensive notes.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

With this inaugural volume of what will be a series devoted to Edmund Wilson's work, The Library of America pays tribute to the writer who first conceived the idea of a publishing series dedicated to "bringing out in a complete and compact form the principal American classics." Literary Essays and Reviews of the 1920s and 30s presents Wilson in the extraordinary first phase of his career, participating in a cultural renaissance and grappling with the crucial issues of his era.The Shores of Light (1952) is Wilson's magisterial assemblage of early reviews, sketches, stories, memoirs, and other writings into a teeming panorama of America's literary life in a period of exuberant expansion and in the years of political and economic strife that followed. Wilson traces the emergence of a new American writing as he reviews the work of Ernest Hemingway, Wallace Stevens, E. E. Cummings, John Dos Passos, Thornton Wilder, and many others, including his close friends F. Scott Fitzgerald and Edna St. Vincent Millay. Little escapes his notice: burlesque shows and Henry James, Soviet theater and the magic of Harry Houdini, the first novels of Malraux and the rediscovery of Edgar Allan Poe. Axel's Castle (1931), his pioneering overview of literary modernism, includes penetrating studies of Yeats, Eliot, Proust, Joyce, Gertrude Stein, and others. For several generations this book has stood as an indispensable companion to some of the crucial turning points in modern literature. Both these classic works display abundantly Wilson's extraordinary erudition and unquenchable curiosity, his visionary grasp of larger historical meanings, his gift for acute psychological portraiture, and the matchless suppleness and lucidity of his prose. For Wilson, there are no minor subjects; every literary occasion sparks writing that is witty, energetic, and alive to the undercurrents of his time.In addition this volume includes a number of uncollected reviews from the same period, including discussions of H. L. Mencken, Edith Wharton, and Bernard Shaw.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

With the publication of Chicago Poems in 1916, Carl Sandburg became one of the most famous poets in America: the voice of a Midwestern literary revolt, fusing free-verse poetics with hard-edged journalistic observation and energetic, sometimes raucous protest. By the time his first book appeared, Sandburg had been many things-a farm hand, a soldier in the Spanish-American War, an active Socialist, a newspaper reporter and movie reviewer-and he was determined to write poetry that would explode the genteel conventions of contemporary verse. His poems are populated by factory workers, washerwomen, crooked politicians, hobos, vaudeville dancers, and battle-scarred radicals. Writing from the bottom up, bringing to his poetry the immediacy of America's streets and prairies, factories and jails, Sandburg forged a distinctive style at once lyrical and vernacular, by turns angry, gritty, funny, and tender. Paul Berman takes a fresh look at Sandburg's work and what it can tell us about twentieth-century America in a volume that draws on such volumes as Cornhuskers, Smoke and Steel, and Slabs of the Sunburnt West.About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.

Statesman, scientist, philosopher, printer, and civic leader, Benjamin Franklin was also the most powerful writer of his time. From his first appearance in print, in the guise of the eccentric, opinionated, voluble "Silence Dogood" (1722), to his last published article, a searing satire against slavery (1790), he covered every aspect of "the question of America" with radiant clarity, wit, and penetration.This Library of America collection begins with items written by Franklin during his early years in Boston and London (1722-1726), including the complete "Silence Dogood" essay series. The volume also includes the famous "Busy-Body" essays (1728-1729); many of the news articles and essays he penned after he purchased the failing Pennsylvania Gazette (which eventually became the most widely read newspaper in the colonies); and various political satires, pamphlets, and personal correspondence written while he lived in Philadelphia from 1726 to 1757. The book concludes with material he published while a diplomat in London from 1757 to 1775 (including letters to the press, satires, and pamphlets).Controversial in his own time, and the subject of vigorous debate ever since-to Matthew Arnold he exemplified "victorious good sense," while to D. H. Lawrence he was "the first dummy American"-Franklin emerges in this collection as a figure of extraordinary complexity for readers to discover, consider, and appreciate anew.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

From first to last, poetry was part of Edith Wharton's writing life. While rarely (after early youth) her primary focus, it always served her as a medium for recording the most vivid impressions and emotions, an intimate journal of longings and regrets. "Poetry was important to Wharton," writes editor Louis Auchincloss, "because it enabled her to express the deeply emotional side of her nature that she kept under such tight control, not only in her life but in the ordered sweep of her fiction."In later years her poetry also engaged with the public passions of wartime, as she found herself involved with the plight of Allied soldiers in France. Her first models were Romantic, but in the course of her life she absorbed the influences of Symbolism and Modernism; and throughout her poetic career she showed a care for form even in her most private utterances, as in the erotic ode "Terminus," never published in her lifetime. This volume collects the bulk of Wharton's significant poetry, including much work previously uncollected or unpublished.About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.