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Beam aboard your own Science Fiction, Fantasy, and Horror classroom with the next volume of the BSFA-shortlisted writing-guide series!Join Tiffani Angus (Ph.D.) and Val Nolan (Ph.D.) for a whirlwind introduction to the storytelling basics of 30 more subgenres and major tropes from across the limitless realms of Speculative Fiction.Learn about Space Opera, Folk Horror, Climate Fiction, Werewolves, Astronauts, Mythic Fantasy, Goblin Markets, Dragons, and many more with deep dives into each subgenre's history and development, spotter's guides to typical examples, pitfalls to watch out for in your own writing, and activities to help you get started! All derived from a combined two decades of university-level practices and experience!Spec Fic for Newbies breaks genres into bite-sized pieces for students or for any budding writer. It offers a welcoming introduction to how writers, filmmakers, and other creatives can begin to explore the infinite potential of Science Fiction, Fantasy, and Horror to create new stories beyond the boundaries of the ordinary.This is not another dusty rulebook. This is a portal to endless other worlds!

This volume of proceedings contains papers from the Tolkien Society Hybrid Seminar 2022. It seeks to add to the conversation on what the words 'Goth' and 'Gothic' meant to J.R.R. Tolkien and the ways in which their various associated traditions proliferate his writing. From the linguistic to the literary, religious to the ecocritical, the proceedings explores how traditional and new theories in Gothic scholarship can help us read Tolkien's work anew.Published under the auspices of the Society's Peter Roe Memorial Fund, this proceedings features a collection of seven papers delivered at the Tolkien Society Hybrid Seminar 2022.

Finalist for theBritish Fantasy Society Best Fantasy Novel (the Robert Holdstock Award)British Fantasy Society Best Newcomer (the Sydney J Bounds Award)British Science Fiction Association Best Novel AwardRevised and expanded second edition includes the bonus short story "As We That Are Left Grow Old"***Toni, the American owner of a failing gallery, is unexpectedly called to Hertfordshire when she inherits a manor house from a mysterious lost relative. What she really needs is something valuable to sell to save her business.But, leaving the New Mexico desert behind, all she finds are a crumbling building, overgrown gardens, and a vast archive in need of cataloguing. Soon she is immersed in the history of the house: the gardens that seem to change in the twilight; the ghost of a fighter plane from World War two; the figures she sees from the corner of her eye. She must ask herself, what if her heritage has carried lives across centuries.

As the nineteenth century draws toward its close, King Ludwig II of Bavaria binge-watches television to escape his reality, side-lined by his own advisers. His one wish is to meet Wagner, the mysterious composer pumping out new music and scores of remixes every day. He sets out, alone and in disguise, to find Wagner in the maze-like subterranean city that sprawls deep beneath Munich. Meanwhile, Karl, a rookie musician hired by Wagner in the underground world, is shocked to be chosen as the lead singer for the Swan Knight TV music drama. But even in the depths of the earth, the insidious shadow of political intrigue lurks. Who is Wagner, the man behind the myth? And what ultimate destiny awaits Ludwig and Karl?

Drawing on a decade of teaching at Mexican universities, Ricardo Victoria-Uribe has teamed up with pharmaceutical chemist Martha Elba González-Alcaraz to create an introductory guide to sustainability, in an accessible way. Tapping into Science Fiction and Fantasy across several media formats, examining anime, books, movies, and TV, the authors have created a practical resource for students, writers, and readers alike, who want to know more about just how big a part sustainability plays in everyday life. And, most importantly, how the future of humanity on this planet depends on our engagement with it.

Aoife Ni Coillte is the eldest daughter of an Irish Indentured family, living in a poor village near the estate of Tanglewood Manor. In love with George Oliver Williams, the eldest son of the wealthy Williams family to whom the manor belongs, Aoife is rejected as an unsuitable match in favour of the heiress, Dido Dubois. Pride and bigotry drive her to unkindness towards Dido's younger sister, Bellouise, until one fateful evening, when she is jointly punished by the African ancestral spirit, Belloko, and Pouq, the Irish phantom faerie. Transformed into the monstrous Steel Donkey, Aoife is condemned to haunt and terrorise the area, until she can learn to love that which she hates.Ten years later, the Williams family hires John Jack, a discerning and kind freed slave to help maintain the family property. An unlikely bond takes root between Aoife and John, followed by rumours of Steel Donkey sightings spreading like bushfire across the hills.Tanglewood is a postcolonial gothic romance, set in a fictional 1840s Barbados, that explores the isolation of the Irish Indentured, and a unique origin story for the local folkloric legend of the Steel Donkey.

People from this house go down to the sea at night, and drown.Tinna cannot remember the last words she said to her husband. Three whole months of her memories were stolen in the crash that killed him and left her scarred and suffering from chronic pain.Adrift and struggling to reconcile herself to this dual loss, Tinna accepts her aunt's invitation to return to her childhood home on a remote Icelandic coast. Perhaps the solitude and the sea will help her recover her memories.But a greater grief has already taken hold here, one that has haunted the women of Tinna's family for generations. When her secretive aunt forbids Tinna from going down to the shore in the dark, she still cannot resist. Then she hears whispers on the tide offering her the answers she so desperately needs. If she can bear the price.

Maggie survived an apocalypse of hungry shadows by becoming invisible, only to drown during a violent telepathic assault.Living on the edge of Bloemfontein, in South Africa, Maggie scavenges for scraps and grapples with the unreality, a collection of strange visions and slippery thoughts caused by the attack. When she's approached by strangers who claim she can destroy the shadow monsters, Maggie faces a dilemma: are these people real, and if so, how can she ensure they stay with her forever?The Invisible Girl is about seeing the world differently, and society's tendency to 'other' people who make them uncomfortable. Many different ideas and experiences inspired this story: life in a backwater city, victim shaming and the stigma surrounding mental health issues, and the search for community in a world that doesn't tolerate strangeness well.

J.R.R. Tolkien's works have gained global appeal, leading to translationsin over thirty languages and a host of stylistically unique illustrations.As a translator and illustrator himself, Tolkien was acutely aware of thechallenges and benefits that both bring to a written text. Translating andIllustrating Tolkien explores what these processes add to, emit from, orcomplement Tolkien's original text.Hosted online, the Tolkien Society 2021 autumn seminar concludedthe year's trilogy of seminars, collectively welcoming over 1600 peoplefrom across the globe. Published under the auspices of the Society's PeterRoe Memorial Fund, this proceedings features a collection of six papersdelivered at the Tolkien Society 2021 Autumn seminar.

MAUREEN KINCAID SPELLER [1959-1922] was a reviewer, critic and lifelong science fiction fan. Active in SF fandom from the early 1980s, Maureen started reviewing for the BSFA magazine Vector in 1986. She served on the jury of the Arthur C. Clarke Award, chaired the Tiptree Award and taught the SF Foundation Critical Masterclass in 2016. Her criticism has appeared in a wide variety of venues, and her extended critical analysis of the 2012 BSFA and Clarke Awards was shortlisted for the BSFA Award for Best Related Work.In 1999 she was nominated for a Hugo in the Best Fan Writer category. Her passionate advocacy of new critical voices saw her appointed Senior Reviews Editor of the groundbreaking speculative fiction magazine Strange Horizons in 2015."When Maureen fell ill in the spring of 2022, my first reaction, like that of many, was one of profound shock. Her untimely death has robbed us all, not only of her presence, but of the work she was yet to do. Maureen had long spoken of her desire to put together a collection of her criticism, and the original intention for this volume was that she would personally be involved in the selection and curation of her favourite pieces. Time was sadly against us, but the desire to preserve Maureen's work, to have it readily available to audiences old and new, has never felt more urgent. A Traveller in Time is by no means a complete collection - there is lots more out there to discover - but my hope is that it presents a faithful snapshot of Maureen as she was in life: spirited, passionate, knowledgeable and endlessly curious."Nina Allan - Editor

Follow Me: Religion in Fantasy and Science Fiction is the seventh Call for Papers of Academia Lunare, the non-fiction arm of Luna Press Publishing.The papers focus on the theme of religion in fantasy and science fiction, in all its forms, in different media. Featuring papers from Ivano Sassanelli, Elyse Welles, Catherine Coundjeris, Barbara Stevenson, Eugen Bacon, Steph P Bianchini, Cheryl Morgan, Giovanni Carmine Costabile, Mark Kirkbride, and Kevin Cooney.

In a world still bearing the scars from an ancient magical conflict, those who wield magic - or are changed by it - are condemned as abominations, their lives forfeit.Raised at sea under the tyrannical rule of his father, there is nothing the young Captain Fiaer Dradorn won't do for the knowledge of a lost treasure that drove his father's obsession. Even start a war. Betrayed to the mercy - and consequences - of catastrophic, uncontrolled, magic, Fiaer is left with nothing but the belief in his own monstrosity and the overwhelming desire for revenge. As his plans take form, he realises that true monstrosity is less what someone is, and more who they chose to be. A choice he must make before others make it for him.

Freshman, Darcy Mills, wants nothing more than to repair a strained relationship with her mother. When Darcy receives a letter from Althea asking for help with a downsizing move to Dallas, she is excited at the prospect of reconnecting. Facing the frightening memories trapped in the walls of her childhood home, is daunting, but Darcy is determined to have Althea back. Unfortunately, the past isn't the only thing to haunt Darcy. An evil lurks in the nearby woods, and It has noted her arrival. A story of family rituals, southern folklore, and magic set in rural Texas.

Alone in the universe after the destruction of Mars, Catarina Solovias joins the Starlight Eagle, under the banner of Charles Godstorm, a wealthy merchant who disguises his true nature as a murderer and thief. They encounter a ship from another time that rips them out of their own timeline and into the far future, where they are captured by the mysterious Morgan.Godstorm trades Catarina's life for his, leaving her to find her way anew in a universe she has no knowledge of.An epic tale of hope and loss, stars and ships, set upon a backdrop of the tyranny of time and the dreams of a people yearning to be free, in a universe like no other, the Ocean of Stars.

The culture we live in shapes us. We also shape the culture we live in. Stories we tell play critical roles in this shaping.The heart of cultural transmission is how stories and the way we shape knowledge come together and make a novel work. How do they combine within the novel? Genre writing plays a critical role in demonstrating how this transmission functions.Science fiction and fantasy illustrate this through shared traditions and understanding, colonialism, diasporic experiences, own voices, ethics, selective forgetting and silencing. They illuminate ways in which speculative fiction is important for cultural transmission.This study uses cultural encoding and baggage within speculative fiction to decode critical elements of modern English-language culture.