This book assesses the paintings of Tal R (b. 1967), an Israeli-born Danish artist whose enigmatic work offers intersections of personal experience and wider history through a visual jigsaw, finely balanced between representation and abstraction, of what the artist has termed 'Kolbojnik', a Hebrew term for leftovers.
Bernini and His World is a unique exploration of Gian Lorenzo Bernini the sculptor, offering new insights and including discussions of the artist's stylistic innovations and the ways in which he approached sculpture. Placing his life and work within a social, anthropological and historical context, Livio Pestilli gives a fascinating and in-depth account, from the Rome in which Bernini lived and its reception of foreign sculptors to the myth-making narrative of his biographers, and the judgements of his critics. Beautifully illustrated and engagingly written, this book draws on a deep familiarity with both historic and modern Italian culture to give readers a vivid account of sculpture and sculptors in early modern Rome, and of Bernini's lasting legacy.
Kurt Jackson's Sea captures the beauty of the artist's constantly evolving relationship with one of nature's most challenging subjects.
This is the definitive account of the life and work of Edward Seago (1910-1974), the highly popular, versatile and talented British painter whose work was inspired by John Sell Cotman, John Constable and Alfred Munnings.
Sculptor and printmaker Kim Lim (1936-1997) had a lifelong fascination with space and its relationship with two- and three-dimensions. This important new publication explores her outstanding body of work. In a series of fascinating chapters, leading art-world specialists survey the artist's rich career and legacy across four decades. Exploring Lim's profound contribution to the development of modern British abstract art, her marginalisation in the histories of sculpture since her death is questioned. Through reproductions of Lim's work in wood, metal, stone and paper, the artist's shape-shifting oeuvre, which continually probed relationships between space, light and form, is rightfully brought centre stage. Including discussion of Lim's Asian heritage and its connection to her work, this publication is essential reading for all those seeking new perspectives on both Lim and British art history more broadly.
As the twenty-first century unfolds, notions of our cultural past and how our history has influenced our present shift almost daily. Within this, accepted artistic trajectories are being questioned and new connections made. In this wide-ranging and thought-provoking publication, experts in their field address specific aspects of British art of the twentieth century. Presenting new perspectives on established narratives, subjects range from British Surrealism and the rise of corporate and private patronage, to nationality and British identity. Complemented by a range of striking images, this publication succeeds in showing the strength of the British artistic tradition while also encouraging the reader to rethink and explore the existing narrative.
"Since the global financial crash of 2008, artists have become increasingly engaged in a wide range of cultural activism targeted against capitalism, political authoritarianism, colonial legacies, gentrification, but also in opposition to their own exploitation. They have also absorbed and reflected forms of protest within their art practice itself. The Art of Activism and the Activism of Art maps, critiques, celebrates and historicises activist art, exploring its current urgency alongside the processes which have given rise to activism by artists, and activist forms of art. Author Gregory Sholette approaches his subject from the unusual dual perspective of commentator (as scholar and writer) and insider (as activist artist), in order to propose that the narrowing gap separating forms of activist art from an aesthetics of protest is part of a broader paradigm shift constituted by the multiplying crises within contemporary capitalism and democratic governance across the globe."--
Beautifully illustrated with photographs and architectural drawings, this book documents and critically analyses three of Kay Fisker's seminal housing projects in Copehagen: Hornbaekhus (1923); Vestersohus (1935-39); and Dronningegarden (1943-58).
Featuring previously unpublished material from Lobdell's studio and archive, this book looks at the role of artist Frank Lobdell in the formation of Abstract Expressions in California.
The first book on Swedish designer Greta Magnusson Grossman, this monograph examines her significant contribution to the canon of interior design.
Architecture Through Drawing examines architectural drawings as objects which encapsulate complex spatial and cultural ideas.
This is the first comprehensive monograph on the innovative abstract paintings and expansive painting installations of German artist Katharina Grosse.
By examining the studios and studio-houses used by British artists between 1900 and 1940, this book reveals the ways in which artists used architecture - occupying and adapting Victorian studios and commissioning new ones - and, in doing so, shows them coming to terms with the past, and in the process, inventing different modes of being modern.
This is the first major monograph on the paintings of Jim Shaw (b. 1952), whose work blends the reflected cultural climate of his adopted home, Los Angeles with the multi-layered world of American popular culture to create rich dream-like worlds.
This newcollection of poems, paintings, drawings, sculptures and printmaking by renownedartist Kurt Jackson, celebrates the staggering diversity of the plantkingdom.
American artist AmySillman works in many media but painting has remained always at the very heartof her practice. This comprehensive monograph covers two decades of production,from the late-1990s to the present.
Abrams's thoughtful book, the first full monograph on the artist, highlights Whitney's commitment to abstract painting over four decades of consistent practice.
The expressive paintings of Rose Wylie (b.1934), mix styles and subject matter, high art with low and kitsch to create bold depictions of modern life. This monograph, the first of its kind, follows the artist's fascinating artistic journey celebrating her achievements to date while also examining her current practice.
The paintings executed by Kurt Jackson (b.1961) do not reveal his day-to-day working practice. Behind his finished canvases are hundreds of sketchbooks borne out of his continual routine of making drawings, marks, notes, poems and scribbles. This book, newly available in paperback, examines the importance of the sketchbook to Jackson.
The Lovell House, by Richard Neutra, was a 'demonstration house': widely documented and published about in its time, these publications made it an essential work of the modern movement to the world, from Berlin to Tokyo and Paris to Milan, at the high point of its influence and fame, 1927-37. This book is about the making and dissemination of a house that was a founding document in the history of modernism. It helped to launch the international career of one of the central figures of twentieth century architecture, pioneered the use of concrete and steel in the dwelling, radically advanced the ideals of hygienic, carefree, and open-air living, and explored new relationships between space, structure, the natural world, and physical and psychological well-being. The book is framed with an introduction by Edward Dimenberg and includes texts by Crosby Doe, Thomas Hines, Willard Morgan, Richard Neutra and Nicholas Olsberg. At the heart of the book are six narrated portfolios of visual and textual documentation on the background, design, making, circulation, reception and resonance of this seminal house, for which the published imagery in its first ten years - based on a unique corpus of photography by Willard Morgan documenting every stage of construction and completion - was exceptionally rich, refined, varied, widespread, and influential.
English architect and designer Halsey Ricardo (1854-1928) was a champion of craftsmanship and the Arts & Crafts movement as well as an influential thinker and teacher. Mark Bertram's engaging illustrated biography, which draws on previously unpublished correspondence, is the first book to place Ricardo's work and ideas within a broader social and cultural context. It includes a complete survey of Ricardo's architecture, including all his built works, many of which have been listed, as well as unexecuted proposals and competition entries. Richardo was well known as an Arts & Crafts figure on account of his business partnership of 10 years with William De Morgan, for whom he designed tiles, vases, and other artefacts, as well as for his role as head of architecture at the Central School of Arts and Crafts, and his lectures and essays. From his letters, talks and articles, quoted here for the first time, Ricardo emerges as a most engaging personality, as well as an intelligent and forward-looking thinker and a gifted lecturer and essayist. His architectural work is revealed as individualistic, sometimes exceptional, and his best-known buildings, 8 Addison Road, London (designed for Ernest Debenham in 1905) and Howrah Station, Calcutta (1901), both reflect his innovative use of colour and glazed materials. This book paints a fascinating picture of the life of a jobbing architect and lecturer, with insights into the architectural training and professional practice of this period, as well as into the thinking behind the Arts & Crafts movement.
Annabel Keenan's timely and urgent book reviews the work that has been undertaken to date to create a more sustainable art world and proposes the next steps in system-wide change. It identifies the main sustainability issues for the art industry, arguing that artists and art activists have led the way in creating awareness of climate change, and evaluates progress to date on climate-action commitments by the various sectors of the art world, offering examples of best practice. Uncompromising in its messages, Climate Action in the Art World is essential reading for all art professionals, from artists to curators to art handlers, as well as for anyone seeking an accessible entry-point to a topic which is unfortunately only getting (literally) hotter.
Sheila Fell (1931-1979) was one of the most talented British artists of her generation: a figurative painter with a singular and powerful vision of the Cumbrian landscape of her childhood. Here, for the first time, the full breadth of her artistic achievement is recorded in a catalogue raisonné of her paintings. The book features 472 expertly researched catalogue entries alongside a substantial art-historical narrative that charts Fell's entire career and provides unique insights into the artist's background, inspirations, technique and legacy. As such, and in the context of the dearth of recent literature on the painter, this invaluable resource will stand as the definitive publication on Sheila Fell for many years to come.
How are contemporary artists responding to the climate crisis? Filipa Ramos takes an original approach to the subject by addressing two parallel strands. She looks firstly at pioneering approaches to ecology by key contemporary artists from different generations and cultural backgrounds working in different art media; and she considers the balance between ecology as theme and ecology as practice, underscoring the imperative for both artists and art institutions to adopt responsible environmental positions in their practice. This topical and important book discusses the work of artists who have returned to the land; reviews how questions of shared rights and environmental justice are represented in contemporary artistic practice; highlights the renewed importance of performance and time-based media in ecologically themed art; and looks at artists' and art institutions' complex relationship to environmental action.
With the closure of traditional church buildings, leading to fewer opportunities to develop the art and craft of stained glass, the future of this well-loved discipline is in danger. However, throughout the centuries, stained glass has had a capacity to adapt to the ever-evolving cultural, artistic and technological landscapes, enabling the medium to inspire viewers through its unique ability to use colour and light to uplift our senses. This book provides a compelling overview of how stained glass can play a significant role in our visual culture and heritage. The conservation of historic windows and creation of contemporary work at Barley Studio over the last 50 years provides an ideal platform to examine and explore stained glass today, with insights from the authors' personal experience as designers, conservators, and educators. They reflect on how stained glass has evolved from solely conveying religious didactic messages, to forming new-found connections in secular and spiritual settings. The book begins by examining Barley Studios conservation and restoration work, particularly focusing on the unique schemes of medieval windows at St Nicholas Church, Stanford-on-Avon, Northamptonshire and St Mary's Church, Fairford, Gloucestershire. It then considers Helen Whittaker's work as a practitioner and demonstrates the variety of techniques used in her work to engage a contemporary audience. It discusses the key design factors that stimulate Helen's creative approach to each commission and reflects on the connections between traditional and contemporary approaches to stained glass. The range of perspectives presented within this book draws attention to and celebrates the power of this unique art-form and reveals how it can adapt to changes in popular tastes and trends.
The art of Paule Vézelay (1892-1984), celebrated in this groundbreaking publication, is remarkable in its breadth. Over her long career she created an extraordinarily diverse output encompassing painting, collage, sculpture, constructions, illustration, textiles, photography, poetry, prose, critical writing and even a film script. As a mark of her considerable accomplishments, she was celebrated with a show at Tate in the year before her death. Setting out to bring this bold and accomplished artist to new audiences, this important publication focuses primarily on Vézelay's early years in Paris from the 1920s through to 1939, during which time her work moved from figuration to abstraction, for which she would become best known. The book also brings to light, for the first time in detail, her little-known period as a successful designer of textiles. Uncompromising and clear-sighted in her artistic ambitions, Vézelay became a formidable presence in the international avant-garde scene in Paris and continued to push artistic boundaries throughout her long career. This publication, which includes original research and previously unpublished works, extends our understanding, and appreciation of, this important British artist.
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