Böcker utgivna av Lund Humphries Publishers Ltd

Featuring reproductions of keyworks and selected letters, Ben Nicholson: Writings and Ideas is an invaluable resource to all those interested inthe work of this key British artist and the period in which he worked.

This useful guide provides an essentialintroduction to green infrastructure for planners, landscape architects,engineers and environmentalists.

Verne Dawson's idiosyncraticpaintings defy contemporary art-world trends and eschew categorisation. JohnHutchinson's survey of the artist's work to date provides fascinating insightinto a complex body of work.

Michael Glover offersa detailed examination of the paintings of the acclaimed German painter NeoRauch, whose paintings deftly blend the iconography of Socialist Realism withthe stylistic mannerisms of the Baroque and Romantic past.

Whether in town or country, James Gorst's buildings are defined by a combination of modern thinking and an ingrained respect for craftsmanship and bespoke detailing, with equal weight given to architectural form and engaging, vibrant interiors, full of texture and life. This is the first monograph on his work. In many respects, the timeless character of Gorst's work is rooted in the architect's own journey. Starting out as a neo-classicist, Gorst ultimately became frustrated by the restrictions and historicism of the classical approach and reinvented himself as a dedicated modernist, yet continued to place particular emphasis on a love of proportion, scale, symmetry and detailing. Ranging from rural projects which reflect the vernacular traditions of the surrounding countryside, including large contemporary country houses like RIBA award-winning Ironstone House, to others which creatively reinvent and add to period properties, along with new and innovative urban homes, all are defined by a particular ambition to be innovative, fresh and one of a kind. Each of Gorst's houses represents a particular journey, informed by the client and their needs, the context of the site and a response to landscape and setting, which is often reflected in his choice of natural textures and materials.

This book tells the storyof the formative years of London's world-renowned Victoria and Albert Museumand the gathering of its early collections in the decade between the GreatExhibition of 1851 and the death of Prince Albert in 1861.

This book focuses on the paintings of Bernard Frize, an artistwhose work straddles movements and styles from Colour Field to Minimalism,Fluxus, and Conceptual Art. It provides a detailed consideration of all stagesof Frize's development, from the earliest works to the present.

This is the first substantial publication on the work of Britishartist Gillian Carnegie. In contemporary painting her work stands apart,quietly, calmly and insistently uncanny, with an emotional tenor unlikeanything else in art today.

This is the sixth volume in Lund Humphries' series of monographs on British sculptor Anthony Caro and the first publication to focus on his use of stainless steel as a distinct body of work.

Based on extensive research, this book provides a synthetic overview that brings together the main themes of Japanese and Western architecture since 1850 and shows that neither could exist in its present state without the other.

A fascinating illustrated account of the relationship between the Victoria and Albert Museum and a famous, high-tech 19th-century industrial art manufacturer, Elkington & Co.

This book provides a grounding for planners and other related professionals in the key concepts associated with biodiversity and the natural environment, and in how to apply them in practice.

Gino Valle has been recognized by international critics as one of the most original and creative European architects of the post-war period. This edition makes available for the first time in English the only critical monograph dedicated to his complete works.

How we live and understand architecture is being transformed by new technologies. Flows of data will inform our future behaviours in physical, virtual and hybrid-reality situations, and architecture and cities are being reinvented as not merely static structures, but places that pulse.

Structured around four thematic essays - Political Light, Mediating Light, Performance Light and Absent Light - this book develops our understanding of light as a creative medium and its impact on our cultural history and examines the role that light plays in the new frontiers of art, design and technology.

From her early monumental targets, through canvases studded with real shells and starfish, to her recent neon-appended panels whose atmospheres of roiling color foreground the painting process itself, Weatherford's works argue forcibly and convincingly for the engagement of painting with contemporary life. Suzanne Hudson's text reveals a singularly inventive artist.

A fascinating account of the lives, childhood memories and creative practice of a wide range of 20th-century British artists as recorded in interviews for the British Library's Artists' Lives project.

Traces man's gradual realisation of the potential of plants for medicinal, nutritional, flavouring and decorative purposes from the ancient and classical worlds, through to the Renaissance and the eighteenth and nineteenth centuries. This work is illustrated with engraved, lithographed and hand-coloured botanical illustrations.

In Ruskin's Venice: The Stones Revisited, photographer Sarah Quill has selected passages from Ruskin's The Stones of Venice and has linked them to her own photographs of Venetian architecture, so creating a fascinating guide that fuses Ruskin's vision of the city with images of the present day. Covering a wide range of subjects from palaces, churches and town houses, to bridges, courtyards and capitals Quill's glorious photographs illuminate Ruskin's words and record with skill and precision the fine architectural details described by him. This edition of Sarah Quill's bestselling book incorporates up-to-date views of buildings which have been cleaned since originally photographed. Several of Ruskin's watercolours are included, with extracts and reproductions from his Venetian notebooks, now publicly available, and some of his original daguerreotype photographs of Venice. Sarah Quill's expert editorial annotations and commentary, incorporating extracts from Ruskin's letters from Venice, enhance our understanding of Ruskin's text and provide an essential linking thread throughout. The book has been completely re-designed to be even more user-friendly as both a reference book and a guide for travellers to Venice. The result is a beautifully illustrated book that successfully communicates Ruskin's passion for Venice and concern for the city's architectural heritage. Uniting the historical with the present day, Ruskin's Venice: The Stones Revisited is a unique companion guide for both seasoned and first-time travellers to Venice, and will leave the reader determined to retrace Ruskin's footsteps time and time again.

This beautiful new book, compiled by the artist's daughter andgrandson, reveals Mary Newcomb as an acute observer of her surroundings,reproducing her copious sketches alongside more finished paintings and shortdiary extracts to draw out the many themes which preoccupied her throughout hercareer as an artist.

This indispensable handbook, co-published with the International Foundation for Art Research (IFAR), covers all major aspects of provenance research and guides the reader through the theoretical and practical complexities of this challenging subject.

This is the first book to present a full account of Adnan's fascinating life and work. Tackling the complexities of her subject with skill and insight, Kaelen Wilson-Goldie unpacks Adnan's multi-layered career to capture the full scope of her artistic endeavours and impressive achievements.

The first illustrated monograph to survey the work to date of major American painter Philip Taaffe (b.1955), whose work has expanded the parameters of painting through a fascinating layering of different techniques and imagery, including marbling, silkscreen, collage and linocut.

Williams achieved both success and remarkable popular appeal. Featuring some of the finest examples of an impressive oeuvre, this book - scholarly robust and visually enticing - is essential reading for all those who appreciate the importance of this gifted British painter.

As graffiti and street art enter their sixth decade, this ground-breaking book presents a new interpretation of where these alternative artforms are situated today. Introducing the concept of 'Intermural Art' - art in-between the walls - Rafael Schacter presents a genre at a key moment of transition.

There has been a renaissance in the design of stadia, which are often the most expensive and monumental of projects and have become icons of identity and defining presences in the built landscape. This book examines a range of exemplary stadia, including examples from Lina Bo Bardi, Frei Otto, Eduardo Souto de Moura, Herzog and de Meuron, Foster +

Arthur Tompkins presents examples of art crimes from wars through history, including the Fourth Crusade, the Napoleonic era, the Second World War and modern-day conflicts in Yugoslavia and Iraq.

Paul Feiler was inspired by the English landscape, particularlythe cliffs and inlets of the coast of south-west Cornwall. Based on full accessto the artist's archive of letters, catalogues and photographs, Michael Raeburndescribes how Feiler overcame many painful early experiences to achieve themeditative serenity of his deeply spiritual w

Beginning in the 1950s, Lois Dodd has steadfastly pursued her observational painting, remaining aloof from passing trends. Through extensive studio visits and interviews, Faye Hirsch considers the processes, places and impulses behind Dodd's paintings.

The first fully-illustrated account of the life and work of Christopher Wood. The text describes the trajectory of Wood's reputation as an artist during his short lifetime and after his death, when the originality of his output was recognized by key figures in British art history and a posthumous exhibition of his works proved phenomenally popular.