Böcker utgivna av Manchester University Press

Ambiguity has been engaged historically by disciplines concerned with knowledge and its production. From the classical fields of mathematics, philosophy and logic to the natural, behavioural and social sciences, each approached it as something to be controlled, resolved or utilised. If anthropology's goal is to study what it means to be human, a focus on ambiguity holds tremendous promise for continuing to expand upon this mission. Positioning ambiguity as part and parcel of the experience and expression of life, this book is an exploration of sitting and being with ambiguity in all its forms and modes of expression. It provides an atlas of ambiguity across 13 ethnographic contexts to consider what is in stock for ordinary citizens as they navigate life and draw individual and collective meaning. Through examinations of human crisis, natural hazard, political and economic tension, public health, policymaking, activism and of personhood, ambiguity is explored as a source of productive tension. The volume demonstrates ambiguity's power as a constituent force of openness, timelessness and plasticity. Theoretically, the volume's chapters are influenced by, and yet extend upon, existentialism and humanism within sociocultural anthropology, especially the work of The Manchester School, and the philosophy of Simone de Beauvoir. In turn, ambiguity is held to be a source of dynamism across the usual divides of knowledge and experience, certainty and uncertainty, and ontology and non-ontology, with the noise of ambiguity 'feedback'valuable for social analysis and for doing and writing anthropology.

Why and how do people affected by mining embrace or resist mining? Do the struggles of local communities, activists and NGOs matter on a global scale? Why are global private standards for social and environmental impacts of mining proliferating so quickly? Have multinational mining corporations fully shifted to participation as a strategy to undermine resistance? This book introduces answers these questions and more by developing an original political economy approach which It places company-community conflict in the context of shifting global crises in the social and environmental governance of mining. The author draws on new evidence from three detailed Indonesian cases to explain how participatory mechanisms continuously reshape and are reshaped by community-corporate conflict. Findings highlight feedback between local social relations, conflict, transnational activism, crises of legitimacy and global governance.Extractive accumulation is the collection of strategies and relationships at local, national and global scales that enable corporations to secure natural resources and profit from their extraction within global capitalist economies. Corporate social responsibility, community development, 'gender-mainstreaming' and environmental monitoring are neither simple outcomes of corporate ethics nor mere greenwashing strategies. Rather, participation is a mechanism to undermine resistance and create social relations amenable to extractive accumulation. Combining the 'modes of participation' approach with social reproduction theory and Gramscian political economy, the book provides a fresh look at the institutions and ideologies shaping corporate management of social and environmental conflicts.

Rochester and the pursuit of pleasure, the fourth full-length study of Rochester's work since David Vieth's pioneering edition of The Compete Poems (1968), is the first to bring together a reading of John Wilmot's poetry, dramatic works, and letters. The book makes three claims, all perhaps unexpected. Though a biographical interpretation of Rochester's work is fraught with risks, theoretically and in terms of the surviving literary and biographical material, Rochester's work should be read in a biographical context. Rochester drew upon his emotional, intellectual, and religious life. He wrote about what engrossed him, seeking answers to real life questions. Showing the role that biography plays in interpreting Rochester's work illuminates, moreover, a central problem in Rochester criticism, the relationship of poet to his speakers. Reading the works as doing something for the poet and his audience reveals that they cluster about a central theme, the pursuit of pleasure, a complex process in which many of Rochester's mid-seventeenth century contemporaries were engaged. No longer sure under the old dispensation of their duties--familial, political, religious, or artistic--they sought new grounds for their motivations. For Rochester this pursuit of pleasure has its roots in Christianity. Rochester's work, that is, everywhere reflects his Christian and God-fearing upbringing and provides evidence of an excessive preoccupation with, and, at the end of his life, acceptance of Christianity. As the various speakers and the man himself pursue pleasure by courting king, wife, mistresses, and the craft of writing, they in humorous, perverse, even criminal ways court God.

What does 'lifework' mean? In his 1967 essay 'The Death of the Author', Roland Barthes described Marcel Proust's novel À la recherche du temps perdu as a form of 'lifework' that changed how autobiography would be written forever. Barthes's words would prove prophetic, as the following decades saw a return to this much-derided genre, albeit it through a string of artistic transformations that challenged, interrogated, and reimagined the notion of the 'self' . Offering a set of approaches spanning art history, literary theory, feminist, black, trans, and queer studies, this book takes the work of art and the process of artmaking as starting points for examining what a 'lifework' might constitute and what it suggests about the relationship -- both historical and contemporary -- between life and work. Featuring artworks by Moyra Davey and Susan Morris, as well as examples of autotheory by Teresa Carmody and Marquis Bey, the book doubles as a space in which different forms of life-writing take place. With further contributions from Jo Applin, Lucy Bradnock, Alice Butler, Miguel de Baca, Rye Dag Holmboe, Margaret Iversen, Alistair Rider, Abi Shapiro, and Moran Sheleg, Lifework is a valuable resource that brings together a range of established and emerging voices.

Affective Bordering is an incisive exploration of the emotional politics of migration and borders. It explores how emotions shape migration and border policies, perpetuating racial, sexual, and national hierarchies. Billy Holzberg analyses key events in the wake of the misnamed 'refugee crisis' in Germany such as Angela Merkel's hopeful 'Wir schaffen das' speeches, the empathetic response to Alan Kurdi's photo, the anger and resentment after New Year's in Cologne, and the current climate of fear and border militarisation. Additionally, the book examines alternative affective practices employed by migrants and migrant solidarity actors, including marches of hope, hunger strikes, public mourning, and activist interventions aimed at shaming the European border regime. By uncovering the racial grammars of deservingness underlying this form of affective border governance, the book challenges the notion that appeals to positive affective forces like empathy and hope necessarily work as a counter to negative emotions such as anger, resentment, and fear. Rather than centring on the affective life of national citizens, the book advocates for a paradigm shift towards the affective practices enacted in the cracks of the European border regime, where those most impacted by oppressive borders enact forms of collective agency and affective resistance. Combining queer feminist theories of affect with postcolonial border and migration politics, Affective Bordering offers a thought-provoking perspective on the reproduction and contestation of borders in today's world.

The edges of cities are increasingly understood as places of dynamism and change, but there is little research on African urban peripheries and the nature of building, growth, investment and decline that is shaping them. This multi-authored monograph examines African urban peripheries through a dual focus on the logics driving the transformation of these spaces, and the experience of living through these changes. As well as exploring the generic dynamics of peripheral change across the continent, it provides rich qualitative insights into the specificity and distinctiveness of a range of peripheral locations. Using substantial comparative empirical data from city-regions in Ethiopia, South Africa and Ghana, in conversation with research in other African contexts, it provides a cogent analysis of spatial transformations and everyday life on the African city periphery. It argues that urban peripheries are formed through five distinct but interconnected logics that capture the complexities of periphery formation and changes therein. However, it illustrates that to fully understand the nature of change in urban peripheries we need to situate these logics in relation to the varied lived experiences of people living there. Developed within a framework of comparative urbanism, the book considers multiple issues, including economic and infrastructural transitions, political practices, social outcomes and differences, and spatial and material changes. In order to bring the realities of 'living the periphery' to life, the book foregrounds the voices of residents throughout, supported by visual images.

What happens when the elitist space of 'Western' classical music seeks to diversify itself? And what are the social effects worked through diversity discourses in classical music institutions? Sounding difference addresses these timely concerns by critically examining how diversity work takes shape in a cultural sector so deeply implicated in hierarchies of class, structures of whiteness, and legacies of imperialism. Against persistent social exclusions in the sector, and sharpening inequality and upsurging ethnonationalism in Europe, the book draws from ethnographic and interview data to analyse how diversity discourses become constructed in the organisational and creative processes of music production. From rehearsal and performance practices to the impact of the Covid-19 pandemic on the sector's commitment to change, Kolbe reveals the institutional constraints and precarious labour relations that form around diversity work in classical music and skilfully considers what these processes can tell us about the remaking of class, race, and racism today. Overall, Sounding difference makes visible the contingent ways in which diversity discourses in the cultural industries contribute to the endurance of white middle-class social domination, yet also draws out under which conditions they may unlock a more radical cultural politics predicated on creative and social justice.

Based on the findings of a 15-month research project led by the Centre for Cultural Value, this significant new book offers a comprehensive overview of the impacts of Covid-19 on the UK's cultural sector and highlights implications for its future direction.The book provides a summary of the local, regional and national policy responses to the crisis. It offers a rigorous statistical analysis of the impacts of these policy responses and of the pandemic itself on the cultural workforce across the UK and a mixed-methods analysis of audiences' responses to the pandemic. These insights are nuanced and illustrated via detailed case studies of a number of key sub-sectors of the cultural industries (theatre, museums and galleries, screen industries, libraries and festivals) and via an ecosystem analysis of the Greater Manchester city-region. The book identifies and critically reflects on the core, recurrent themes that have emerged from the research and highlights the implications for cultural practitioners, organisations, funders and policymakers as we move into the endemic stage of Covid-19. It advocates for a more equitable and regenerative cultural sector, where freelancers and marginalised cultural workers and audiences are valued and included, and for a more engaged and collaborative approach to cultural sector research to enable to sector to know itself better and adapt to rapid change.

A pasticcio opera is created from pre-existing music, texts or both. This way of creating operas began soon after 1600 and still continues today, yet twentieth-century musicologists, steeped in neoromantic assumptions, felt that purely original works had to be better than collaborative ones, or composites, and must have been more valued and widespread. They presented pasticcio as a marginal genre within opera which came to an end in the early nineteenth century. This narrative was achieved by allowing only those operas which designated themselves a pasticcio to be categorised as such.The book challenges this perspective, arguing that pasticcio is a method of creating opera not a genre. The word was coined in the 1720s but the practice had existed long before long before and continued long after the word fell out of favour; many operas that are patently pasticci did not describe themselves as such and the practice can be found in many other artforms. Pasticcio is studied over a long timeframe as its evolutions were stimulated by cultural transitions with similarly long timespans: Britain's gradual shift from a proto-literate to a mass-literate society and shifts in conceptualising the self among others. As a practice, pasticcio came under critical pressure in the nineteenth century, not just in opera but in sculpture, the restoration of antiquities and in making commodities such as wine. Yet far from coming to an end in this century, as once argued, pasticcio continued into and beyond the twentieth century

Enthusiastically praised by Charles Lamb and A. C. Swinburne but unjustly neglected since the early twentieth century, Thierry and Theodoret dramatizes events from medieval French history, and it makes them particularly memorable by portraying the scariest villainess in early modern drama -- the unblinkingly evil Brunehaut, whose relentless pursuit of self-determination in the guise of unchecked sexual freedom leads her to plot the assassination of her two sons and a human sacrifice. The play explores the delicate nexus between misogyny, gender paradigms, and power in a patriarchal system, while glancing at recent political events in Paris and London in a way sufficiently aslant not to raise the censor's eyebrows. With its disenchanted depiction of royalty, its eerie instability in terms of genre, and its black comic overtones, Thierry and Theodoret strikes as a distinctive specimen of tragic drama in the Jacobean mould and ranks as one of the most powerful plays in the canon of John Fletcher and his collaborators. This Revels Plays volume is the first fully annotated critical edition of the play, and the first to attribute it to Nathan Field alongside Fletcher and Philip Massinger. It provides a thorough introduction reassessing the play's engagement with its classical and contemporary sources -- including Shakespeare -- and discusses the dating, authorship, and reception of this bizarrely captivating play, pointing the way for future scholarship, especially of a historical or gender-based nature. With its modernized spelling and detailed on-page commentary, this edition makes the play newly accessible to readers, students, and theatre practitioners.

A study of the relationship between medieval history and fiction, exploring the political and cultural contexts of the entry of fairies to the historical record in twelfth century England, and the subsequent uses of fairy narratives in both insular and continental history and romance.Beginning with accounts of fairy mothers in the works of Walter Map and Gerald of Wales, the book traces the uses of the fairy as a contested marker of historicity and fictionality in the continental mirabilia of Gervase of Tilbury, and the fourteenth and fifteenth century French Mélusine romances and their early English reception. Working across insular and continental source material, Fantastic Histories explores the practices of history-writing, fiction-making, and the culturally determined boundaries of wonder that defined the limits of medieval history, and its relationship to the dominant political and cultural interests that determined whose fantasies were false and whose were the stuff of history.

Home front heroism investigates how civilians were celebrated as heroic during the Second World War. It explores how conflict altered the relationship between the civilian and state, and how this shift created unique opportunities for civilians to behave heroically and be framed as heroic. From acts of life-risking bravery to displays of endurance, this book explores how constructions of Home Front heroism were flexible and malleable, and directly linked to the impact of war. Through exploring the spatial, material, corporeal and ritualistic dimensions of heroic representations, this book offers the first comprehensive study of Home Front heroism. Through a focus on London, it explores how heroism was manufactured through the way that civilians occupied spaces of production and danger, through the use of uniforms and gallantry medals, and in the way that civilians were wounded and killed during periods of bombardment. It particularly questions why certain individuals or virtues were identified and raised as heroic, and the motivations behind the constructions. This study provides a valuable contribution to the study of heroism and promotes new ways of thinking about the meaning and value of heroism during periods of conflict. By drawing on a range of sources, including films, posters, art, legislation, government correspondence, newspapers, diaries and memoirs, this study reveals that Home Front heroism was produced on a national, local and personal level. It will appeal to anyone interested in the social and cultural history of the Second World War as well as the sociology and psychology of heroism.

This book opens the doors to the homes of the forgotten poor and traces the goods they owned before, during and after the industrial revolution. Using a vast range of sources, it argues that the poor owned greater numbers and varieties of items with each generation and that poverty did not always mean living in squalor.

This book explores Roman Catholic female missionaries and their placement in colonial and postcolonial India. It offers fascinating insights into their idiomatic activism, juxtaposed with a contrarian Protestant raj and with their own church patriarchies. During the Great Revolt of 1857, these women religious hid in church steeples. They were forced into the medical care of sexually diseased women in Lock Hospitals. They followed the Jesuits to experimental tribal village domains while also catering for elites in the airy hilltop stations of the raj. Yet, they could not escape the eugenic and child rescue practices that were the flavour of the imperial day. New geographies of race and gender were also created by their social and educational outreach. This allowed them to remain on the subcontinent after the tide went out on empire in 1947. Their religious bodies remained untouched by India yet their experience in the field built awareness of the complex semiotics and visual traces engaged by the East/West interchange. After 1947, their tropes of social outreach were shaped by direct interaction with Indians. Many new women religious were now of the same race or carried a strongly anti-British Irish ancestry. In the postcolonial world their historicity continues to underpin their negotiable Western-constructed activism - now reaching trafficked girls and those in modern-day slavery. The uncovered and multi-dimensional contours of their work are strong contributors to the current Black Lives Matter debates and how the etymology and constructs of empire find their way into current NGO philanthropy

This study charts how exhibitions were used for propaganda and political intervention during the two decades from 1933: giving urgent warnings against the rise of fascism, providing practical information about how to live frugally and signalling international political alignments, beliefs and affiliations.

This illuminating, entertaining book offers philosophical and personal reflections on twinhood and how it can help us imagine the possibility of a more interconnected human future. -- .

Transitional justice in process is the first book that comprehensively studies the Tunisian transitional justice process, covering its initiation, design, and performance.

According to numerous scholars and policymakers, Roma are the most disadvantaged ethnic minority in Europe. But while the predicament of Roma has often been discussed, it is invariably seen as an unfortunate anomaly in otherwise inclusive liberal democratic states. The fringes of citizenship offers a novel socio-legal enquiry into the position of Roma as marginalised citizens, using the perspective of global citizenship studies. It argues that while the Romani minorities in Europe are unique, the forms of civic marginalisation they face are not. States around the globe have applied similar legislation and policies that made traditionally settled minorities marginalised. The book examines topics such as free movement and migration, statelessness and school segregation, as well as how minorities themselves respond to marginalisation. It shows how minorities can have a wide spectrum of 'multicultural rights' and still face racism and significant human rights violations. To understand this paradox, the book offers new theoretical concepts, such as the 'invisible edges' of citizenship and 'citizenship fringes'. The fringes of citizenship will be of interest to students and scholars of citizenship, migration, ethnic and racial studies. It also contains much that will be of value to policymakers dealing with human and minority rights, as well as to general readers eager to understand the position of Roma as citizens.

This book brings a new classroom approach for primary teachers to teach the explicit knowledge of scientific question-asking. This is an essential skill when children are involved in finding out about the world around them through science enquiry. This book challenges the assumption that because children ask lots of questions in science, that this automatically leads to meaningful learning of the enquiry curriculum. QuBuild is important for all children developing as scientific thinkers. It outlines an approach to explicitly plan for, practice and develop the craft of scientific question-asking. Unlock your children's science learning potential exploring the QuBuild Process.

In Governance, democracy and ethics in crisis-decision-making, we reflect on what it means to govern ethically in a pandemic. We explore what it means to be in a situation in which rational or epistemic framings of the COVID-19 pandemic, with a focus on data and scientific ways of knowing the world, rub up against the way people experienced the pandemic, as an unexpected, and often harmful, event in their own lives. The book brings together findings from The pandemic and beyond research projects linked by a focus on how decisions have been made, but looking at the pandemic from very different perspectives. In their exploration of decision-making processes from the everyday to the global, the contributors consider whether and how values have featured in decision-making, and sometimes why they have not. Exploring issues ranging from the authority of the World Health Organization (WHO) and the power of data during an emergency, to the role of public engagement as a source of policy evidence, contributors consider whether (and how) the expected standards and norms of public life and decision-making should be different in times of crisis. We also reflect that the pandemic seems impossible to disentangle from a reduced trust in power and authority. The answers to the questions discussed in this book will be vital in reviewing our experiences of emergency decision-making. As we emerge from the pandemic, the essential lessons drawn out in this book should direct and constrain future decision-makers in both ordinary times and extra-ordinary emergencies.

For fifty years Anne Lake Prescott has been a central force in the study of Anglo-French literary relations in the early modern period and her work anticipates recent scholarship on history, religion, and gender. This selection of her essays combines a tight focus on textual and historical particularities with an expansive sense of context--what she calls the "cultural forcefield surrounding and sustaining the poem". The essays connect different fields. They consider the reformation as it affects ideas of poetic vocation and the sense of time, and show how the Biblical David became a model for Renaissance poets and also for slandered courtiers. Several essays deal with Edmund Spenser's epic and his sonnet sequence, and many bring understudied texts to illuminate Donne, Ronsard, the Sidneys and other early modern writers. Three little-known French poems with lesbian speakers illuminate Donne's "Sappho to Philaenis", while the language of ruin in Mary Sidney's psalm translations prepare for her treatment of religious renewal. An introduction by Ayesha Ramachandran, Susan Felch and Susannah Monta places Prescott's work in the context of early modern scholarship. The essays collected here--penetrating, generous and witty--use close reading to illuminate the large cultural issues of the early modern period.

This book calls upon globalisation, queer, cinema, and affect studies to explore key Robert Lepage productions from 1984 to 2008, analysing the systems through which his work is produced and disseminated. -- .

This is the first edition of The Family of Love to be attributed to London playwright and impresario, Lording Barry (1580-1629). Performed by the short lived Children of the King's Revels, this ribald Jacobean comedy indulges coterie playgoers' curiosity about religious separatism in the wake of King James I's damning attack on Familists early in his reign. The Family of Love satirises the religious fellowship of the title but with an undercurrent of sympathy, especially for women. Sophie Tomlinson detaches The Family of Love from its reputations both as Middleton's worst play and as a product of collaborative authorship. Her lively introduction demonstrates Barry's techniques of parody and pastiche, relentless punning and scatological humour which make the play compellingly stageable. Barry's responsiveness to the confined playing space of the Whitefriars theatre and the possibility that the text was censored during printing are among the many reasons why The Family of Love deserves a fresh hearing. The volume includes a short biography of Barry, comprehensive commentary and appendices documenting marginal annotations in one copy of the 1608 quarto together with extracts from contemporary representations of the Family of Love. It will find its audience with students, actors, academics, playwrights and other creatives interested in early modern drama.