Böcker utgivna av Manchester University Press

Albrecht Dürer was an intense observer of the worlds of manufacture, design and trade that he encountered in his home city of Nuremberg and on his travels. This catalogue accompanies the first exhibition of the Whitworth's outstanding Dürer collection in over half a century. In ten essays and thematic texts, it juxtaposes Dürer's celebrated woodcuts, engravings and etchings with objects from his time, ranging from a humble pair of scissors to astounding examples of German Renaissance metalwork, book printing, ceramics and textile manufacture. Leading scholars offer insight into how a changing material world, shaped by expanding European and global networks, helped spark artistic creativity and major innovations in design and craft in Dürer's Nuremberg and beyond. The catalogue also includes an in-depth study of the Whitworth's recently restored pietà sculpture and brings a new perspective to the role that local collectors - many involved in trade, industry and design - played in amassing one of the most significant holdings of this artist's graphic work in the United Kingdom.

Depleting democracies explores the impact of radical right parties on their mainstream competitors, public policies regarding vulnerable groups and the respective polities in Eastern Europe from the Baltic to the Black Sea. It argues that these parties drive a process of depletion that fundamentally challenges democratic quality in the region.

This book explores some of the many instances of poisoning in early modern plays. It considers the practical, legal and epistemological aspects of poison plays and analyses the cultural work they perform, which includes questions related to race, religion, nationality, gender and humans' relationship to the environment.

This book explores how Sheffield City Council set out to renew left-wing politics in 1980s Britain. Drawing on archival research and oral history interviews, it details the struggle to build a broad-based politics that united class and identity politics and demonstrates how social democracy persisted at a local level under Thatcherism.

The relationship between Germany and Russia is Europe's most important link with the largest country on the continent. But despite Germany's unparalleled knowledge and historical experience, its policymakers struggle to accept that Moscow's efforts to rebalance Europe at the cost of the cohesion of the EU and NATO are an attack on Germany's core interests. This book explains the scale of the challenge facing Germany in managing relations with a changing Russia. It analyses how successive German governments from 1991 to 2014 misread Russian intentions, until Angela Merkel sharply recalibrated German and EU policy towards Moscow. The book also examines what lies behind efforts to revise Merkel's bold policy shift, including attitudes inherited from the GDR and the role of Russian influence channels in Germany.

The basics of international law: The UK context presents a comprehensive and accessible entry level text which provides the most essential and basic rules and facts of international law. This is an essential study guide for students and an invaluable reference for practitioners.

This collection brings together studies of popular performance and politics across the long nineteenth century. It creates a space in which historians and theatre scholars can develop a dialogue about the relationship between representations of politics in the theatre and the theatricality of politics itself.The essays collected here develop new connections and fresh insights into cultural politics from an archivally grounded research base. Starting from the concept that politics is performative and performance is political, it constitutes a dynamic and innovative intervention into political and cultural history.Politics, performance and popular culture begins with an investigation of popular culture as an analytical category for social and political history. Chapters examine the relationship between melodrama and radicalism at the turn of the nineteenth century, the theatre of Chartism, topical commentary in performance, suffragettes and theatricality, and ideas of a national theatre. It goes on to explore the ways in which performance represents and constructs contemporary ideologies of race, nation and empire, addressing the Irish question, imperialism and national identity through studies of pantomime, melodrama and dance history.The book includes case studies of individual politicians' use of theatrical techniques, including Robert Peel, Keir Hardie and Henry Hyndman, and an analysis of collective movements, including political protest. It approaches politics as a performative activity which drew on nineteenth-century performance practices. It explores the street as a performance space, and the historiographic possibilities of using performance as a frame to examine the political.

This volume offers a radical challenge to our idea of the photobook, arguing that the genre should be understood not as the artistic vision of one person but as a collective endeavour created through the confluence of individuals and competing interests. Today's market is geared for photographer-driven books and buoyed by the theoretical framework proposed by Martin Parr and Gerry Badger. But The photobook world casts a wider net, paying particular attention to anonymous photographers, institutional publications, digital opportunities, unrealized projects, illegal practices, collectives, poets and the reader. Investigating North American, British and French photobooks from 1900 to the present, the chapters uncover forgotten social objects and show how personal histories are bound to broader historical movements. At the same time, a number engage with canonical authors - notably Claudia Andujar and George Love, Mohamed Bourouissa, Walker Evans, Susan Meiselas, Roland Penrose and the Visual Studies Workshop - to reveal the original contexts and "biographies" of the photographs. Featuring contributors from a variety of professional and disciplinary backgrounds, including photographers, curators, historians and other researchers, The photobook world provides a better understanding of how the meaning of photobooks is collectively produced both inside and outside the art market.

This book advances a pragmatist sensibility for social inquiry in which truth and knowledge are contingent rather than universal, made rather than found, provisional rather than dogmatic, subject to continuous experimentation rather than ultimate proof, and verified through their application in action rather than in the accuracy of their representation of an antecedent reality.The contributors explore the power of pragmatist approaches to inform a practice of social inquiry and knowledge production that is problem-oriented, community-centred, democratic and experimental. The Power of Pragmatism offers a way to address contemporary challenges and mobilise the practice of inquiry and knowledge production to discern what John Dewey referred to as "a sense for the better kind of life to be led."

This study investigates the affective agency of the book, through the emotional literacy training that a single codex provided a late-medieval English household. It demonstrates how MS Ashmole 61 affirms both the physical and moral agency of nonhumans, who fashion spiritually generous and socially mindful human household members. -- .