A singular look at Orozco's itinerant studio practice, from the materials he collects on his travels to the finished works pulled from gallery storagePublished in a dos-à-dos format, Spacetime/Working Tables simultaneously focuses on two different but related projects by Gabriel Orozco (born 1962). Orozco's practice is grounded in his encounters with nature and the matter of everyday life. He keeps no permanent studio space; instead, he usually works at some kind of table at home or on the grass in his garden. The Working Tables are an accumulation of various objects, sketches, models and leftovers of his art making. They give a sense of Orozco's working process in a particular environment and his subsequent experimentation. The other half of the book focuses on Spacetime, a long-term, temporary exhibition that brought together a large selection of his work accumulated from over 30 years of living in New York and exhibiting with Marian Goodman Gallery. The show consisted of items from the artist's personal collection and gallery inventory turned into open storage.
Notions of invisibility and obscurity weigh on Strachan's excavation of overlooked figures throughout historyBahamian-born artist Tavares Strachan's (born 1979) In Total Darkness engages with French colonialism through an investigation of the Haitian Revolution, the first victorious revolt of Black enslaved people. In doing so, Strachan questions our presumed and popular knowledge of history.
Strachan's take on Marcus Garvey's Black Star Line and the legacy of Pan-AfricanismFor this exhibition, Tavares Strachan (born 1979) was inspired by the life and work of activist Marcus Garvey. Drawing on influences that span from music to sports and culture and science, Strachan applies a dub aesthetic within his practice to create works that invert the transatlantic story.
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