Böcker utgivna av Marsilio Editori

Includes essays by Denis Curti and Alberto Salvadori.

On the 1950s lyrical abstractions of a little-known protagonist of Italian artA member of the Movimento Spaziale group founded by Lucio Fontana after World War II, Italian painter Edmondo Bacci (1913-78) began exhibiting internationally in 1956, and was one of the few artists on the Italian art scene to process the latest developments in abstraction.This catalog looks at the more lyrical side of Bacci, when his career reached international success. In the early 1950s, Peggy Guggenheim and various art historians admired his art and celebrated the generative force of his color, his disruption of spatial planes and the circular rhythms of his brushwork. This book also explores the evolution of Bacci's idiom of color and light by examining his seminal works of the 1950s, which were acquired by US collectors through the advocacy of both Guggenheim and Alfred H. Barr, Jr. Edmondo Bacci: Energy and Light presents an artist who has been unjustly neglected in the annals of English-language art history.

Children's book author and illustrator extraordinaire Cestaro presents the beauty of Paris through the spectacular paper architecture of a pop-up book. This lively tour is enlivened by short texts and sweet anecdotes that tell a history of the city through its most iconic buildings.

From the hyperreal to the fragmentary: the body in contemporary art This thematic catalog contains more than 110 works by 34 international artists exploring new frontiers in depictions of the human body, exploring themes of life and death, youth and old age, work and migration, loss of balance and bodily life in the time and space of the present. From works by well-known hyperrealists such as Duane Hanson, John DeAndrea and Carole Feuerman, it proceeds to other types of narration where the body is evoked rather than represented. In works such as Christian Boltanski's Prendre la Parole (Speaking Up), Ibrahim Mahama's John B B, Chiharu Shiota's Over the Continents, Dayanita Singh's Suitcase Museum and Charles LeDray's Mens Suits, the body seems to have vanished, leaving behind only traces. Fragments of the body and its mutation, and even the mutable conditions of society, are present in the works of Oscar Munoz, AES + F Group, Yael Bartana, Alfredo Jaar, Janine Antoni, Robert Gober, Marc Quinn, Andres Serrano, Robert Longo, Michel Rovner and Franko B.