Böcker utgivna av McFarland & Company

As a 21-year-old Marine sent to the front lines of the Korean War, Al Martinez dispatched letters almost daily to his young bride, Joanne. In battle, he experienced the worst that war can bring, and then he served as a combat correspondent and as writer and editor of his regimental newsletter, the Ridgerunner. After the war, he entered a career in journalism, becoming a featured columnist for the Los Angeles Times where he would earn three shared Pulitzer Prizes. Written from the unique perspective of an obviously gifted, professional writer at the beginning of his career, his letters home capture his experiences eloquently and with depth of understanding as they express the dangers, hardships, fear, friendships, and even humor of life at the front. His vivid, often humorous pen-and-ink drawings portray scenes from the front lines.

Grunge. Flannel. Generation X. In 1993, Seattle was the capital of the world, Nirvana was king, and slackers were everywhere. When the Red Hot organization, a group of activists dedicated to raising money and awareness of AIDS, released their third compilation CD featuring the biggest bands of the era--Soundgarden, Smashing Pumpkins, Beastie Boys, The Breeders, Nirvana and more it quickly became the touchstone of a generation. Rolling Stone called No Alternative a "jaw-dropping compilation of musical gems." This book takes a look back at what happened to the bands involved with No Alternative. It includes new interviews with the musicians and others behind the record, and chronicles the downfall of an industry, the taming of a devastating illness, and the arrival of another global pandemic. It's about growing up, saying goodbye, and proving once more that you can't go home again (even if that's where you left all of your CDs).

From early classics like Contact to marvels like High Speed, gaming publisher Williams dazzled arcade goers with its diverse range of quality pinball games. The age of video games catapulted the company into legend with blockbusters like Defender and Joust, and by the end of the 1980s it was the largest coin-op publisher in North America. Williams' acquisition of Bally/Midway began a period of hits that included Mortal Kombat and NBA Jam, as well as the best-selling pinball machine of all time, The Addams Family. The history of Williams spans nearly six decades and is filled with great games, huge gambles and technical innovations that impacted every aspect of pinball and arcade video games. With interviews of 40+ former designers and executives from Williams/Bally/Midway, as well as information from hundreds of contemporaneous news reports and documents, this book presents a never-before-seen chronology of how the small company became a coin-op juggernaut. Thirty pinball and 26 video game classics are examined in depth with direct input from the people who made them, along with the story of the events that shaped one of gaming's greatest publishing houses.

This is a comprehensive and detailed encyclopedia for readers of Evelyn Waugh's Brideshead Revisited, one of the most popular and critically acclaimed novels of the twentieth century. It contains 175 entries on all aspects of the novel, covering such topics as the novel's main characters; cultural, literary, and political references; themes; organization; homosexuality; the novel's critical reception; and its film adaptions. It also pays particular attention to the importance of Catholicism in the story, discussing such subjects as sin, good and evil, divine grace, time, art, and love. A helpful list of recommended readings is included.

Wells' novel, a "scientific romance," attained perhaps its greatest fame in another form, the infamous realistic 1939 radio broadcast "Invasion from Mars" by the redoubtable Orson Welles. It was also notably made into an early fifties science fiction adventure movie (and there have been other adaptations as well). So indelible is the association that the novel, like the panic inducing broadcast and the Hollywood flick, now is taken as little more than a light fantasy of outerspace terror and human heroism, far from the author's original vision. The War of the Worlds is a philosophical tale and as such, is profoundly ideological. The world of the Martians represents the progressive future of humanity in a cultural war with our world of tradition and reaction--these are the two worlds in question. The Mars from which the invaders come is united by a planet-wide system of irrigation canals; for Wells this indicates a socialist world-state. The red planet is red in more than one sense, pointing the direction of terrestrial progress. The Martians in the novel are octopoidal monsters, bodily anticipating the tentacular, all-controlling totalitarian regimes of the twentieth century.

H.G. Wells (1866-1946) wrote some of the great classics of speculative fiction in English, including The Island of Doctor Moreau (1896), which might be said to be about unholy genetics. The work's biological and sociopolitical ideas are still current (such were the range and depth of Wells' ideas). Wells continued to work on Doctor Moreau for nearly thirty years after its initial publication in London (the New York first edition added a subtitle A Possibility), finally letting go of the work after the publication of the Atlantic Edition in 1924. Annotated by the premier Wellsian scholar, this is an exhaustive critical edition, examining the historical, medical, philosophical and literary contexts of the story.

The Time Machine is one of the most enduring works of the English language. A hundred years after it was first published, the book continues to be studied. The 1895 London first edition is used as a basis for the exhaustive annotations and other critical apparatus of the world's foremost Wellsian scholar. The widely reprinted version of 1924 is also fully accounted for. For most students, one of the chief points of interest is what the novel signified to readers when it was first published and how it relates to Wells's later works. Accordingly, the annotations focus on these questions. The introduction gives in great depth the background of the work and its complex bibliographical history, and a synopsis of the literary conventions that Wells used.

The alien abduction phenomenon is one of the enduring enigmas of our time. While the reality of alien abductions is a hotly debated topic among UFO researchers, scientists, skeptics and true believers alike, the phenomenon indisputably exists as an artifact of popular culture. This book analyzes more than 75 films that draw their inspiration from allegedly fact-based accounts of alien contact, from 1951's The Man from Planet X to Contactee in 2021. These films are examined in terms of both their cinematic qualities and their exploration of thematic elements derived from abduction reports. Abduction motifs that appear in science fiction classics such as The Day the Earth Stood Still, 2001 and Close Encounters are analyzed, as well as those in lesser-known films like The Stranger Within, Starship Invasions, Dark Skies and Proximity. Special attention is given to movies based on the famed experiences of abductees Betty and Barney Hill, Whitley Strieber and Travis Walton. The book also addresses skeptical theories about the origins of the phenomenon in science fiction and examines an uncanny prescience that appears to anticipate these inexplicable occurrences.

In 1932, The Mummy, starring Boris Karloff, introduced another icon to the classic monster pantheon, beginning a journey down the cinematic Nile that has yet to reach its end. Over the past century, movie mummies have met everyone from Abbott and Costello to Tom Cruise, not to mention a myriad of fellow monsters. Horrifying and mysterious, the mummy comes from a different time with uncommon knowledge and unique motivation, offering the lure of the exotic as well as the terrors of the dark. From obscure no-budgeters to Hollywood blockbusters, the mummy has featured in films from all over the globe, including Brazil, China, France, Hong Kong, India, Mexico, and even its fictional home country of Egypt--with each film bringing its own cultural sensibilities. Movie mummies have taken the form of teenagers, superheroes, dwarves, kung fu fighters, Satanists, cannibals and even mummies from outer space. Some can fly, some are sexy, some are scary and some are hilarious, and mummies quickly moved beyond horror cinema and into science fiction, comedy, romance, sexploitation and cartoons. From the Universal classics to the Aztec Mummy series, from Hammer's versions to Mexico's Guanajuato variations, this first-ever comprehensive guide to mummy movies offers in-depth production histories and critical analyses for every feature-length iteration of bandaged horror.

Science fiction cinema, once relegated to the undervalued "B" movie slot, has become one of the dominant film genres of the 21st century, with Hollywood alone producing more than 400 science fiction films annually. Many of these owe a great deal of their success to the films of one defining decade: the 1950s. Essays in this book explore how classic '50s science fiction films have been recycled, repurposed, and reused in the decades since their release. Tropes from Don Siegel's Invasion of the Body Snatchers (1956), for instance, have found surprising new life in Netflix's wildly popular Stranger Things. Interstellar (2014) and Arrival (2016) have clear, though indirect roots in the iconic 1950s science fictions films Rocketship X-M (1950) and The Day the Earth Stood Still (1951), and The Shape of Water (2017) openly recalls and reworks the major premises of The Creature From the Black Lagoon (1954). Essays also cover 1950's sci-fi influences on video game franchises like Fallout, Bioshock and Wolfenstein.

The Middle Ages in Western Europe extended from roughly 500 to 1500 c.e. During these thousand years, hundreds of monastic communities were founded and played important roles in religious, economic, social, literary and even military realms. Each had different emphases and goals, ranging from aristocratic monasteries and nunneries that offered comfort and security, to rural institutions that specialized only in the most ascetic lifestyles. This book has two goals. The first is to detail the most significant monastic and secular events of the Middle Ages in Western Europe, such as the decline of the Roman Catholic Church, the rise of Protestantism and the various types and purposes of monasteries and nunneries. The second is to introduce some notable (and unusual) individuals who made their mark upon the Middle Ages-- such as Eustache, the French monk who became a pirate and made a pact with the Devil.

Although a major star in the 1910s, Theda Bara--known as "The Vamp"--was largely neglected until the 1990s, when her fame began to resurface. Since then, there have been biographies, documentaries and other works that have brought the silent film actress back into the spotlight, including a painstaking stills reconstruction of her lost epic Cleopatra. This is a complete examination of Bara's more than 40 films, as well as her theater and radio appearances, down to the smallest detail. With the vast majority of Bara's films considered lost, it is a particularly valuable resource for fans and scholars, and includes information about each film's genesis, director, plot, censorship problems, and critical and public reactions. Also included is a biographical overview, with many illuminating anecdotes.

This book examines the history and influence of the Group Theatre, the most significant acting company in America. Founded during the Great Depression, the Group presented the first plays of Clifford Odets, Sidney Kingsley, and William Saroyan, and launched the careers of Franchot Tone, John Garfield, Elia Kazan, Lee J. Cobb, Karl Malden, Martin Ritt, and Luther Adler. The intense realism of their performances inspired generations of writers, actors, and directors in both theater and film. After the Group closed, its former members directed or produced the Broadway plays Brigadoon, A Streetcar Named Desire, Death of a Salesman, Camino Real, Bus Stop, The Music Man, Equus, and Yentl. In Hollywood, Group alumni produced, directed, or starred in the award-winning films On the Waterfront, East of Eden, Twelve Angry Men, Hud, Fail-Safe, 1776, Serpico, Network, Norma Rae, and The Verdict. Four of the nation's best-known acting teachers--Lee Strasberg, Sanford Meisner, Robert Lewis, and Stella Adler--came from the Group. The studios they established remain the most highly regarded acting schools in the world, with venues on four continents.

Taking a postmodern critical approach, this collection of new essays explores The CW Network's popular television drama The Vampire Diaries, taking in the complete original series (2009-2017), its spinoffs, source novels and fan fiction. Spanning three decades, TVD has engaged its predominantly teenage audience with storylines around love, friendship, social politics and gender roles. Contributors traverse the franchise's metamorphosis to suit the complex tastes of an early 21st century audience.

The idea of the frontier--once, the geographical borderline moving further and further West across the North American continent--has shaped American science fiction television since its beginnings. TV series have long adapted the frontier myth to outer space and have explored American Wests of the future. This book takes a deeper look at the futuristic frontiers within such series as Star Trek, Firefly, Terra Nova, Defiance and The 100, revealing how they rethink colonialism, the environment, spaces of risk and utopian/dystopian worlds. Harnessing forms of speculation and the post-apocalyptic imagination, these series engage with matters of the present, from the legacies of colonialism to climate change and the increasing integration of humans and technologies. In doing so, these series question in novel ways the very idea of borders and reshape cultural binaries such as Self/Other, wilderness/civilization, city/nature, human/non-human and utopia/dystopia.

Babe Ruth was 40 and flabby in 1935. His days as a strapping, fearsome home run hitter were behind him. Baseball had flourished into big business through Ruth's swing and swag and didn't need him anymore. His dream was to become a manager but the New York Yankees--a dynasty he helped build--were not interested. But someone wanted him. Judge Emil Fuchs, luckless president of the Boston Braves, had lost a fortune on his perpetually losing team. Desperate to save the club from collapse, he needed Babe Ruth--not the fading slugger but the most famous brand on the planet. This book chronicles the Ruth and Fuchs partnership during a perplexing 1935 season with the 38-115 Braves--truly one of the worst baseball teams in history--along with Ruth's final games, back in the city where he debuted.

In 2016, a newspaper published an article about four childrendue to be sent to an orphanage after their parents were punished for attempting to flee Vietnam. Among 46 asylum seekers trying to reach Australia by boat, they were intercepted by the Australian navy and returned to Vietnam, where intense retribution awaited. This newspaper article sparked a unifying response in people across the globe. This work tells the story of volunteer advocates who banded together to help a group of Vietnamese refugees on their journey to freedom. Highlighting the courage of "ordinary" people--and with tales of human rights, communal living, reuniting families and their eventual resettlement in Canada--this book paints a vivid picture of Vietnamese families' struggle for liberty in the 21st century.

Across North America's periphery, unknown and overlooked Civil War campaigns were waged over whether the United States or Confederacy would dominate lands, mines, and seaborne transportation networks of North America's mineral wealth. The U.S. needed this wealth to stabilize their wartime economy while the Confederacy sought to expand their own treasury. Confederate armies advanced to seize the West and its gold and silver reserves, while warships steamed to intercept Panama route ships transporting bullion from California to Panama to New York. United States forces responded by expelling Confederate incursions and solidified territorial control by combating Indigenous populations and enacting laws encouraging frontier settlement. The U.S. Navy patrolled key ports, convoyed treasure ships, and integrated continent-wide intelligence networks in the ultimate game of cat and mouse. This book examines the campaigns to control North America's mineral wealth, linking the Civil War's military, naval, political, diplomatic and economic elements. Included are the hemispheric land and sea adventures involving tycoon Cornelius Vanderbilt, admiral and explorer Charles Wilkes, renowned sea captain Raphael Semmes, General Henry Sibley, cowboy and mountain man Kit Carson, Indigenous leaders Mangas Coloradas and Geronimo, writer and miner Mark Twain, and Mormon leader Brigham Young.

Corporal Leonard Guttridge was among the many unsung heroes of the Battle of Britain--the Royal Air Force mechanics and armorers who patched bullet holes, repaired engines, refueled empty tanks and replenished ammunition, enabling outnumbered pilots to return to the skies. His journal, written in tiny notebooks, at moments under enemy fire, chronicles the battle and its human toll, and portrays the tenacity of the RAF ground crews without whom the British could not have defeated the German Luftwaffe.

This is the first book-length biography of Ned Hanlon, a Hall of Famer but yet an underappreciated figure in baseball history. As a first generation Irish-American, Ned Hanlon left behind a childhood in the cotton mills to become a star player in the major leagues and the famous manager of the colorful 1890s Baltimore Orioles. He traveled the world on an all-star team and was a key member of the first attempt by baseball players to unionize, which led to the creation of the upstart Players' League. Hanlon was an innovative and shrewd tactician whose strategies and ideas helped baseball transition from its rough infancy into the modern game we know today. As one of the premier baseball minds of his time, "Foxy Ned" also exerted a profound influence on the sport through the managerial tree he established, which includes Hall of Fame managers such as John McGraw, Miller Huggins, and Connie Mack.

The hunger strike of 1981 is regarded as one of the most tragic events in Irish history. Ten men died over a period of 217 days in the H-Blocks of Long Kesh (Maze) prison while exercising the most extreme form of civil disobedience available to them. The Troubles that gave rise to the hunger strike had roots in the centuries of socio-economic subjugation and religious persecution in Ireland. In 1971, the British government began internment without trial for persons suspected of belonging to paramilitary organizations. Eventually, the British government granted Special Category Status to these prisoners before later stripping it from the prisons by 1976, leading to a five-year prisoner protest that culminated in the 1981 hunger strike. This book critically examines declassified British government documents that detail how the government's policies led to the 1981 hunger strike, how Margaret Thatcher exacerbated the strike by refusing steps to end it, and how the hunger strike eventually led to peace in the north. Analysis also illustrates how the 1981 hunger strike, and the ten men who died on it, forced a revolutionary change in the political and governmental structure of the north and paved a road to peace that concluded with the signing of the 1998 Good Friday Agreement.

History paints war out to be a man's business, but there is an army of women warriors who stand between the lines of history books, waiting to be seen. This biographical dictionary tells the story of the females who armed themselves against threats to self, family, home and country. Spanning 17 periods of world history, it compiles the daring deeds of 1,622 female fighters, from Bronze Age archers and Viking raiders, to helicopter pilots and commanders of aircraft carriers. Entries summarize heroes such as the Old Testament judge Deborah, Joan of Arc, Elizabeth I, Aisha, Mary Spencer-Churchill, Calamity Jane, Cleopatra VII, Molly Pitcher, Aung San Suu Kyi and-- surprisingly-- Julia Child. Included are the famous stands the unheralded scrappers and risk-takers took up in fierce crises.

The history of rock and roll music can be seen in a long arc of Western civilization's struggle for both greater individual expression and societal stability. In the 1960s, the West's relationship with authority ruptured, in part due to the rock revolution. The lessons and implications of this era have yet to be fully grasped. This book examines the key artists, music, and events of the classic rock era--defined here as 1964 to 1980--through a virtual psychoanalysis of the West. Over these years, important truths unfold in the stories of British Invaders, hippies, proto-punks, and more, as well as topics to include drugs, primal scream therapy, the occult, spirituality, and disco and its detractors, to name just a few. Through a narrative that is equal parts entertaining, scholarly, and even spiritual, readers will gain a greater appreciation for rock music, better understand the confusing world we live in today, and see how greater individuality and social stability may be better reconciled moving forward.

This is a critical history of spy fiction, film and television in the United States, with a particular focus on the American fictional spies that rivaled (and were often influenced by) Ian Fleming's James Bond. James Fenimore Cooper's Harvey Birch, based on a real-life counterpart, appeared in his novel The Spy in 1821. While Harvey Birch's British rivals dominated spy fiction from the late 1800s until the mid-1930s, American spy fiction came of age shortly thereafter. The spy boom in novels and films during the 1960s, spearheaded by Bond, heavily influenced the espionage genre in the United States for years to come, including series like The Man from U.N.C.L.E. and Matt Helm. The author demonstrates that, while American authors currently dominate the international spy fiction market, James Bond has cast a very long shadow, for a very long time.

Theaters worldwide have exhibited a bewildering array of form, style, tone and subject in the late 20th- and the early 21st centuries, and this range of work has been determined largely by its directors. This book documents this procession of theatre in interviews with 28 directors who've been most recognized and influential on the global stage. Their ideas are varied, even dissonant, indicating the protean nature of theatre and the rich weave of work that's made our theater so rewarding. Interviewees include Judith Malina, Ping Chong, Julie Taymor and Robert Icke, among others who have defined modern theater.

William Blake was an English poet, painter, and visual artist early within the Romantic movement. Although both his textual and pictorial works have generally been regarded as complex and open to interpretation, the author argues that sexuality is perhaps the most notable component worthy of discussion when reading Blake. This book covers sex in Blake's works and Blake's personal views about sex, and offers a more general overview of sex in literature from the seventeenth and the eighteenth centuries. It includes a brief discussion of some of the more dated criticism of Blake and the matter of sex. The book then goes on to discuss, more specifically and in greater detail, the issue of sex in several of the longer and more complex of Blake's notable works, including The Four Zoas, Milton, and Jerusalem. A chapter is dedicated to each work, examining Blake's development of sexual issues. It concludes with notable examples of the omnipresent nature of sex in nearly all of Blake's art and poetry.

What makes a kaiju a kaiju? What makes an ape a large ape, and why do we sympathize with some, such as King Kong, and not with others, such as Konga? And what makes a giant person become a "monster"? This book provides a new perspective on kaiju and reveals that our boundaries for the genre are perhaps not so solid. This work focuses primarily on newer kaiju works, ranging from Colossal to Shin Godzilla to Godzilla vs. Kong, but also touches on classics such as King Kong, Mighty Joe Young, Godzilla Raids Again, and lesser-known works such as What to Do With the Dead Kaiju? and Agon. Like our ancestors we have collectively adopted giant monsters into our culture, especially our pop culture. Within the domains where giant monsters walk, we experience the rigidity of our moral structures, and the fleeting borders of our definitions of humanity. Within the kaiju film genre rest our own assumptions about what makes a monster a monster, and, more importantly, what makes a human a human.

A sequel to the author's autobiographical trilogy--Shush! Growing up Jewish under Stalin, In the Jaws of the Crocodile, and Farewell, Mama Odessa--this book is part memoir and part cultural study about the challenges of immigration and American accculturation. With self-deprecating humor, the author, a former Soviet satirist who was punished for trespassing the boundaries of public criticism, recollects his growing pains as he overcame his indoctrinated upbringing in a totalitarian society to embrace America's defining values.

This work traces the history of a remarkable troop of Hoosier horsemen--the East Wing of the Third Indiana Cavalry--during the Civil War. From the backwaters of the war in eastern Maryland to the epicenter of cavalry action in the eastern theater, they fought at Antietam, Brandy Station, Gettysburg and around Petersburg, and helped subdue Confederate forces in the Shenandoah Valley. Along the way they served as spies and fought in dozens of vicious skirmishes and battles. At Appomattox, they escorted one of the most famous generals to come out of the war.

For more than six decades, reggae legend Glen DaCosta has worked as a musician, songwriter and producer. As a session player, his distinctive sax sound backed many international reggae stars at Joe Gibbs' Studio and Lee Scratch Perry's Blackheart Studio. Twenty-two years in the writing, his revealing memoir gives an insider's view of the Jamaican popular music industry, and recounts his fascinating childhood and years on the road with Bob Marley and the Wailers and Zap Pow.