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Böcker utgivna av MCGILL QUEENS UNIV PR

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  • av Brad Evans
    446,-

    State of Disappearance brings together abstract artistic testimony and witnessing with critical voices to ask deeper questions about extreme violence, the normalization of human vanishing, state and ideological complicity, and memorialization, along with wider concerns about what it means to be human in the twenty-first century.

  • av Matthew R Anderson
    336,-

    Reimagining Leonard Cohen and the Apostle Paul as spiritual siblings, Prophets of Love offers an introduction to some of the latest scholarship on Paul, combatting centuries of Christian anti-Judaism, and sheds new light on the biblical worldviews and language underlying every line of Cohen's poetry.

  • av Eimear Laffan
    276,-

    Set against a break-up with God, insomniac nights, and smoke-filled skies, aboutness is by turns wry, performative, and sober. Threads of self-making are juxtaposed with an ever-unfolding present exposing the limits and possibilities of convergence. Haunted by the ghost of the text not realized, this is poetry that refuses to stand still.

  • av Chris Kaposy
    406,-

    Chris Kaposy reflects on parenting his son with Down syndrome in the midst of a supposed disappearance of people with this condition. Writing from a pro-choice, disability-positive perspective, Kaposy presents decades-old bioethical controversies, revealing the prehistory that has shaped current attitudes toward intellectual disability.

  • av Richard Aldous
    410,-

    Douglas Dillon advocated for evolution and reform over radicalism and placed the national interest above party interest. With exclusive access to the family's archive, in The Dillon Era Richard Aldous sets fresh eyes on a well-documented period in American history, unfolding a deeply influential but somewhat overlooked political career.

  • av nancy viva davis halifax
    280,-

    These poems are inquisitive, desiring to evade the grasp of the normative, as endured by those institutionalized by, and through, the concept of normalcy. act normal invites readers to re-orient from the normative task of assuming the safety of consensual interpretation, while risking, cherishing, and performing non-indifference.

  • av Ervin Malakaj
    290,-

    Released in 1919, Anders als die Andern is a remarkable artefact of the pre-Stonewall homosexual rights movement of early-twentieth-century Germany. Ervin Malakaj shows how the film's "mournful cinema" is key to its endurance, fostering connection through emotions and acting as a springboard to engage in an intergenerational queer struggle.

  • av Roy J Eidelson
    406,-

    *Doing Harm *recounts a critical chapter in the recent history of psychology: the field's enmeshment in the "war on terror," and the ensuing reckoning over do-no-harm ethics during times of threat. Eidelson exposes the challenges that the American Psychological Association faced when government agencies called upon health professionals to assist with their abusive and sometimes torturous detention and interrogation operations.

  • av John Baglow
    276,-

    In a photograph by James Crombie, a murmuration of starlings takes the shape of a giant bird. This is the metaphor that best describes the collection: individual poems moving together in liquid formation and, for perhaps a singular moment, assuming the outline of the author, helplessly ever-changing.

  • av John Emil Vincent
    276,-

    Chatty Cathy, while not the first talking doll, was certainly the most widely known, and the only one elevated to idiom. The Decline and Fall of the Chatty Empire chronicles her later career and luridly illustrates the perils of reaching such linguistic heights with so very little to say.

  • av Sam Reimer
    576,-

    While Evangelicalism is known for its defence of orthodoxy and resistance to liberalizing trends, it is being reshaped by the modern zeitgeist in ways that evangelicals themselves do not realize. Offering an insider's view into British and Canadian evangelical churches, Caught in the Current explores how and why evangelicals are changing.

  • av John Reibetanz
    276,-

    In New Songs for Orpheus, John Reibetanz updates Ovid's poetry. His words showed him to be a person of deep empathy for natural, animal, and human worlds, and Reibetanz posits that Ovid would be eager to take account of all that we have learned about them in the past two thousand years.

  • av Karl Moore
    386,-

    Based on hundreds of interviews conducted with under-thirty-year-olds across the globe, as well as executives' perspectives on changing dynamics in the workplace, Generation Why provides a thorough study of how the worldview of millennials and generation Z informs their ideas about truth, hierarchy, and leadership.

  • av Catherine E Connelly
    526,-

    Comparing the lived reality of agricultural workers, in-home caregivers, and low- and high-wage workers, and integrating the perspectives of employers both reluctant and reckless, Catherine Connelly unpacks the harms within Canada's Temporary Foreign Worker Program and offers nuanced strategies to improve it.

  • av Kate Merriman
    406,-

    This book is a tribute to Lois Wilson, bringing together essays by prominent figures who have worked alongside her and who have been influenced by her practical Christianity, progressive values, and commitment to ending oppression. The collection acknowledges her inspiring legacy while taking on the important task of continuing her work.

  • av Charlotte Duval-Lantoine
    450,-

  • av Jean van Loon
    280,-

    Jean Van Loon's father was a metallurgist in an Ottawa lab that contributed to the Manhattan Project. Unbeknownst even to the family, her mother worked for Canada's Cold War intelligence service. Rooted in memory and history, Loon carries the reader into the sense of impending nuclear doom and the material wealth that shaped the poet's childhood.

  • av Brian Henderson
    280,-

    This dream book of kaleidoscopic, holographic, mutagenic poems is haunted by the loops, aporias, and entanglements of time. With imagery both striking and nuanced, and language rich and strange, Brian Henderson presents mesmerizing poems that celebrate the strange and vertiginous musics of a kind of memory-ness invoked by the irretrievable.

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