Böcker utgivna av McGill-Queen's University Press

A study of the perception issues and ethical dilemmas faced by humanitarian organizations.

How a rising right in the United States and Europe idolizes strength, masculinity, and even war.

The life and times of the great eighteenth-century judge and statesman, whose legacy continues to influence Anglo-American law and society.

Odagahodhesfollows an Indigenous sharing circle, relaying teachings by Cayuga Elder Gae Ho Hwako Norma Jacobs and the diverse experiences and knowledge participants bring into reflective relation with the teachings. Each circle ends by inviting the reader into the sacred space of odagahodhesand calls for a transformation in how we live.

Katherine Fierlbeck and Gregory Marchildon examine public health services and coverage in Canada that predate or have developed in parallel to the Canada Health Act. Explaining their logic, operation, and internal political tensions, The Boundaries of Medicare sheds light on the challenges and opportunities facing Medicare in Canada today.

Ce livre s'impose tel un véritable devoir de mémoire envers les pionniers du cinéma de fiction LGBTQ+ québécois avec ce premier et courageux aveu queer de Claude Jutra dans À tout prendre ainsi que la mise en scène par le duo Brassard-Tremblay dans Il était une fois dans l'Est d'une faune colorée s'affirmant dans un quartier modeste de Montréal.

Benjamin Bryce considers what it meant to be German in Ontario between 1880 and 1930. For the Germans who make up the core of this study, the distinction between insiders and outsiders was often unclear. The Boundaries of Ethnicity uncovers some of the origins of Canadian multiculturalism, and government's attempts to manage this diversity.

James Tully is one of the most influential political philosophers at work today. Offering a wide-ranging critical discussion of his work by leading scholars from various fields of study, Civic Freedom in an Age of Diversity provides a rich perspective on the full extent of Tully's contribution.

"It is a little-known fact that the first cultural agreement Canada signed was with Brazil in 1944. The two countries' rapprochement launched a flurry of activity connecting Montreal to Rio de Janeiro amid the turbulence of war and its aftermath. Why Brazil? And what could songs and paintings achieve that traditional diplomacy could not? Distant Stage examines the neglected histories of Canada-Brazil relations and the role played by culture in Canada's pursuit of an international identity. The efforts of French-Canadian artists, intellectuals, and diplomats are at the heart of both. Eric Fillion demonstrates how music and the visual arts gave state and non-state actors new connections to the idea of nation, which in turn informed their sense of place in the world. Tracing the origins of Canadian cultural diplomacy to South America, the book underscores the significance of race and religion in the country's international history, showing how Brazil served as a distant stage where Canadian identity politics and aspirations could play out. Both a timely invitation to think about cultural diplomacy as a critical practice and a reflection on the interplay between internationalism and nationalism within the context of Canada's contested federalism, Distant Stage draws attention to the ambiguous yet essential roles played by artists in international and intercultural relations."--

Drawing on the writing of over one hundred diarists, this book takes us into the heart of informal neighbourhood labour exchanges known as "bees" and the context of farm families' daily lives in Southern Ontario. It sheds light on the workways of rural people and on how neighbouring was a dynamic and progressive aspect of agricultural change, as well as a key element in fashioning rural culture.

Prehistoric human life is a common reference point in contemporary culture, inspiring attempts to become happier, healthier, better people. Back to the Stone Age explores how ideas about race are tightly woven into the prehistoric imagination, revealing insights into present-day anxieties and showing that the human past is not set in stone.

Drawing on interviews and focus groups with nearly 200 women from a range of backgrounds and occupations - including healthcare workers, educators, and parents - Conscripted to Care reveals how structural inequalities put women on the frontlines of the COVID-19 response, yet with inadequate resources and little voice in decision-making.

Western civilization is over. So begins Jan Zwicky's trenchant exploration of the roots of global cultural and ecological collapse. Once Upon a Time in the West documents how a narrow epistemological style has left us blind to critical features of reality, and how the terrifying consequences of that shuttered vision are now unfolding.

State of Disappearance brings together abstract artistic testimony and witnessing with critical voices to ask deeper questions about extreme violence, the normalization of human vanishing, state and ideological complicity, and memorialization, along with wider concerns about what it means to be human in the twenty-first century.

Outspoken interrogates the meaning and practice of being outspoken in a world of right-wing populism, global capitalism, and climate emergency. Some of the world's most radical thinkers - Rosi Braidotti, Henry A. Giroux, Amelia Jones, and Slavoj Zizek, among others - chart progressive courses for political antagonism and social intervention.

Rampant morphine addiction in Third Republic France captured the imagination of artists in Paris. However, while the majority morphine users were male medical professionals, artists almost always pictured a female addict. Art, Medicine, and Femininity explores the societal impact of the feminization of addiction in this corpus of images.

Marlene Epp demonstrates that the meaning of Mennonite food lies within the multiple identities of the eater. Spanning the globe, from the nineteenth century to present day, Eating Like a Mennonite concludes that Mennonite food identities develop from adoptions, adaptations, and attitudes in diverse times and places.

A collection of around 350 letters bound for London from Jamaica reveals much about colonial life in 1756. Ordinary People, Extraordinary Times paints a picture of the daily life of poor and middling whites, free people of colour, and enslaved people against the backdrop of transatlantic slavery in Jamaica and the eighteenth-century British Empire.

Though forensic genetic technologies are upheld as important tools of justice the development of these technologies has been accomplished through the ongoing genetic servitude of Indigenous Peoples. Forensic Colonialism explores how these controversial methods serve only privileged populations, and keep others exploited and criminalized.

Concern over ecological and environmental problems grows daily, and many believe we're at a critical tipping point. Scientists, social thinkers, public officials, and the public recognize that failure to understand the destructive impact of industrial society and advanced technologies on the delicate balance of organic life in the global ecosystem will result in devastating problems for future generations. In The Domination of Nature William Leiss argues that this global predicament must be understood in terms of deeply rooted attitudes towards nature. He traces the origins, development, and social consequences of an idea whose imprint is everywhere in modern thought: the idea of the domination of nature. In part 1 Leiss traces the idea of the domination of nature from the Renaissance to the nineteenth century. Francis Bacon's seminal work provides the pivotal point for this discussion, and through an original interpretation of Bacon's thought, Leiss shows how momentous ambiguities in the idea were incorporated into modern thought. By the beginning of the twentieth century the concept had become firmly identified with scientific and technological progress. This fact defines the task of part 2. Using important contributions by European sociologists and philosophers, Leiss critically analyzes the role of science and technology in the modern world. In the concluding chapter he puts the idea of mastery over nature into historical perspective and explores a new approach, based on the possibilities of the liberation of nature.Originally published in 1972, The Domination of Nature was part of the first wave of widespread interest in environmental issues. In a new preface Leiss explores the concept of eco-dominion and the moral obligations of human citizens of the twenty-first century.

Between 2010 and 2017, Canada experienced an efflorescence of Greek tragedy, led by independent Montreal theatre company Scapegoat Carnivale's energetic performances of Euripides's Medea and Bacchae and Sophocles's Oedipus Tyrannus. The performances featured crisp new translations by co-artistic director Joseph Shragge, large casts, and full-throated sung choruses. Scapegoat Carnivale's trilogy of these familiar but rarely performed plays is at the core of this volume, which includes all three novel play scripts, the company's stage directions, and helpful annotations that elucidate Greek names and cultural references and place the textual choices in the context of the productions themselves as well as the long manuscript traditions germane to each tragedy. The result sheds light on both the ancient Greek texts and contemporary performance practice, as do accompanying essays introducing the reader to Greek tragedy in fifth-century Athens, reception theories, each play's themes and cultural resonances, and how Scapegoat's approach to each play fits into broader global trends of performance and reception.Scapegoat Carnivale's Tragic Trilogy invites readers from all backgrounds to encounter these plays, whether they are looking at Greek tragedy for the first time or the fiftieth. It gives everyone the tools to understand where these plays came from, offers insights into how they can and should be performed now, and shows why they are more relevant than ever in contemporary theatre and in life.

Imagine a house whose wiring is spliced and patchy with knob and tube, coiled like a serpent ready to strike and spark at any moment. Even if you have a fire trap behind your walls, the lights will turn on. In her memoir of a life lived in physical pain, Karen Engle asks whether and how language can capture what it's like to be in a body that appears to work from the outside, when its internal systems operate through an ad hoc assemblage of garbled messaging, reroutings, and shaky foundations. A series of narrative reflections capture the myriad ways in which the chronic conditions its suffering subject. Contrary to claims that pain obliterates language - long a trope of writing about illness - Engle contends that the person with chronic pain is not hampered by a scarcity of language, but rather its excess: enervation by the unending waves of utterance. From a history of the word chronic and its shifting significance to meditations on multiple diagnoses and interactions with medical personnel, Chronic Conditions is a doctor's case file through the looking glass of a creative writer, scholar, and patient. Engle explores, through medical research, literature, and art, how it feels to become attuned to the rhythms of perpetual and mysterious physical pain. At stake here is the search for a kind of writing that does not instrumentalize pain for allegorical or transcendental purposes. Chronic pain is not a sign of weakness, nor is it an opportunity for personal growth, Engle argues. Instead, it is entirely ordinary and deeply affecting.

Few subjects in European welfare history attract as much attention as the nineteenth-century English and Welsh New Poor Law. Its founding statute was considered the single most important piece of social legislation ever enacted, and at the same time, the coming of its institutions - from penny-pinching Boards of Guardians to the dreaded workhouse - has generally been viewed as a catastrophe for ordinary working people. Until now it has been impossible to know how the poor themselves felt about the New Poor Law and its measures, how they negotiated its terms, and how their interactions with the local and national state shifted and changed across the nineteenth century. In Their Own Write exposes this hidden history. Based on an unparalleled collection of first-hand testimony - pauper letters and witness statements interwoven with letters to newspapers and correspondence from poor law officials and advocates - the book reveals lives marked by hardship, deprivation, bureaucratic intransigence, parsimonious officialdom, and sometimes institutional cruelty, while also challenging the dominant view that the poor were powerless and lacked agency in these interactions. The testimonies collected in these pages clearly demonstrate that both the poor and their advocates were adept at navigating the new bureaucracy, holding local and national officials to account, and influencing the outcomes of relief negotiations for themselves and their communities. Fascinating and compelling, the stories presented in In Their Own Write amount to nothing less than a new history of welfare from below.

The "Middle East" has long been an indispensable and ubiquitous term in discussing world affairs, yet its history remains curiously underexplored. Few question the origin of the term or the boundaries of the region, commonly understood to have emerged in the twentieth century after World War I. Guillemette Crouzet offers a new account in Inventing the Middle East. The book traces the idea of the Middle East to a century-long British imperial zenith in the Indian subcontinent and its violent overspill into the Persian Gulf and its hinterlands. Encroachment into the Gulf region began under the expansionist East India Company. It was catalyzed by Napoleon's invasion of Egypt and heightened by gunboat attacks conducted in the name of pacifying Arab "pirates." Throughout the 1800s the British secured this crucial geopolitical arena, transforming it into both a crossroads of land and sea and a borderland guarding British India's western flank. Establishing this informal imperial system involved a triangle of actors in London, the subcontinent, and the Gulf region itself. By the nineteenth century's end, amid renewed waves of inter-imperial competition, this nexus of British interests and narratives in the Gulf region would occasion the appearance of a new name: the Middle East. Charting the spatial, political, and cultural emergence of the Middle East, Inventing the Middle East reveals the deep roots of the twentieth century's geographic upheavals.

Some 60 million people died during the Second World War; millions more were displaced in Europe, Africa, and Asia. The war resulted in the creation of new states, the acceleration of imperial decline, and a shift in the distribution of global power. Despite its unprecedented impact, a comprehensive account of the complex international experiences of this war remains elusive. The Peoples' War? offers fresh approaches to the challenge of writing a new history of the Second World War. Exploring aspects of the war that have been marginalized in military and political studies, the volume foregrounds less familiar narratives, subjects, and places. Chapters recover the wartime experiences of individuals - including women, children, members of minority ethnic groups, and colonial subjects - whose stories do not fit easily into conventional national war narratives. The contributors show how terms used to delineate the conflict such as home front and battle front, occupier and occupied, captor and prisoner, and friend and foe became increasingly blurred as the war wore on. Above all, the volume encourages reflection on whether this conflict really was a "Peoples' War." Challenging the homogenizing narratives of the war as a nationally unifying experience, The Peoples' War? seeks to enrich our understanding of the Second World War as a global event.

When strange signs appeared in the sky over Québec during the autumn of 1660, people began to worry about evil forces in their midst. They feared that witches and magicians had arrived in the colony, and a teenaged servant named Barbe Hallay started to act as if she were possessed. The community tried to make sense of what was happening, and why. Priests and nuns performed rituals to drive the demons away, while the bishop and the governor argued about how to investigate their suspicions of witchcraft. A local miller named Daniel Vuil, accused of using his knowledge of the dark arts to torment Hallay, was imprisoned and then executed.Stories of the demonic infestation circulated through the small settlement on the St Lawrence River for several years. In The Possession of Barbe Hallay Mairi Cowan revisits these stories to understand the everyday experiences and deep anxieties of people in New France. Her findings offer insight into beliefs about demonology and witchcraft, the limits of acceptable adolescent behaviour, the dissonance between a Catholic colony in theory and the church's wavering influence in practice, the contested authority accorded to women as healers, and the insecurities of the colonial project. As the people living through the events knew at the time, and as this study reveals, New France was in a precarious position.The Possession of Barbe Hallay is both a fascinating account of a case of demonic possession and an accessible introduction to social and religious history in early modern North America.