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The Believer's music issue returns! A twelve-time finalist for the National Magazine Awards, every issue of The Believer features commentary, deeply reported journalism, poetry, art, essays, and a difficult but ultimately highly enjoyable games section. Printed on full color, acid-free paper, the magazine has long been a home for the unexpected and the unwieldy corners of culture, a place where readers can encounter emerging talents alongside established, award-winning writers and artists. Lavishly illustrated and perfect-bound, The Believer is printed four times a year, and occasionally accompanied by a delightful bonus item, like an original 7'' record or some other equally amusing object.

A twelve-time finalist for the National Magazine Awards, every issue of The Believer features commentary, deeply reported journalism, poetry, art, essays, and a difficult but ultimately highly enjoyable games section. Printed on full color, acid-free paper, the magazine has long been a home for the unexpected and the unwieldy corners of culture, a place where readers can encounter emerging talents alongside established, award-winning writers and artists. Lavishly illustrated and perfect-bound, The Believer is printed four times a year, and occasionally accompanied by a delightful bonus item, like an original 7'' record or some other equally amusing object.

McSweeney's National Magazine Award-winning Quarterly Concern celebrates our first quarter century of being an occasionally actually quarterly publication as so many mid-twentysomethings do (drenching ourselves in a sea of nostalgia for our misbegotten youth and looking forward into the promise of the future) with one of our most dazzling issues to date! Coming to you housed inside a deluxe tin lunchbox illustrated by the legendary Art Spiegelman, McSweeney's 74 features a portfolio of pareidolia art by Spiegelman himself, wherein he teases out images from random watercolor inkblots; original pieces by Lydia Davis, Catherine Lacey, and David Horvitz printed onto pencils and whose meaning is designed to change throughout the pencil's lifespan; and three packs of collectible author cards, packaged in real tear-away baseball-card packaging and featuring some of the finest writers of our time, including Sheila Heti, Hanif Abdurraqib, George Saunders, Sarah Vowell, Michael Chabon, Eileen Myles, and many more. Find all this plus the official McSweeney's Anthology of Contemporary Literature a book composed of some of the greatest works of McSweeney's past decade, with a new introduction by longtime editor Claire Boyle. Here you'll find award-winning, shortlisted, anthologized, and otherwise feted and beloved stories from Lesley Nneka Arimah, T.C. Boyle, Mimi Lok, Kevin Moffett, Adrienne Celt, Bryan Washington, Samanta Schweblin, C Pam Zhang, Eskor David Johnson, Julia Dixon Evans, and more! Dive in with us, readers, as we bathe in the warmth of the past, and get ready for our next quarter century of always thrilling and unexpected literary work. Ever changing, each issue of the quarterly is completely redesigned (there have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head), but always brings you the very best in new literary fiction.

"In February 2016, Ahmed Naji was sentenced to two years in prison for "violating public modesty," after an excerpt of his novel Using Life reportedly caused a reader to experience heart palpitations. Naji ultimately served ten months of that sentence, in a group cell block in Cairo's Tora Prison. Rotten Evidence is a chronicle of those months. Through Naji's writing, the world of Egyptian prison comes into vivid focus, with its cigarette-based economy, home-made chess sets, and well-groomed fixers. Naji's storytelling is lively and uncompromising, filled with rare insights into both the mundane and grand questions he confronts. How does one secure a steady supply of fresh vegetables without refrigeration? How does one write and revise a novel in a single notebook? Fight boredom? Build a clothes hanger? Negotiate with the chief of intelligence? And, most crucially, how does one make sense of a senseless oppression: finding oneself in prison for the act of writing fiction. Genuine and defiant, this book stands as a testament to the power of the creative mind, in the face of authoritarian censorship."--Front flap of cover.

"At 26, Dom Contreras has already spent a decade jobbing through the minor leagues of professional wrestling as Hack Barlow, a 300-pound axe-swinging lumberjack. As his body breaks down and his star power fades, he must invent a new gimmick before he loses the only job he's ever known. Meanwhile, Dom's 17-year-old sister Pilar is eager to make her own pro wrestling debut. Dom is determined to keep Pilar under his wing, away from the predators of a business infamous for eating its young. At the same time, he has a vision for her meteoric rise to the top--not just of his own outfit, the middling Mid-Coast Championship Wrestling promotion outside of Charlotte, but all the way to stardom (and a bid payday) in the WWE. The siblings are close, spending much of their time packed into Dom's ancient honda Civic en route to shows across the south, but as Dom craves privacy and Pilar reckons with her brother's conflicting roles of roommate, father figure, manager and coach, their relationship quickly begins to fray. After Dom loses his temper in a match and Pilar injures herself preparing for her big tryout, Bonnie Blue, the eccentric owner of MCCW, spots an opportunity. She is poised, after years of scheming, to unveil her life's handiwork: an underground, guerrilla-style pro wrestling network with bouts climaxing in real, premeditated injury. To save his career--and his sister's hopes of breaking out--Dom must become Bonnie's new star and take on the one persona he swore he'd never embrace."--Provided by publisher.

Illustoria is a print magazine for creative kids & their grownups. We celebrate visual storytelling, makers and DIY culture through stories, art, comics, interviews, crafts and activities. Our high-quality, tri-annual publication is geared toward readers ages 6-12 and the young at heart. Illustoria is the official publication of the International Alliance of Youth Writing Centers, publishing writing and art by young people alongside accomplished professionals.

McSweeney's three-time National Magazine Award-winning quarterly returns with a subjective and selective group of manifestos, all from the twentieth century and onward, all roaring with outrage and plans for a better world. Featuring life- and history-changing works from André Breton, Bertrand Russell, Valerie Solanas, Huey Newton, John Lee Clark, Dadaists, Futurists, Communists, Personists, and many more past and future -ists, plus brand-new work from brilliant radical thinkers Eileen Myles and James Hannaham. Let this incendiary collection light your whole world on fire. From the introduction: We need manifestos. They are often strange, ill-considered, and regrettable. They are just as often brilliant and pivotal in changing government, art, and the direction of the human animal. But always manifestos are passionate, always they command attention and use language for perhaps its most urgent purposes--the rattling of complacent minds. Featuring: The Manifesto of Futurism (1909) by Filippo Tommaso MarinettiDada Manifesto (1918) by Tristan TzaraDadaism in Life and Art (1918) by Richard HuelsenbeckManifesto of Surrealism (1924) by André BretonManifesto (1952) by John CageThe Russell-Einstein Manifesto (1955) by Bertrand RussellPersonism: A Manifesto (1959) by Frank O'HaraSecond Declaration of Havana (1962) by Fidel CastroPlan of Delano (1966) by United Farm WorkersThe Ten-Point Program (1966) by Huey NewtonS.C.U.M. Manifesto (1967) by Valerie SolanasPrinciples of the Asian American Political Alliance (1968) by Asian American Political AllianceRedstockings Manifesto (1969) by RedstockingsDouble Jeopardy: To Be Black and Female (1969) by Frances M. BealThe Gay Manifesto (1970) by Carl WittmanThe Combahee River Collective Statement (1977) by Combahee River CollectiveWhy Cheap Art? (1984) by Peter SchumannThe Advantages of Being a Woman Artist (1988) by Guerrilla GirlsI want a president (1988) by Zoe LeonardCreate Dangerously: The Immigrant Artist at Work (2010) by Edwidge DanticatThe First Manifesto of the Museum of Everyday Life (2011) by Clare DolanNo Stage (2015) by John Lee ClarkManifesto for World Revolution (2023) by Kalle LasnPress Conference for a Tree (2023) by Eileen MylesDestroy All Manifestos (2023) by James Hannaham

Featuring Stephen Graham Jones's Lover's Lane, reprinted in the The Best Horror of the Year. Our first-ever issue-length foray into horror, and featuring one of our biggest lineups in some time, our seventy-first issue is one for the ages. Guest edited by Brian Evenson, McSweeney's 71: The Monstrous and the Terrible is a hair-raising collection of fiction that will challenge the notion of what horror has been, and suggest what twenty-first-century horror is and can be. And it's all packaged in a mind-bending, nesting-doll-like series of interlocking slipcases that must be seen to be believed. There's Stephen Graham Jones's eerie take on the alien abduction story, Mariana Enríquez's haunting tale of childhood hijinks gone awry, and Jeffrey Ford on a writer who loses control of his characters. Nick Antosca (cocreator of the award-winning TV series The Act) spins out a novelette about the hidden horrors of wine country. There's Kristine Ong Muslim exploring environmental horror in the Philippines; a sharp-edged folk tale by Gabino Iglesias, and Diné writer Natanya Ann Pulley reimagining sci-fi horror from an indigenous perspective. Hungarian writer Attila Veres proffers a dark take on the not-so-hidden sociopathy of multi-level marketing. And Erika T. Wurth explores the dark gaps leading to other worlds. If that weren't enough: an excerpt from a new novel by Brandon Hobson; a chilling allegorical horror story by Senaa Ahmad; a Lovecraftian bildungsroman by Lincoln Michel; unsettling dream cities from Nick Mamatas; M. T. Anderson's exceptionally weird take on babysitting; and, improbably, much more.

New to town and delusionally confident, Slide imagined himself living in a glossy building with doormen and sweeping views of the skyline. Instead he's landed in a creaking, stuffy apartment with two roommates: a loping giant who hardly leaves his room, and a weight-obsessed neurotic who keeps no fewer than forty-seven lamps throughout the house, blazing at all hours. Unwilling to accept this fate, Slide--a barber with an opaque past--embarks on a quest for the perfect apartment, pinballing through the sprawling, madcap city of Polis and its endless procession of neighborhoods. As he bounces from foldout couch to disaster-relief tent, falling in with some tough types, Slide begins to realize that he's going to have to scratch and claw just to claim a place for himself in this world--let alone a place with in-unit laundry.

"Just in time for the holidays, the sixty-ninth issue of our National Magazine Award-winning McSweeney's Quarterly is a gift to adventurous readers. Featuring an irresistible mix of original fiction from daring new voices and beloved favorites, this issue is certain to delight one and all. Often hilarious and always surprising, these are tales of contemporary life flipped and twisted, skewed and skewered. "--Publisher's website.

Several years in the making, McSweeney's presents a gorgeous cloth-bound, hardcover, two-book edition of Leaves of Grass, stuffed to the brim with a dazzling array of ephemera designed to deeply enhance readers' appreciation of Whitman's original masterpiece. In addition to the original, full-length work (presented precisely as Whitman desired), readers will find a second volume filled with his notebook and manuscript pages--generously made available to us and to all by the Walt Whitman Archive--totaling 344 pages of handwriting, cross outs, substitutions, and notes to both himself and his publishers. These materials provide crucial insight into how this magnificent work was created and was considered and reconsidered over the years by its author. Volume One The complete and unabridged 1891-2 deathbed edition of Leaves of Grass Volume Two Hundreds of pages of scanned handwritten drafts, manuscripts, notes, and more, made by Whitman Early drafts of Song of Myself, A Prairie Sunset, I Am the Poet of Sin, and more Handwritten edits and instructions to printers Correspondence between Whitman and Ralph Waldo Emerson Pencil sketches, cover designs, and drawings by Whitman A host of previously unpublished and abandoned poems And much more

McSweeney's 65: Plundered spans the American continent, from a bone-strewn Peruvian desert to inland South Texas to the streets of Mexico City, and considers the violence that shaped it. In fifteen bracing stories, the collection delves into extraction, exploitation, and defiance. How does a community, an individual, resist the plundering of land and peoples? Guest-edited by Valeria Luiselli with Heather Cleary, McSweeney's 65 brings together stories of stolen artifacts and endless job searches, of nationality-themed amusement parks and cultish banana plantations. With contributors from Brazil, Cuba, Bolivia, Mexico, Argentina, Ecuador, the United States, and elsewhere, Plundered is a sweeping portrait of a hemisphere on fire. -- summary from book jacket.