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The Believer's music issue returns! A twelve-time finalist for the National Magazine Awards, every issue of The Believer features commentary, deeply reported journalism, poetry, art, essays, and a difficult but ultimately highly enjoyable games section. Printed on full color, acid-free paper, the magazine has long been a home for the unexpected and the unwieldy corners of culture, a place where readers can encounter emerging talents alongside established, award-winning writers and artists. Lavishly illustrated and perfect-bound, The Believer is printed four times a year, and occasionally accompanied by a delightful bonus item, like an original 7'' record or some other equally amusing object.

McSweeney's three-time National Magazine Award-winning quarterly returns with our 74th issue. Packed inside a collectable lunchbox illustrated by Art Spiegelman, this issue celebrates 25 years of McSweeney's Quarterly. Ever changing, each issue of the quarterly is completely redesigned (there have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head), but always brings you the very best in new literary fiction.

A twelve-time finalist for the National Magazine Awards, every issue of The Believer features commentary, deeply reported journalism, poetry, art, essays, and a difficult but ultimately highly enjoyable games section. Printed on full color, acid-free paper, the magazine has long been a home for the unexpected and the unwieldy corners of culture, a place where readers can encounter emerging talents alongside established, award-winning writers and artists. Lavishly illustrated and perfect-bound, The Believer is printed four times a year, and occasionally accompanied by a delightful bonus item, like an original 7'' record or some other equally amusing object.

At 26, Dom Contreras has already spent a decade jobbing through the minor leagues of professional wrestling as Hack Barlow, a 300-pound axe-swinging lumberjack. As his body breaks down and his star power fades, he must invent a new gimmick before he loses the only job he's ever known. Meanwhile, Dom's 17-year-old sister Pilar is eager to make her own pro wrestling debut. Dom is determined to keep Pilar under his wing, away from the predators of a business infamous for eating its young. At the same time, he has a vision for her meteoric rise to the top-not just of his own outfit, the middling Mid-Coast Championship Wrestling promotion outside of Charlotte, but all the way to stardom (and a big payday) in the WWE. The siblings are close, spending much of their time packed into Dom's ancient Honda Civic en route to shows across the south, but as Dom craves privacy and Pilar reckons with her brother's conflicting roles of roommate, father figure, manager and coach, their relationship quickly begins to fray. After Dom loses his temper in a match and Pilar injures herself preparing for her big tryout, Bonnie Blue, the eccentric owner of MCCW, spots an opportunity. She is poised, after years of scheming, to unveil her life's handiwork: an underground, guerrilla-style pro wrestling network with bouts climaxing in real, premeditated injury. To save his career-and his sister's hopes of breaking out-Dom must become Bonnie's new star and take on the one persona he swore he'd never embrace. KAYFABE is a window into life on the fringes of a uniquely brutal American pastime and an intelligent, self-aware commentary on modern identity, artifice, and violence. In the vein of National Book Award finalist Chris Bachelder's The Throwback Special, KAYFABE explores the boundaries of sport, spectacle, entertainment, and exploitation. Like Kevin Wilson's The Family Fang, it centers a strange family seeking connection in an even stranger world. Evoking Sam Lipsyte's whip-smart humor and Lauren Oyler's biting insight, KAYFABE challenges readers to consider the truths that fakery can expose.

McSweeney's three-time National Magazine Award-winning quarterly returns with a subjective and selective group of manifestos, all from the twentieth century and onward, all roaring with outrage and plans for a better world. Featuring life- and history-changing works from André Breton, Bertrand Russell, Valerie Solanas, Huey Newton, John Lee Clark, Dadaists, Futurists, Communists, Personists, and many more past and future -ists, plus brand-new work from brilliant radical thinkers Eileen Myles and James Hannaham. Let this incendiary collection light your whole world on fire. From the introduction: We need manifestos. They are often strange, ill-considered, and regrettable. They are just as often brilliant and pivotal in changing government, art, and the direction of the human animal. But always manifestos are passionate, always they command attention and use language for perhaps its most urgent purposes--the rattling of complacent minds. Featuring: The Manifesto of Futurism (1909) by Filippo Tommaso MarinettiDada Manifesto (1918) by Tristan TzaraDadaism in Life and Art (1918) by Richard HuelsenbeckManifesto of Surrealism (1924) by André BretonManifesto (1952) by John CageThe Russell-Einstein Manifesto (1955) by Bertrand RussellPersonism: A Manifesto (1959) by Frank O'HaraSecond Declaration of Havana (1962) by Fidel CastroPlan of Delano (1966) by United Farm WorkersThe Ten-Point Program (1966) by Huey NewtonS.C.U.M. Manifesto (1967) by Valerie SolanasPrinciples of the Asian American Political Alliance (1968) by Asian American Political AllianceRedstockings Manifesto (1969) by RedstockingsDouble Jeopardy: To Be Black and Female (1969) by Frances M. BealThe Gay Manifesto (1970) by Carl WittmanThe Combahee River Collective Statement (1977) by Combahee River CollectiveWhy Cheap Art? (1984) by Peter SchumannThe Advantages of Being a Woman Artist (1988) by Guerrilla GirlsI want a president (1988) by Zoe LeonardCreate Dangerously: The Immigrant Artist at Work (2010) by Edwidge DanticatThe First Manifesto of the Museum of Everyday Life (2011) by Clare DolanNo Stage (2015) by John Lee ClarkManifesto for World Revolution (2023) by Kalle LasnPress Conference for a Tree (2023) by Eileen MylesDestroy All Manifestos (2023) by James Hannaham

"Just in time for the holidays, the sixty-ninth issue of our National Magazine Award-winning McSweeney's Quarterly is a gift to adventurous readers. Featuring an irresistible mix of original fiction from daring new voices and beloved favorites, this issue is certain to delight one and all. Often hilarious and always surprising, these are tales of contemporary life flipped and twisted, skewed and skewered. "--Publisher's website.

McSweeney's presents a gorgeous cloth-bound, hardcover, multi-book edition of Leaves of Grass, Walt Whitman's masterpiece. In addition to the original, full-length work, we've compiled a dazzling array of archival materials, including handwritten drafts and other ephemera, to accompany this edition.

McSweeney's 65: Plundered spans the American continent, from a bone-strewn Peruvian desert to inland South Texas to the streets of Mexico City, and considers the violence that shaped it. In fifteen bracing stories, the collection delves into extraction, exploitation, and defiance. How does a community, an individual, resist the plundering of land and peoples? Guest-edited by Valeria Luiselli with Heather Cleary, McSweeney's 65 brings together stories of stolen artifacts and endless job searches, of nationality-themed amusement parks and cultish banana plantations. With contributors from Brazil, Cuba, Bolivia, Mexico, Argentina, Ecuador, the United States, and elsewhere, Plundered is a sweeping portrait of a hemisphere on fire. -- summary from book jacket.