Böcker utgivna av MG Education Press

This graphic novel presents the vibrant oil-painted illustrations of "The Scar" created by Bin Li, a well-known artist. It tells a tragic story between a mother and daughter during the Cultural Revolution. This book also helps readers to re-examine the aesthetics and characteristics of the Chinese "scar art" in the changing times. This book was adapted from a short story by Xinhua Lu, one of the representative pieces of "scar literature." The story reveals the tragedy of two generations caused by political persecution and radical ideology during the Cultural Revolution, as well as the severe mental trauma left behind.Originally published in 1979, the ink wash graphic novel "The Scar" is widely regarded as a representative piece of the Chinese "scar art." All of its original ink wash paintings disappeared mysteriously in 1986. From 2015 to 2022, Bin Li, one of the original three artists, recreated all illustrations with oil paints by himself.This book also includes a preface by Danqing Chen, articles by Gongming Li, Xinhua Lu, Jiawei Shen, and Bin Li, as well as the original ink wash paintings.Of high artistic aesthetic value, this book is an important document for the study of politics and art in the special historical period of modern China. It invites readers to re-examine the literary and artistic struggle after the Cultural Revolution and the cultural heritage in the post-revolutionary era. 中國"文革"後開創"傷痕美術"的第一聲驚雷！ 原畫稿神秘失蹤後的激情重繪與更加奪目的藝術光芒！ 陳宜明、劉宇廉和李斌合作的水墨連環畫《傷痕》發表於1979年，至今被公認為"文革"結束後開創"傷痕美術"的代表性作品。《傷痕》描繪"文革"中發生的家庭倫理悲劇，故事揭露了政治迫害與激進意識形態給兩代人帶來的命運與倫理悲劇以及遺留的嚴重精神創傷。 《傷痕》原創畫稿在80年代"神秘失蹤"。李斌於2015年至2022年期間以一己之力用油畫材料重新創作了《傷痕》，以不滅的激情與更為成熟的藝術風格重新鑄造出時代的視覺記憶與藝術文本。至此《傷痕》先後經歷了從文學文本到水墨連環畫和從水墨原作到油畫重繪的雙重超越性轉變。 本圖冊包括了李斌重繪的油畫連環畫《傷痕》以及原版水墨連環畫《傷痕》，還收入了陳丹青《序》、李公明《專論》、盧新華《再現》、沈嘉蔚《永遠的》等文章，以及畫家本人的自述文章等資料。這是連環畫《傷痕》自問世以來最權威的彙編本，是研究中國現代特殊歷史時期中政治與藝術的重要文獻。

This graphic novel presents the vibrant oil-painted illustrations of "Maple" created by Bin Li, a well-known artist. It tells the tragic fate of two young lovers who joined opposing Red Guard factions during the Cultural Revolution. This book also helps readers to re-examine the aesthetics and characteristics of the Chinese "scar art" in the changing times.This book was adapted from a short story by Yi Zheng, one of the representative pieces of "scar literature." The story reveals the suffering of a generation of young people during the Cultural Revolution due to naïve ideals, ignorance, and fanatical worship.Originally published in 1979, the gouache graphic novel "Maple" is widely regarded as a representative piece of the Chinese "scar art." Nine of its 32 original gouache paintings are collected by the National Art Museum of China. However, the remaining 23 paintings disappeared mysteriously in 1986. From 2007 to 2017, Bin Li, one of the original three artists, recreated all illustrations with oil paints by himself.This book also includes a preface by Danqing Chen, articles by Gongming Li, Yi Zheng, and Bin Li, the original gouache paintings, as well as commentaries on "Maple" in Chinese contemporary art history.Of high artistic aesthetic value, this book is an important document for the study of politics and art in the special historical period of modern China. It invites readers to re-examine the literary and artistic struggle after the Cultural Revolution and the cultural heritage in the post-revolutionary era.中國"文革"後開創"傷痕美術"的驚天雷鳴！原畫稿神秘失蹤後的激情重繪與更加奪目的藝術光芒！陳宜明、劉宇廉和李斌合作的水粉連環畫《楓》發表於1979年，至今被公認為"文革"結束後開創"傷痕美術"的最具震撼力和里程碑式的作品。《楓》講述了一對青年學生戀人在"文革"中的命運悲劇故事，揭示了"文革"時期一代青年因天真理想、無知和狂熱崇拜而付出的生命代價何其沉痛。《楓》原創畫稿在80年代"神秘失蹤"。李斌於2007年至2017年期間以一己之力用油畫材料重新創作了《楓》，以不滅的激情與更為成熟的藝術風格重新鑄造出時代的視覺記憶與藝術文本。至此《楓》先後經歷了從文學文本到連環畫和從水粉原作到油畫重繪的雙重超越性轉變。本圖冊包括了李斌的油畫連環畫《楓》以及原版水粉連環畫《楓》，還收入了陳丹青《序》、李公明《專論》、鄭義《有感》等文章，以及畫家本人的自述文章等資料。這是連環畫《楓》自問世以來最權威的彙編本，是研究中國現代特殊歷史時期中的政治與藝術的重要文獻。

This book is one of the series of books on teaching horse drawing techniques by Mr. Chunhu Gong. With more than 60 years of experience in painting and teaching, Chunhu explains the basic knowledge of horse drawing for children and illustrates how to draw a horse step by step. This book also provides many examples and coloring pages for kids. ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿60¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿"¿¿¿¿¿"¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿-¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿"¿¿¿¿"¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿"¿¿¿¿"¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿

This book explains in detail how to sketch horses based on the author's over 60 years of experience in horse drawing. The book starts with an overview of a horse's shape, body parts, skeleton, muscles, and proportions. It then illustrates different types of horse gaits in steps and demonstrates in detail a variety of methods in horse drawing and how to sketch different body parts and action poses. This book of over 100 pages provides hundreds of drawings for learning and reference. 马的速写是通过对马的观察进行想象与解读，并快速将观察呈现在纸上的一个短暂的过程。长期进行马的速写创作，可以提高画马艺术的造型能力。 《马的速写》详解作者60余年以马为师的速写心得。通过对马体扼要的骨骼、肌肉解剖图、马的静态与动态以及马体表面的几何形归纳，将与马的速写相关的几种表现形式--包括马的运动规律、马的一身多头和一头多身、在同一姿态下不同角度的练习--做了详细的阐述。 作者在书中详细解读了如何强化记忆、提高默写能力。让马在你的想象中行走、站立、奔跑、旋转、打滚、嘶鸣与搏斗。要学会观察马的四肢是否协调，肌肉的松紧程度、下卧的舒适度以及马在搏斗时的鬃尾乱乍、怒目圆睁、嘶咬踢踏。通过察看马体的毛流规律、生长方向、褶皱与筋络，力争使马在脑海里成为全息的影像，做到千姿百态，信手而得。作者在书中对单马、多马、群马、马的场景写生、简笔速写、毛笔速写等十余项的内容化繁为简，深入浅出，使读者有章可循。达此境界，即为速写之捷径。 作者强调：初学者要培养敏锐的观察力，迅速地捕捉与牢记美好的瞬间。通过坚持不懈的速写训练，可以加强记忆力和默写的能力，培养自己独特的绘画风格。从造型训练走向造型创作，并为今后的创作收集大量素材。同时，优秀的速写作品本身同样具有艺术价值。

This book explains in detail how to sketch horses based on the author's over 60 years of experience in horse drawing. The book starts with an overview of a horse's shape, body parts, skeleton, muscles, and proportions. It then illustrates different types of horse gaits in steps and demonstrates in detail a variety of methods in horse drawing and how to sketch different body parts and action poses. This book of over 100 pages provides hundreds of drawings for learning and reference. 马的速写是通过对马的观察进行想象与解读，并快速将观察呈现在纸上的一个短暂的过程。长期进行马的速写创作，可以提高画马艺术的造型能力。 《马的速写》详解作者60余年以马为师的速写心得。通过对马体扼要的骨骼、肌肉解剖图、马的静态与动态以及马体表面的几何形归纳，将与马的速写相关的几种表现形式--包括马的运动规律、马的一身多头和一头多身、在同一姿态下不同角度的练习--做了详细的阐述。 作者在书中详细解读了如何强化记忆、提高默写能力。让马在你的想象中行走、站立、奔跑、旋转、打滚、嘶鸣与搏斗。要学会观察马的四肢是否协调，肌肉的松紧程度、下卧的舒适度以及马在搏斗时的鬃尾乱乍、怒目圆睁、嘶咬踢踏。通过察看马体的毛流规律、生长方向、褶皱与筋络，力争使马在脑海里成为全息的影像，做到千姿百态，信手而得。作者在书中对单马、多马、群马、马的场景写生、简笔速写、毛笔速写等十余项的内容化繁为简，深入浅出，使读者有章可循。达此境界，即为速写之捷径。 作者强调：初学者要培养敏锐的观察力，迅速地捕捉与牢记美好的瞬间。通过坚持不懈的速写训练，可以加强记忆力和默写的能力，培养自己独特的绘画风格。从造型训练走向造型创作，并为今后的创作收集大量素材。同时，优秀的速写作品本身同样具有艺术价值。

A collection of 700+ folk songs from southwest China compiled by a National Southwest Associated University student as a member of the Hunan-Guizhou-Yunnan Marching Brigade (or "Bu Xing Tuan") during a 68-day trek from Changsha to Kunming in 1938.After the Second Sino-Japanese War broke out in July 1937, three leading universities in north China-Peking University, Tsinghua University, and Nankai University-were forced to move southward to Changsha, the capital of Hunan province, and formed the National Changsha Provisional University (the predecessor of National Southwest Associated University, or Xi'nan Lianda). Then the university was forced to move again westward in February 1938 amidst the war. More than 200 students and 11 professors were selected to form the "National Changsha Provisional University Hunan-Guizhou-Yunnan Marching Brigade" (commonly known as "Bu Xing Tuan"), walking over 1,600 kilometers across 26 counties in three provinces to Kunming, the capital of Yunnan province in remote southwest China. During this 68-day trek, these students and professors conducted economic, cultural, and social investigations, and completed the unique "long cultural march" in the history of Chinese education. This book is a product of this journey. Despite intolerable hardships, the author collected more than 2,000 original folk songs from local villagers in Hunan, Guizhou, and Yunnan provinces. In this book, he carefully selected over 700 folk songs in six categories, including love songs, children's songs, War of Resistance songs, tea-picking songs, grievance songs, and miscellaneous. These folk songs vividly reflected the social customs and sentiments of ordinary people living in remote villages of southwest China at that time. Today, these folk songs still provide invaluable insights on multiethnic culture. Additionally, this book includes three new chapters to help readers understand the context of the times.