Böcker utgivna av Midnight Marquee Press, Inc.

For an attorney who doesn't handle murder cases, Tracy Brubaker can't seem to catch a break. No sooner has she successfully defended a family friend when a retired law school professor reaches out for her assistance. His former client Colin Richmond has been accused of killing a man he recently met. The motive? Richmond may have thought this man was the reincarnation of his late father-the father whose murder Richmond was tried for but acquitted of almost 30 years ago-back for revenge. The evidence seems concrete, but Tracy thinks there's more to this murder than preemptive self-defense. Her subsequent investigation reveals another possible crime in Richmond's past, a detective who may have buried exculpatory evidence, and a victim who may have set himself up for his own murder. Complicating matters is former beau and client Brian Shane, who wants to rekindle the relationship that ended more than 10 years ago. Now, Tracy must juggle her professional and personal lives in the hopes of clearing her client, while hopefully reuniting with the man she still loves, or thinks she does. It's another tricky case full of twists and turns as Tracy tries to find the truth, this time not only for her client but for herself as well.

Dr. David Soren examines Art, Popular Culture and the Classical Ideal in the 1930s in this beautifully illustrated book. The book takes an in-depth look at Roman Scandals and Christopher Strong and, as an added bonus Dr. Soren received permission to publish the unfinished autobiography of pioneering female filmmaker Dorothy Arzner. The 1930s were a time of contrasts. At a time when Americans had less money than at any time in their history, most movies revealed the obsession of the American people with elegance, wealth and beautiful people, so that an alien from Mars seeing most of these films would imagine that the society that had made them was entirely wealthy and not in the depths of the Depression. The 1930s was also an era of innovation in technology and design, when form began to follow function and everything streamlined, curvy and blonde was "in." Anyone unfamiliar with the 1930s can nonetheless instantly Recognize that the hairstyles, costumes and sets have a particular look to them. The 1930s were tragic, elegant, fascinating and fun. Enjoy discovering them a posteriori through the magic of the movies and the crutch of this book.