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  • av Simon W. Bowmaker
    626,-

  • av Andrew T. Price-Smith
    600,-

  • av David D. Clark
    606,-

  • av Howard Gardner & Wendy Fischman
    306 - 426,-

  • av Steven N. Austad
    280,-

    "Opossums in the wild don't make it to the age of three; our pet cats can live for a decade and a half; cicadas live for seventeen years (spending most of them underground). Whales, however, can live for two centuries and tubeworms for several millennia. Meanwhile, human life expectancy tops out around the mid-eighties, with some outliers living past 100 or even 110. Is there anything humans can learn from the exceptional longevity of some animals in the wild? In Methusaleh's Zoo, Steven Austad tells the stories of some extraordinary animals, considering why, for example, animal species that fly live longer than earthbound species and why animals found in the ocean live longest of all" -- Page 4 of cover.

  • av Mark P. Mattson
    269,-

  • av Slava Gerovitch
    616,-

  • av Peter Weibel, Alfred Weidinger & Karin Ohlenschlager
    576,-

  • av Jonathan Strahan
    266,-

    "An anthology of short science fiction stories that present near-future scenarios of living through climate change and in an increasingly technology-dependent human society"--

  • av Kathryn T. Hall
    216,-

    "How the underlying biology of the "placebo effect" works and how could this change the way we think about modern and future medicine"--

  • av Jan E. Dizard
    230,-

    "Historical, cultural, environmental, political, global treatment of hunting for the Essential Knowledge series"--

  • av Rhea Myers
    470,-

    A beautifully produced anthology of crypto-artist, writer, and hacker Rhea Myers's pioneering blockchain art, along with a selection of her essays, reviews, and fictions.DAO? BTC? NFT? ETH? ART? WTF? HODL as OG crypto-artist, writer, and hacker Rhea Myers searches for faces in cryptographic hashes, follows a day in the life of a young shibe in the year 2032, and patiently explains why all art should be destructively uploaded to the blockchain. Now an acknowledged pioneer whose work has graced the auction room at Sotheby’s, Myers embarked on her first art projects focusing on blockchain tech in 2011, making her one of the first artists to engage in creative, speculative, and conceptual engagements with "the new internet." Proof of Work brings together annotated presentations of Myers’s blockchain artworks along with her essays, reviews, and fictions—a sustained critical encounter between the cultures and histories of the artworld and crypto-utopianism, technically accomplished but always generously demystifying and often mischievous.  Her deep understanding of the technical history and debates around blockchain technology is complemented by a broader sense of the crypto movement and the artistic and political sensibilities that accompanied its ascendancy. Remodeling the tropes of conceptual art and net.art to explore what blockchain technology reveals about our concepts of value, culture, and currency, Myers’s work has become required viewing for anyone interested in the future of art, consensus, law, and collectivity.

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