Böcker utgivna av Mousse Publishing

Tan draws upon psychology and neurology to create installations exploring our inner and outer livesInspired by a drawing by neurologist Oliver Sacks representing the physiological organization of migraines, Lisa Tan (born 1973) creates a system of "open walls" allowing viewers to navigate the intersection between the nervous system and the formation of the self.

Colorful windows, panels and altarpieces create a contemporary sacred space within an art museumInspired by church architecture and decoration, Danish artist Alexander Tovborg (born 1983) transforms the galleries of the Kunsthal Charlottenborg into an immersive, sacred atmosphere of space, shaped according to Tovborg's own interpretation of Christian iconography.

Grand Illusion is a photographic series of screenshots from Google Cultural Institute's "Museum View" of Baroque European palaces-objects of beauty and manifestations of power whose gold encrusted ornamentation points to the colonial activities abroad that made this kind of wealth possible. While the monarchies and empires of the past used beauty as an expression of their authority, technology, in its mediation of the world, often operates without an aesthetic agenda. Throughout this series, the covert power of technology makes itself visible only through accidents such as glitches, a glimpse of the machine in the mirror, the AI blurring the faces of statuary.

Benoit Pieron: Slumber Party is the first book by the French artist, published on the occasion of his 2023 commission at Chisenhale Gallery, London. Continuing his practice of applying a vital softness to the hard spaces of the hospital, this new publication is inspired in both form and content by waiting room magazines as a site of intervention and diversion. Installation views accompany a visual essay by Pieron documenting the processes behind the commission. A series of activities have been devised by artists ClayAD, Paul Maheke, Roxanne Maillet and Pieron. Each invites the reader to either draw on or rip out pages to help pass the time; making and remaking the book anew for each reader. The book considers how to transform the often stale or distressing atmosphere of a medical waiting room with a sense of possibility and renewed imagination. These activities are accompanied by texts from Chisenhale Gallery's Director Zoé Whitley, the exhibition's curator Oliva Aherne, and ClayAD, as well as a conversation between Piéron and artist Paul Maheke that traverses subjects from the fallibility of healthcare and the work of Félix González-Torres, to the allure of vampires and soft toys. This publication is made possible through the generous support of Lead Supporter, Fondation Pernod Ricard, and Headline Supporters, Fluxus Art Projects and The Clare McKeon Charitable Trust with additional thanks to the Chisenhale Gallery Publishing Supporters' Circle, and Galerie Sultana.

Pulpy and provocative, D'Angelo's works confront conventional thinking and reveal subconscious ideas of lust and fearDrawing on camp horror and pop culture, the works of Korean American artist Christa Joo Hyun D'Angelo (born 1983) are inspired by bloodthirsty vampires, bad romance, South Korean cinema and Hollywood blockbusters, creating imagery that is equally haunting and seductive.

A cosmos of gestural, uncanny works from an acclaimed Swiss painterThis monograph provides comprehensive insight into the work of Klodin Erb (born 1963), one of Switzerland's most renowned contemporary artists. In her pictorial worlds, she explores the boundaries of painting and simultaneously questions definitions of gender and identity.

Surveying the contemporary design landscape in Italy, with an eye towards the climate crisisThis catalog accompanies a group show at the ADI Design Museum in Milan, featuring a selection of works from Italian designers under age 35. The exhibition showcases how these young designers meet the challenges posed by continuous ecological and social transformations.

An in-depth look at our current moment of transformation and new proposals for planetary coexistenceThis publication documents the milestones of the Driving the Human project. At is heart are multimedia ideas for forging new forms of community, the use of AI to mitigate climate change and much more. Its many contributors include Kim Albrecht and Brigitte Baptiste.

This richly illustrated catalogue reflects on the making of the group exhibition Penumbra. Commissioned and produced by Fondazione In Between Art Film at the Complesso dell'Ospedaletto, Venice, on the occasion of the Biennale Arte 2022, it presented newly commissioned works to Karimah Ashadu, Jonathas de Andrade, Aziz Hazara, He Xiangyu, Masbedo, James Richards, Emilija Skarnulyte, and Ana Vaz. Edited by Alessandro Rabottini and Leonardo Bigazzi with Bianca Stoppani, it includes an atmospheric visual essay about Venice commissioned to photographer Giacomo Bianco and a wide selection of installation views documenting the display of the works together with the experience of walking through the eight video installations. Each of them is presented with its technical information, including the stills, synopsis, and credits, to share the visual and conceptual aspects of the narrative in each work. The book also features 8 newly commissioned essays by writers, scholars, and researchers, including Taylor Aldridge, Barbara Casavecchia, Bruno Carvalho and Ana Laura Malmaceda, Martin Herbert, Matt Keegan, Filipa Ramos, Francesca Recchia, and Giorgio Vasta, that give original and critical insights into the works and the extended practices of the artists of Penumbra via never-before-published research and backstage materials. It is also accompanied by an introductory text by Beatrice Bulgari, President at Fondazione In Between Art Film, as well as newly extended essays by Alessandro Rabottini and Leonardo Bigazzi, co-curators of Penumbra; Ippolito Pestellini Laparelli, who designed the scenography of the show with his agency 2050+; and Bianca Stoppani and Paola Ugolini, co-curators of Vanishing Points, the public program accompanying Penumbra.

Dutch conceptual artist Anouk Kruithof (born 1981) reimagines photography and sculpture to create liberating and disturbing artworks that explore the interactions between people, nature and technology. This is the artist's first comprehensive retrospective, surveying two decades of her multimedia practice.

Elizabeth Price SOUND OF THE BREAK accompanies the homonymous Turner Prize winner's extensive solo exhibition at the Schirn Kunsthalle Frankfurt, presenting both new works and works shown in Germany for the first time. The publication, which was largely designed by the artist herself, takes a very unique approach. It presents the elements from which the videos on display are composed-photographs, animation frames, source materials-and at the same time discloses aspects of the artist's working process. As you flip through the book, you move through bodies of material dealing with different but related phenomena, as if following the timeline in one of Price's videos.

A handsomely designed artist's book expanding on Minh-Ha's film What about China?The Vietnam-born, Berkeley-based multimedia artist and leading postcolonial theorist Trinh T. Minh-ha (born 1952) is celebrated internationally for her films such as Reassemblage (1982) and Surname Viet Given Name Nam (1985) and influential books such as Lovecidal (2016) and Elsewhere, Within Here (2010). Publications on her art are few, however. This beautifully designed artist's book was conceived from the script and visuals of Minh-Ha's film What about China? (2022), in which she films the Chinese countryside and a series of voices share personal experiences, poems and traditional songs, reflecting on China's past and present. Deftly uniting image and text, Traveling in the Dark expands upon the film's conceptual scaffolding with writings, poems and aphorisms as well as conversations with other filmmakers and theorists.

Juxtaposing contemporary Aboriginal art with the work of Yves KleinThis volume presents works by 13 Aboriginal artists alongside pieces by the influential French artist Yves Klein (1928-62), whose early childhood art and writings reflect an interest in prehistorical Aboriginal motifs. Artists include: Angkaliya Curtis, Waigan Djanghara, Judy Watson and Sally Gabori.

Eerie portraiture from an artist inspired by surrealism and religious iconographyItalian artist Pietro Roccasalva (born 1970) makes uncanny and gloomy paintings that are influenced by religious iconography, modernist collage and digital distortion. This exhibition catalog accompanies his recent solo show at MASI Lugano in Switzerland.

"Chests fall up and down. Particles fow from inside the lungs into the open air. They comingle until pulled again into another chest. Quietly the bodies exchange gasses, heat, moisture. They create their own weather. Currents twist in the air until coming to rest in a pair of lungs, only to be expelled back into the rafters. All this is invisible. Nothing could be seen if there were eyes open to look. " -Becket Flannery Isabelle Andriessen investigates ways to physically animate inanimate (synthetic) materials in order to provide them with their own metabolism, behavior and agency. Her sculptures are agents inhabiting the liminal space between sculpture and performance, composed of materials that act and evolve, seemingly beyond control and often irreversibly. On the occasion of the exhibitions DORM (2021) and BUNK (2021), this publication brings together three distinct voices. Sci-fi writer and art critic Mark Von Schlegell contributes a short story in which an engineer is trying to locate a lost AI as a spaceship hurdles of course. In an autonomous photo series photographer Nikola Lamburov reimagines Andriessen's sculptures, capturing their processes in sticky, eerie and surreal landscapes. Through fractals, liquids, vapors and metals, curator Laura McLean-Ferris's essay traces the state changes that are enacted across Andriessen's works, and in doing so fnds systems of porous entanglement that fourish in a world without humans.

Los Angeles-based artist Paul Sietsema (born 1968) compounds organic and artificial detritus in his artwork. Using photographs and other objects that reference specific bodies of knowledge as starting points for his carefully crafted drawings and sculptures, he then films these images and objects, arranging and comparing both the physical works and the ideas, information and knowledge associated with them. Through his multistep, multimedia approach, Sietsema explores what it means to make art today, amid the barrage of images and the telescoping of past, present and future that instant access to information seems to provide. His film projects are both a consideration of time and how we apprehend it and an effort to return significance to the activity of image-making in an age of digital immediacy. This slim, clothbound hardcover is the first publication on Sietsema's film works, and includes stills from seven films accompanied by three curatorial essays.

Working in photography, film, sculpture, performance and installation, Los Angeles-based artist Elad Lassry (born 1977) has established himself as one of the most original artists of his generation, with works that are at once visually seductive and conceptually challenging. This book documents Lassry's solo exhibition at the Padiglione d'Arte Contemporanea in Milan, Italy. With an essay by Aram Moshayedi (Curator at the Hammer Museum in Los Angeles) and a conversation between the artist and Jörg Heiser (co-editor of Frieze magazine), it provides an in-depth critical examination of Lassry's work from the beginning of his career to the present.

Recent experiments in color, from a Japanese painter known for his grayscale paletteJapanese artist Tomoo Gokita (born 1969) is known for his monochromatic and grayscale figurative paintings. This latest body of work, made during lockdown, consists of bright, pastel-colored large-scale paintings portraying pinup models, female wrestlers and familial portraiture alongside mundane symbols embedded in our current reality.

Artists and writers on the aesthetic appeal of the unexpectedFirst presented in 2021 as a digital magazine in 12 issues, The Strangeness of Beauty was, after O Sole Mio, the second digital project curated by Ziba Ardalan during the repeated pandemic lockdowns. In it, artists and other art professionals consider how "strangeness" often produces beauty.

An engaging spiralbound portrait of Jesper Just's interactive theatrical spectacleCelebrated for his interactive piece Interpassivities (which premiered at BAM with music by Kim Gordon), the filmmaker, choreographer and performance artist Jesper Just (born 1974) has inaugurated a new style of Gesamtkunstwerk. This artist's book compiles visual documentation of his works.

Published on the occasion of the exhibition Tom Wesselmann: La Promesse du Bonheur, curated by Chris Sharp with the scientific coordination of Cristiano Raimondi, held at Villa Paloma in Monaco June 29, 2018, through January 6, 2019, this catalogue is a critical overview of a key American Pop artist and an important opportunity to analyze specific aspects of his work: Victorian and post-Victorian sexuality, female agency, postwar economic abundance, beauty, the erotics of anticipation, the politics of the gaze, and strategies of indeterminacy. Every aspect of the book's design, including its more than 170 color illustrations, is conceived to reflect on the artist's haptic, indexical painterly approach and oversize scale system.