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Sprawling to the south east of the revered Harare…there is a place millions call home, Chitungwiza as in that olden track, "mushamukuru, wakaenda kupiko, Chitungwiza." It is Zimbabwe's biggest village, that became a town, that became a city, that became our own Soweto… Zimbabwe's biggest suburb yet also Zimbabwe's Hollywood. It has produced or groomed Zimbabwe's creatives and creative industry from film, by the book, poets, musicians, entertainers, academia, media practitioners, sculptors and those involved in other visual arts. In this anthology, Chitungwiza Mushamukuru: An Anthology from Zimbabwe's Biggest Ghetto Town, we have work from 1 artist and 11 writers who have called this Chitungwiza, Zimbabwe home, or have wrote home about this place, or have created artworks which highlight the culture, identity, lives, and position Chitungwiza in these matrixes or beyond those highlighted above.

The pastor preach, the congregates bleach....here the artist is called to question the essence of morality in the wake of moral decadence. When the people speak and the superiors they speak to, take a dive deep into the questionable pools, the people speak to question, here the artist is called to sing. When the sun denies us the lustre at anticipated times, when the moon submits to darkness before we see the road awaiting us...we paint the pictures to depict the terrain and ask a question or plenty. When the land we have cannot make a home for us.... Unfathomably so, everybody wants to know how i lost the brighter shades of my skin colour to the political machinations of the Addis Ababa parliament. Verily I say; those are the Shades of Black for you.

Eppel's poems are images from nature and loaded with more than nostalgia. See them as flowers laid like wreaths at the site of man's inhumanity to man. Born in South Africa in 1947, John Eppel was raised in Zimbabwe, where he still lives. His first novel, D G G Berry's The Great North Road, won the M-Net prize and was listed in the Weekly Mail & Guardian as one of the best 20 South African books in English published between 1948 and 1994.

Over 600 poets have been given voice in this series which was started five years ago, making it an important archive of new African poetry. Every year space is given to as many poets as can be accommodated; it takes at least 10 years to make a poet! The greatest positive aspect of this series is the poems received from writers who contribute each year: Archie Swanson, Chaun Ballard, Chengetai Mhondera, Troydon Wainwright, Tendai Rinos Mwanaka and Soberano Canhanga, and several who have poems in the 2016, 2017, and 2018 anthologies, and so many new ones. Many poets have gone on to publish their first collection and more, several have won prizes all over the world, some have become academics, some influential performers of their work and some have travelled all over the world presenting their work.This year's Best "New" African Poets 2019 Anthology there is 197 poems from a more than one hundred poets (including collaborations) writing in English, Portuguese, French, and a whole host of African indigenous languages. Featured are poems which deal with love, relationships, politics, governance, spirituality, existence, identity and place. We invite you to this year's anthology to engage with the most important new African poets writing from the continent and the diasporas and enjoy this African pot-pouri of art and life.

The latest Zimbolicious offering, Zimbolicious Anthology: An Anthology of Zimbabwean Literature and Arts, Vol 4, has nonfiction, poetry, an interview, fiction and incisive visual art. Works were received from regular contributors and relatively new artists. The poets with their collective audacious eye keenly observe society and reveal the pimples, warts and all that is afflicting the society; talk about the dying, already dead and decaying Zimbabwean currency or nonexistent currency, the emancipation of women, the grinding poverty and the political challenges Zimbabwe faces. Others deal with spirituality and religion, love, growing up without a father figure. Nonfiction work leaves one under a barrage of questions: What it means to be a Zimbabwean, the defining and dissecting of Zimbabwe's literature, writing, self-publishing are put under serious scrutiny. Some delicious slices of the scenic Zimbabwean landscape are featured and a continuation in investigating what home is in a selection of visual art pieces The fiction is speculative, bittersweet and stays on your mind like a memory of that long, long forgotten summer of love as each fictionist deal with issues related to relationships, love, the lack of, the impermanence of which is an ever recurring leitmotiv in these works, thus therefore, this Zimbolicious is a must read, robust, incisive collection of Zimbabwean Literature and the arts.

A Sky for a Foreign Bird emerges as pioneering work of romance. This poet gives for his lovely readers a graphic picture of a hug and kisses never to end and never stopped!Fethi Sassi is a Tunisian writer of prose poetry, short poems and haiku.

Thoughts Hunt The Loves is a selection of Jeton Kelmendi's 54 poems which come from his two collections, Thoughts Hunt The Loves and I Knocked My Mind Against The Window, which were translated into Southern Africa's biggest language, Shona. The original poems are in Albanian. It has poems that are as deep as the ocean's bottom, philosophical ruminations, old wise insights, patriotic dreams, a love stage as high as the heavens, ruminations about the war, living in exile and the constant ache, or drive to want to unite his country Albania to be one country...; his poems are panoply of feelings, thoughts, reservations, residues that are brought up for us to devour in, in this magnificent collection.

Hundreds of years have separated Wyndel Blackman and his mother from his father's homeland in Africa. Now they have come from America to scatter his father's Ashes. What will they learn on this journey? What will they teach the people of that distant community?

In Nationalism: (Mis)Understanding Donald Trump's Capitalism, Racism, Global Politics, International Trade and Media Wars, Africa VS North America Vol 2, we have 10 essays, 3 fiction pieces, 51 poems, 2 plays from leading and upcoming writers, essayists, academicians and poets from the two regions, Africa and North America and their Diasporas, in these among other countries, USA, Canada, Sweden, Zimbabwe, South Africa, Nigeria, Ghana, Botswana, Kenya, UK etc…, coming together to transact around issues to do with the nationalism espoused by Donald Trump. Cornell dissects issues to do with blackness and racism using Fanon's theories, Nyongesa deals with the Fetishism of Donald Trump's policies known colloquially as Trumpism, Opicho calls it 'inoracy', Donald Trump's statement, "Shit-hole", some essayists took to the personal narrative you would find in Mhondera and Kantey's essays, yet Pravda used the middle ground between playwriting, Filmmaking and the essay form, Ofodile investigates the problematic issue of Boko Horam terrorism in North Nigeria, Bearly looks at capitalism, so does Koffi with his French Language essay which is also translated into English, Ifeachor in his poem has praise for Donald Trump, Hall goes back to apartheid South Africa period and as a direct tangent Matshoba deals with Xenophobia in his letter written from the future. Smith looks at the white supremacist demonstrations, for or against Trump, Thompson and Swanson encourage us to unfocus on Donald Trump, and Thompson rightly blames us for allowing the likes of Donald Trump and the kind of Nationalism and Capitalism he stands for to grow. Thus this collection of writings is rich, robust and very interesting and will be invaluable to scholarship to do with Nationalism, Capitalism, Media freedoms, Global Politics, Racism and International trade.

The Ungendered is a collection of Poems on various and diverse genres ranging from Apocalyptic; with the poem "Eyes of Armageddon" to seductive; with the poem "Desire". Ungendered is said to be the gender of the Angels. The definition of ungendered is: to be incomparable, to make no comparison.; no one should ever compare themselves to any other.

Ghetto Symphony is an orchestra of short stories and poems which vividly portray the socio-economic situation affecting teens and young adult groups across Zimbabwe. It is a compilation of an underground poet's readings and writings which highlight the restrictions faced daily by the masses, and also project innovative ideas to overcome the dark cloud hovering over the future of Zimbabwe.

Best "New" African Poets 2018 Anthology follows volumes in 2017, 2016 and 2015. In this fourth volume of these continent-wide anthologies of African poetry we have work from 154 African poets from over 30 African countries and the African Diasporas. There are poems in English, French, Portuguese, Sepedi, Shona, Yoruba, and Asante Twi languages. In 2018 there was a notable increase in the number of entries with memorable novelties regarding poetic experimentation: some of the poets have daringly sliced up words playing around with the spatial and structural patterns of their texts on paper. This may be described as both textual and visual poetry. Reading the poems becomes a journey with many paths, where the reader walks according to poetic rhythms and the hesitating breaks of action verbs and enjambments.

Pushcart Prize nominated Abigail George is a South African blogger at Goodreads, essayist, poet, playwright, short story writer and novelist. She briefly studied film at the Newtown Film and Television School in Johannesburg. Her writing has appeared in many anthologies in South Africa and online in e-zines across Africa, Asia, Europe, and the United States. She is the recipient of writing grants from the National Arts Council in Johannesburg, the Centre for the Book in Cape Town and ECPACC (Eastern Cape Provincial Arts and Culture Council) in East London.

Mr Richards is a grumpy teacher who has gone too far. A group of 13 angels who call themselves The Tiny Human Protection Agency intervene to show Mr Richards the truth. He is taken through a whirlwind of emotions and visual memories as he learns more about the lives of his students. Will this journey lead him to the truth of his own childhood? Or will the angels fail him again? Tiny Human Protection Agency is a novel of interlinked children's stories which shade light on innovative and interesting ways to teach and impart knowledge to students.

The first thing you will meet in this collection is experimentation and innovativeness in the writing. Poets should be scientists by experimenting with forms, styles, with subject matter too, they should continuously try to find new ways of writing, to problematicise what we have always taken for granted. The second issue is how we understand and critically dissect that point where art criticism and actual art can meet in the poetic form. The third issue is how irreverently the poet treates issues to do with the meaning of words, what words are, how he creates new words, what numbers are, the state of voice, language, thoughts, dreams, perspectives, life, race, death, dreams, spirituality, love etc… The fourth issue is the storytelling tradition that is strong in this collection; the poet is saying poets are also storytellers, who tell a story in condensed form with depth of thought and feeling. The fifth important aspect is defiance. The poet refuses to settle on anything, to accept anything, he is a literary rebel with language, no subject is taboo. A Portrait of Defiance defiantly looks at the world before voice and the world after voice, and the worlds in between. What will human beings be without voice? Even nothingness has a voice!

"When I vision through the seas of oppression and the grinding poverty I write not out anger but righteous indignation." Jabulani Mzinyathi was born of isiNdebele and ChiShona speaking parents in the Midlands Province of the then Rhodesia (now Zimbabwe). He has published pieces in various journals and anthologies over the years and his maiden collection of poetry Under The Steel Yoke, was published in 2018.

When Escape Becomes the only Lover is a continuation and crystallization of issues dealt with in A Portrait of Defiance. The poet deals with a broad subject matter, love in all its forms, spirituality; this spirituality is individual it is the artist's spiritual world. He deals with dreams, voice, word, numbers, poet's vocation, wars, language, etc… He is the prophet of his dreams, his world, his future… There is strong experimentation and innovativeness in the writing, in the text, in form, in style, in content matter, the writer is a discoverer, every horizon is a life horizon. There is the dissecting of that space where art criticism meets art mimesis, and this space is offered as the future of art criticism. The storyteller refuses to die thus the collection proffers escape as the ultimate lover who can help us deal with the insanities of our time.

Writing Grandmothers, Africa Vs Latin America Vol 2 is a continuation of the cross-continental anthologies series, particularly focussing on African and Latin American writers. It continues on from where Experimental Writing, Africa Vs Latin America, Vol 1. The anthology has 6 nonfiction pieces, 10 fiction pieces, and 67 poems and translations of poems in the two dominant languages of the two continents, English and Spanish. There is work from poets and writers from Honduras, Mexico, USA, UK, Cuba, Costa Rica, El Salvador, Peru, Argentina, Brazil, Chile Puerto Rico, Spain, Nigeria, South Africa, Malawi, Zimbabwe, Kenya, Equatorial Guinea, and Ghana all collaborating on the theme of using the folktale or oral African story telling traditions and finding solutions to problems bedeviling the two continents, which were felt as a result of colonialism and or post colonialism.