Böcker utgivna av Nai010 Publishers

On the past and future of experimental housing in EuropeThe new edition of DASH surveys experimental housing of the past and present in Europe--specifically Dutch prototypes. Looking at the past and to the future, this publication hypothesizes on what the future of dwellings could look like.

Intelligent building systems in works from the esteemed Dutch firmThis first overview of the Rotterdam-based architecture firm Mei Architects and Planners features projects from the past 25 years, including Smarthouse, the 1995 modular home and SAWA, the wooden residential complex currently in development in Rotterdam.

An ode to three friends and their jubilant fusion of drawing, dance and photographyIn the days of downtown New York in the '70s and '80s, three boundary-pushing artists flourished: Keith Haring (1958-90), Muna Tseng (born 1953) and Tseng Kwong Chi (1950-90). Boundless Minds & Moving Bodies presents an intimate visual journey through the early collaborations between these artists and friends, offering a unique and colorful prism of their expression through their respective disciplines: drawing, dance and photography, respectively. Their work and interactions reveal a shared performative energy--the joy of experimenting, openness, exchange and social engagement. Together and independently, they were immersed in and contributors to the bustling and vibrant cultural downtown scene.This book features the 1982 collaboration between Haring and Tseng, in which the former created the set for the latter, drawing a visual score for her performance piece Epochal Songs. Tseng's brother, Kwong Chi, took photographs of Haring's work in the subways, on the streets and during public performances, rendering them accessible to audiences across the globe. Next to the collaborative work of Haring and Tseng, the publication introduces Kwong Chi's own body of seminal work: the famous self-portrait series East Meets West, which he made while visiting many iconic tourist sites across the world with Haring.

A new history of modern Japanese architecture, from an environmental perspectiveJoachim Nijs' Japan: Nation Building Nature is the first book to map out the views of nature that have shaped the widely acclaimed but often misunderstood modern architecture of Japan. By connecting the dots between philosophy, design, geopolitics and an earnest quest for a greener tomorrow, this book explains how Japanese culture can shed new light on our understanding of ecology, and vice versa.Using a distinctive blend of academic research and personal experience, Nijs draws on architectural history to navigate Japan's complex and unique ecological ethic through the lens of four typological phenomena: earthquakes, monsoon climates, nuclear erasure of life and insularity. This imaginative and refreshing book offers key insights and references for anyone wishing to deepen their knowledge of Japan and its architecture.

An easy-to-use resource, this guide outlining 100 buildings and sites in the Dutch city of Eindhoven explores the city's newest high-profile buildings, historic icons and hidden gems.

Twenty years of abstraction in clay from Denmark's leading ceramicistFor Danish ceramicist Morten Løbner Espersen (born 1965), artistic triumph is as much about failing as catastrophe is about finding beauty in the unplanned. Triumph and Catastrophe, the first comprehensive view of Espersen's 20-year exploration of the vessel, offers a good measure of both.

How to design architectural glass components, from wild avant-garde ideas to practical solutionsIn this heyday of glass architecture, many architects rely on pre-manufactured standardized glass components for their buildings. Dutch architect and engineer Mick Eekhout (born 1950), principal and founder of Dutch engineering firm Octatube, wishes to revive what was once a standard practice: architectural glass components designed specifically for the project they are intended to adorn. Illustrated with numerous examples, this book covers product development for glass facades, glass roofs and applications of cold-bent double-laminated glass. Eekhout shows how to design new glass components and their step-by-step development, from adventurous avant-garde projects to certified building components that enhance the specific character of a building. Examples include the Victoria & Albert Museum, London, the Van Gogh Museum, Amsterdam, Santander's Glass Cube in Madrid and many others.

Soil as an ecological design tool in urban environmentsInspired by Bernardo Secchi's 1986 text "Progetto di Suolo," this issue of Oase offers critical analyses of how soil, as an intermediary entity between surface and subsurface, can further the practices of urbanism and urban design.

This volume presents Maze de Boer, Rosella Biscotti, Nicoline van Harskamp, Rob Hornstra, Heidi Linck, Ólafur Ólafsson, Marc Oosting, Sara Rajaei, Helmut Smits and Jasmijn Visser--the long-listed artists for Holland's 2009 Prix de Rome award, bestowed upon an artist under the age of 35.

Text by Dominic van den Boogerd, Wouter Vanstiphout.

This monograph gives a comprehensive overview of the designs and built work of Arne van Herk and Sabien de Kleijn, from 1973 until the present day. Besides architecture, urban design, interiors and furniture, the book dwells at length on the informal and conceptual projects--films, clothing, everyday objects--developed by van Herk & de Kleijn throughout their career. Their joint oeuvre is explored in a continuous narrative that makes no distinction between the ingenious rooflights of their own houseboat and a major housing project like Haarlemmerhouttuinen in Amsterdam, and focuses just as easily on their ultra-light half-meter-high platform shoes as on one of their interiors. If the significance of their work lies in their liberal concern for everyday things, this volume emphasizes their approach as one that eschews image in favor of imagination, of giving shape to the things with which we surround ourselves. The visual narrative, with explanatory texts by Arne van Herk and Sabien de Kleijn, is complemented by an in-depth essay by Hans Ibelings and a foreword by the landscape architect Adriaan Geuze.

Dutch international cultural policy is unusually generous, an international exemplar. And it has recently become the subject of heated debate at home. Though there are no plans to cut back, there are questions: the government's primary role has been providing favorable conditions for a highly varied collection of individual artists and arts institutions. Should a firmer hand be taken? Should the policy be more results-oriented? Should political, economic or societal considerations be involved or is culture an independent sphere of public duty? In All That Dutch, art professionals, academics and policy-makers--including Aaron Betsky--share their insights and views on this subject along four themes: culture and politics, culture and the economy, international reflection and cultural profiling. PLUS: the design of this reader is very cool: each essay comes with a 4 x 6 inch four-page artists' illustration booklet bound in--and it actually works.

There is no period in the history of the Netherlands which excites such emotion, resistance, or aversion as the decade of the 1970s. Following in the wake of the democratization wave of 1968, some regard the 1970s as a period when pluralism was possible and desirable at all levels. For others, the crowning moment of 1968 degenerated into a quagmire of public consultation and a culture of always inconclusive committee meetings. The architecture of the time, which headed off in pursuit of new definitions and forms, is similarly divisive. Though a number of architectural trajectories were driven by a devoted social engagement and a profound belief in architecture as a means of molding society, the sheer plethora of movements failed to generate a single and unanimous alternative, resulting instead in polarization and pluralism. "The Critical Years focuses on architecture, urban planning, and spatial planning from 1968 to 1982. Specific projects from the period are discussed and extensively documented on the basis of six themes, and an introductory essay considers the context in which building and planning changed so radically.

Since the 1980s, letters, words and short sentences have provided artist Marc Ruygrok with the building blocks of his work. Where is Here presents a virtual retrospective, including his monumental spatial work made of three-dimensional letters. The accompanying essays treat his work from a multi-disciplinary perspective: psychoanalysis, ethnology, linguistics and architecture.