How deviant materials figure resistance Yeast ferments, gelatin jiggles, drugs and alcohol froth and bubble, and flesh from animals and plants actively molds and rots. These materials morph through multiple states and phases, and their movement is imbued with a liveliness that is suggestive of volition. Deviant Matter examines four aesthetic and material categories-- gelatinousness, fermentation, putrefaction, and intoxication--to theorize how the modern state seeks to manage deviant populations across multiple scales, from the level of the single cell up to the affective and aesthetic imperatives of the state and its bureaucratic projects. Kyla Wazana Tompkins deploys a new materialist engagement with the history of race and queer life, making an argument for queer of color method as political and disciplinary critique. Deviant Matter delves into a vast archive that includes nineteenth-century medical and scientific writing; newspaper comic strips and early film; the Food and Drug Act of 1906; the literature of Martin Delany, Louisa May Alcott and Herman Melville; and twenty-first century queer minoritarian video, installation, and performance art. Drawing from the genealogy of Black feminist and queer of color critique, in Deviant Matter rot, jelly, ferment and intoxicating materials serve as figures for thinking about how matter, art, politics, and affect can be read across multiple scales, ranging from the intimate and molecular everyday to the vast print production and inner workings of the state. Tompkins demonstrates that we are moved by our encounters with the materials in Deviant Matter, producing feelings and sensations that she links to a system of social value where these sensations come to be understood as productive, exciting, disgusting, intoxicating, or even hallucinatory. Moving through multiple states and phase changes, falling apart and reforming again, ferment, rot, intoxicants and jelly energize and choreograph both themselves and human behavior. At the same time, these materialities come to signify exactly those populations whose energy escapes the extractive efforts of capitalism and the state.
Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all First Lady of Laughs tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show. Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family. Drawing on archival footage, press clippings, and Jean Carroll's personal scrapbook, First Lady of Laughs restores Jean Carroll's remarkable story to its rightful place in the lineage of comedy history and Jewish American performance.
Explores the religious activism of the Stop Shopping Church performance group Since the dawn of the new millennium, the grassroots performance activist group the Stop Shopping Church has advanced a sophisticated anti-capitalist critique in what they call "Earth Justice." Led by co-founders, Reverend Billy and Savitri D, the Church of Stop Shopping have sung with Joan Baez and toured with Pussy Riot and Neil Young. They performed at festivals around the world, and been the subject of the nationally released documentary, What Would Jesus Buy? They opposed the forces of consumerism on the global stage, and taken on the corporate practices of Disney, Starbucks, J.P. Morgan Chase Bank, Walmart, Amazon, and many others. While the Church maintains an anti-consumerism stance at its core-through performances, street actions, and social activism-the community also prioritizes work for racial justice, queer liberation, justice and sanctuary for immigrants, First Amendment issues, the reclaiming of public space, and in an increasingly central way, environmental justice. In The Church of Stop Shopping and Religious Activism, George González draws on interviews, participant observation, and digital ethnography to offer insight into the Church, its make up, its activities, and in particular, how it has shifted over time from parody to a deep and serious engagement with religion. Reverend Billy and the Church of Stop Shopping maintain that corporations and their celebrity spokespeople operate in much the same way churches do. González uses the group's performance activism to showcase the links between religion, the culture of capitalist consumerism, and climate catastrophe and to analyze the ways in which consumers are ritualized into accepting capitalism and its consequences. He argues that the members and organizers of the Church of Stop Shopping are serious theorizers and users of religion in their own right, and that they offer keen insights into our understanding of ritualistic consumerism and its indelible link to the rising sea levels that threaten to engulf us all.
Offers Bioethics a bold approach to redress its failing Black women Black people, and especially Black women, suffer and die from diseases at much higher rates than their white counterparts. The vast majority of these health disparities are not attributed to behavioral differences or biology, but to the pervasive devaluation of Black bodies. Womanist Bioethics addresses this crisis from a bioethical standpoint. It offers a critique of mainstream bioethics as having embraced the perspective of its mainly white, male progenitors, limiting the extent to which it is positioned to engage the issues that particularly affect vulnerable populations. This book makes the provocative but essential case that because African American women- across almost every health indicator- fare worse than others. We must not only include, but center, Black women's experiences and voices in bioethics discourse and practice. To this end, Womanist Bioethics develops the first specifically womanist form of bioethics, focused on the diverse vulnerabilities and multiple oppressions that women of color face. This innovative womanist bioethics is grounded in the Black Christian prophetic tradition, based on the ideas that God does not condone oppression and that it is imperative to defend those who are vulnerable. It also draws on womanist theology and Black liberation theology, which take similar stances. At its core, the volume offers a new, broad-based approach to bioethics that is meant as a corrective to mainstream bioethics' privileging of white, particularly male, experiences, and it outlines ways in which hospitals, churches, and the larger community can better respond to the healthcare needs of Black women.
How Black women celebrate their natural hair and uproot racialized beauty standards Hair is not simply a biological feature; it's a canvas for expression. Hair can be cut, colored, dyed, covered, gelled, waxed, plucked, lasered, dreadlocked, braided, and relaxed. Yet, its significance extends beyond mere aesthetics. Hair can carry profound moral, spiritual, and cultural connotations, serving as a reflection of one's beliefs, heritage, and even political stance. In Natural, Chelsea Mary Elise Johnson delves into the complex world surrounding Black women's hair, and offers a firsthand look into the kitchens, beauty shops, conventions, and blogs that make up the twenty-first century natural hair movement, the latest evolution in Black beauty politics. Johnson shares her own hair story and amplifies the voices of women across the globe who, after years of chemically relaxing their hair, return to a "natural" style. Johnson describes how many women initially transition to natural hair out of curiosity or as a wellness practice but come to view their choice as political upon confronting personal insecurities and social stigma, both within and outside of the Black community. She also investigates "natural hair entrepreneurs," who use their knowledge to create lucrative and socially transformative haircare ventures. Distinct from a politics of respectability or Afrocentricity, Johnson's argument is that today's natural hair movement advances a politics of authenticity. She offers "going natural" as a practice of self-love and acceptance; a critique of exclusionary economic arrangements and an exploitative beauty industry; and an act of anti-racist political resistance. Natural powerfully illustrates how the natural hair movement is part of a larger social change among Black women to assert their own purchasing power, standards of beauty, and bodily autonomy.
How the queer Chicano punks of post-1960s Los Angeles developed a unique politics of style In this groundbreaking work, Joshua Javier Guzmán explores the queer punk and Chicano/Latino avant-garde art scenes in post-1968 Los Angeles from the rise of Ronald Reagan to the height of the AIDS epidemic. He demonstrates how style-as a cultural form and sensibility-becomes essential to Latino politics at the moment the utopian impulses of the 1960s begin to fade. Guzmán uncovers how queer Latinos in Los Angeles used performance, underground media, experimental art, and literature to interrogate the limits of Chicano nationalism and the burgeoning politics of gay liberation. These subcultural forms give rise to a theory of what he calls "stylized discontent," expressed as nausea, lo-fi, ambivalence, and malaise. Each chapter of the book is framed by a specific stylized discontent, demonstrating how they were repurposed by queer punk Latinos as responses to the AIDS crisis and the rise of neoliberalisms. Dissatisfactions highlights the middle ranges of political agency strategically utilized by queer racialized historical actors to underscore how negative feelings become instrumental to social change. Revealing new forms of activism and art that continue to structure the way we understand systemic violence and survival, Dissatisfactions insists on the significance of both the politics of style and the different styles politics may take.
The first biography of Ericka Huggins, a queer Black woman who brought spiritual self-care practices to the Black Panther Party. In this groundbreaking biography, Mary Frances Phillips immerses readers in the life and legacy of Ericka Huggins, a revered Black Panther Party member, as well as a mother, widow, educator, poet, and former political prisoner. In 1969, the police arrested Ericka Huggins along with Bobby Seale and fellow Black Panther Party members, who were accused of murdering Alex Rackley. This marked the beginning of her ordeal, as she became the subject of political persecution and a well-planned FBI COINTELPRO plot. Drawing on never-before-seen archival sources, including prison records, unpublished letters, photographs, FBI records, and oral histories, Phillips foregrounds the paramount role of self-care and community care in Huggins's political journey, shedding light on Ericka's use of spiritual wellness practices she developed during her incarceration. In prison, Huggins was able to survive the repression and terror she faced while navigating motherhood through her unwavering commitment to spiritual practices. In showcasing this history, Phillips reveals the significance of spiritual wellness in the Black Panther Party and Black Power movement. Transcending the traditional male-centric study of the Black Panther Party, Black Panther Woman offers an innovative analysis of Black political life at the intersections of gender, motherhood, and mass incarceration. This book serves as an invaluable toolkit for contemporary activists, underscoring the power of radical acts of care as well as vital strategies to thrive in the world.
New results and interpretations challenging the notion of a uniform, macroregional collapse throughout the Late Bronze Age Eastern Mediterranean Ancient Western Asia Beyond the Paradigm of Collapse and Regeneration (1200-900 BCE) presents select essays originating in a two-year research collaboration between New York University and Paris Sciences et Lettres. The contributions here offer new results and interpretations of the processes and outcomes of the transition from the Late Bronze Age to the Iron Age in three broad regions: Anatolia, northern Mesopotamia, and the Levant. Together, these challenge the notion of a uniform, macroregional collapse throughout the Eastern Mediterranean, followed by the regeneration of political powers. Current research on newly discovered or reinterpreted textual and material evidence from Western Asia instead suggests that this transition was characterized by a diversity of local responses emerging from diverse environmental settings and culture complexes, as evident in the case studies collected here in history, archaeology, and art history. The editors avoid particularism by adopting a regional organization, with the aim of identifying and tracing similar processes and outcomes emerging locally across the three regions. Ultimately, this volume reimagines the Late Bronze-Iron Age transition as the emergence of a set of recursive processes and outcomes nested firmly in the local cultural interactions of western Asia before the beginning of the new, unifying era of Assyrian imperialism.
Reveals the possibilities and challenges of civic education in circumstances of extreme polarization, and how civic learning and political divisiveness can interact and influence each other As fears about polarization--and its contribution to democratic crisis and corrosion--rise, many people have posited civic education as a possible remedy. In a time of increasing political polarization, what should the goals of civic education be, and how should they be implemented? In the latest installment of the NOMOS series, Eric Beerbohm and Elizabeth Beaumont bring together a distinguished group of interdisciplinary scholars across philosophy, politics, and law, inviting us to think deeply about the complex promises and pitfalls of civic education. Contributors raise a variety of crucial considerations not only about how to educate citizens in a polarized era but also for a polarized era. What types of civic learning hold promise for preparing students to navigate their way through a political landscape of escalating hostile factions, distrust, truth decay, and disagreement about basic facts? Could or should civic education attempt to reduce or counteract polarization, or should it focus on other aims? Beaumont and Beerbohm show us that the dynamics and circumstances of polarization do not stop at the schoolhouse gates, but bring new urgency together with added pressures and constraints to all civic education. As political polarization continues to intensify across the globe, this riveting volume illuminates the significance, the possibilities, and the challenges of civic education in the contemporary era.
Shows how domestic identity narratives and political polarization shape the sociopolitical response to refugees The United States once played a major role in global refugee resettlement, accounting for nearly two-thirds of all refugees resettled worldwide. However, in recent years, it has dramatically cut refugee admissions and implemented discriminatory policies on refugee protection. These policies have been justified amid intensifying xenophobic rhetoric against specific groups. In this book, Alise Coen explains why the monumental shift around refugee resettlement occurred, particularly in response to the high-profile conflict in Syria. She shows how refugees--and broader global migration debates--became contentious political issues in the US, revealing the many ways in which refugees have been increasingly weaponized as partisan symbols by Democrats and Republicans. The book calls attention to the power of rhetoric and identity narratives, and shows how the language used to talk about refugees fuels divisivepolicies. From the years leading up to the Trump administration's policies targeting Muslim refugees to debates during the Biden administration around who deserves access to asylum, Coen examines how ideas about race, gender, and nativism shape US approaches toward migration. As arguments for "closing the border" continue to gain traction and politicians continue to use global displacement issues to further their agendas, Reconfiguring Refugees explores the ideas, meanings, and policies that undermine and influence US responsibility-sharing.
A state-by-state analysis of the expansion of medical marijuana access in the United States As of 2023, thirty-eight states and the District of Columbia have legalized the medical use of marijuana. Twenty-three have legalized recreational use, supporting what is now a flourishing multibillion-dollar industry. In Green Rush, Daniel J. Mallinson and A. Lee Hannah offer a fascinating history of cannabis legalization in America, highlighting the people, states, and policies that made these victories possible. With sharp insight, Mallinson and Hannah explore the backdrop to this sea change in policy, including shifts in public opinion, growing opposition to the War on Drugs, the promise of new revenue streams, and more. They examine the complex web of state actors--and the steps they took--to chart a path forward for marijuana legalization, from grassroots activists and interest groups to elected officials and other key policymakers. Mallinson and Hannah show us how states like Pennsylvania, Ohio, and West Virginia not only created, legitimized, and spread medical marijuana policy but also learned from each other's successes and failures throughout the process. As marijuana legalization increasingly finds its way onto state ballots, Green Rush offers fresh insight into how we got here as a country and where we are going--one state at a time.
Examines reggae culture as an expression of cultural, racial, and gender empowerment in the West Indian Diaspora In popular media Caribbean culture has either been reduced to stereotypes of laziness, marijuana, and reggae music, or conversely, to an identity centered around a refutation of colonialism. Both are oversimplifications, and do not explain the enduring Caribbean identity and empowerment throughout the diaspora. Vibes Up offers an exploration of Caribbean culture as it is felt, understood, and expressed, centered on research conducted in Brooklyn and Costa Rica. Sabia McCoy-Torres demonstrates how reggae culture--which encompasses the music and performance modes of both "roots" and "dancehall"--helps to shed light on dynamics relating to migration, diaspora, queerness, Blackness, and Caribbean cultural subjectivity. Through an examination of elements of the Black outdoors, including nightlife venues, sidewalks, and streets in front of homes, the book shows the important role that reggae plays in articulating the frustrations of migration, establishing community and belonging, and forming transnational relationships. Although reggae's creators and producers are often perceived as homophobic, Vibes Up also offers a more nuanced examination of the transforming relationships between hetero and LGBTQ+ people in reggae spaces and the accommodation of an array of queer intimacies. The framing of Caribbean Blackness as an expression of perseverance, agency, joy, and the erotic, as opposed to a reaction to colonization, oppression, and enslavement, is a distinctly important and timely view.
Highlights the importance of considering contemporary public culture through the lens of fan studies The Gamergate harassment campaign of women in video games, the "Unite the Right" rally where hundreds of Confederate monument supporters cried out racist and antisemitic slurs in Charlottesville, and the targeted racist and sexist harassment of Star Wars' Asian American actress Kelly Marie Tran all have one thing in common: they demonstrate the collective power and underlying ugliness of fandoms. These fans might feel victimized or betrayed by the content they've intertwined with their own identities, or they may simply feel that they're speaking truth to power. Regardless, by connecting via social media, they can unleash enormous amounts of hate, which often results in severe real-world consequences. Fandom Is Ugly argues that reactionary politics and media fandoms go hand in hand, and to understand one, we need to understand the other. Mel Stanfill pushes back on two mainstream assumptions: that media and the pleasure of consumption are frivolous and unworthy of study, and that fandoms are inherently progressive. Drawing on a corpus of angry social media posts, Fandom Is Ugly finds that ugly moments happen when deep emotional attachments collide with social structures and situations that have been misunderstood. By holistically examining the forms of ugly fandom in cases that touch upon race, gender, and sexuality, Fandom Is Ugly produces a comprehensive theory of the negative sides of fan attachments.
Uncovers the inherently religious structure of the criminalization of Black, Indigenous, and dispossessed peoples Most popular critical accounts of mass criminalization interpret police and prisons as purely social or political phenomena. While such accounts have been indispensable in moving millions into collective action and resistance, the carceral state remains as pervasive as ever. White Property, Black Trespass argues that understanding why we have police and prisons, and building a world of safety and abundance beyond them, requires that we acknowledge the inherently religious function that criminalization fulfills for a colonial and racial capitalist order that puts its faith in cops and cages to save it from the existential threat of disorder that its own structural violence creates. The story of criminalization, Krinks shows, begins with the eurochristian aspiration to become God at the expense of all others--an aspiration that gives rise to the pseudo-sacred powers of whiteness and property, and, by extension, the police power that exists to serve and protect them. Tracing the historical continuity and religiosity of the color line, the property line, and the thin blue line, Krinks reveals police power as the pseudo-divine power to exile nonwhite and dispossessed trespassers to carceral hell. At once incisive and expansive, this groundbreaking work deepens understanding of racial capitalism and mass criminalization by illuminating the religious mythologies that animate them. It concludes with thoughts on what might be entailed in a religion rooted in rejection of the religious idolatry of mass criminalization--a religion of abolition.
Explores global migration through the concept of "return" The current global moment is characterized by both forced and desired returns, whether it's the United States' mass deportations to Mexico, ships carrying North African migrants turned back en route to Spain and Italy, urban Chinese migrants going back to their rural home communities, or domestic workers returning to their families in Bolivia and Ghana. Yet, the majority of migration research still centers unidirectional movement, which assumes settlement in a host country. States of Return addresses the many political, economic, and cultural transitions that have accelerated and transformed return during the first decades of the twenty-first century, including new migratory routes, new forms of violence, changing economic conditions, new regulatory regimes of incarceration and deportation, and generational transitions. This volume features contributions from leading scholars and offers a new theorization of the idea of return. It centers migrants' own understandings of what return movement is and is not, and how it is experienced in terms of impacts on family relationships as well as state interventions that guide return migrations and create new configurations of citizenship and belonging, especially as migrant workers tend to return to states that lack strong infrastructures to support them or welcome them back. At its core, States of Return highlights the ways in which different migrants' returns reflect conditions of power, privilege, injustice, and violence. The result is a broad and deep account of returns--imagined, achieved, thwarted, or impossible--that captures movement across borders in the world today.
A compelling exploration of materiality and semiotics in Latinx inscriptions Writers and artists from Cuba, Puerto Rico, and Latinx New York operate under the pressures of inscription: the material and semiotic entanglement of making a mark as a marked artist. By employing layered material tropes and figures, such as stone, dust, viscera, and animality, their works do not represent a singular Latinx experience and instead, must be read at the margin of language and matter. Matters of Inscription explores feminist and queer inscriptions of Latinidad, encompassing the intersections of materiality and semiotics in art, performance, poetry, plays, and fiction. By delving into these figural matters, Christina A. León highlights how writers and artists such as Zilia Sánchez, Ana Mendieta, Manuel Ramos Otero, MarÃa Irene Fornés, Justin Torres, and Roque Salas Rivera forge material inscriptions that transcend individual lives and call for a broader analytical perspective unmoored from biographical anchors. The book urges readers to reevaluate the notion of difference, which has momentarily sought solace in identitarian terminology. León engages in rhetorical analysis that reassesses how the terms of Latinx studies have been challenged and how they are failing. Rather than categorizing texts based on predetermined taxonomic terms or individual subjects' lives, the book tracks figures situated at the edges of materiality and semiosis. This approach addresses the continuous marginalization and dispossession that shape the phenomenon of Latinx identity ("latinidad") by recentering conceptual questions of origin, diaspora, pedagogy, and belonging. The book contends that losses and deprivations should be rendered incommensurate to avoid collapsing the richness of different experiences or scales of ontological debasement. By focusing on the interplay of materiality and semiotics, Matters of Inscription challenges conventional approaches that seek to homogenize and anticipate what Latinx might mean and instead calls for a more capacious and nuanced analysis that goes beyond individual biographies.
How a grassroots abolitionist project of cultural healing counters the carceral state in a Chicanx community in CaliforniaFor many, gang involvement can be a guaranteed life sentence, a force which traps them in an inescapable cycle of violence even if it does not lead to actual prison time. Healing Movements explores the work of formerly gang-involved Chicanx men and women in California who draw on the social connections made during their gang-involved years to forge new pathways for cultural healing and countering the carceral system. Known colloquially as the "movement of healing," this Chicanx-Indigenous abolitionist project based in Salinas, California, was spurred on by a series of four police homicides of Latino men in 2014. Organizing around such issues as police brutality and mass incarceration, these collectives-two of which are discussed in this book, one mixed-gender, and the other women-only-turned to their often obscured Mesoamerican ancestry to find new resources for building a different future for themselves and subsequent generations. Drawing on extensive fieldwork conducted in Salinas, Healing Movements reveals how these communities have taken shape in large part through a conscious effort to uplift Chicanx-Indigenous culture and ceremonial practices. By tapping into their Indigeneity, the members of these collectives access a wealth of new resources to shape their future, opening up novel ways to organize and build strong relational ties that are noteworthy to anyone invested in abolitionist work.
"This book offers a sweeping and in-depth look at the global movement to curtail LGBTI rights, exploring both how this moral conservative movement functions-in terms of its key actors, claims, and venues of resistance-and how the LGBTI movement responds to it"--
Explores ways faith communities offer protection and services for Latina/o communitiesThe New Sanctuary Movement is a network of faith-based organizations committed to offering safe haven to those in danger, often in churches, often outside the law, and often at risk to themselves. The practice of sanctuary, with its capacity to provide safety, shelter, and protection to society's most vulnerable, gained significant prominence after the 2016 presidential election and the ushering in of particularly harsh anti-immigration policies. Since 2017, Ohio has had some of the highest numbers of public sanctuary cases in the nation. Sanctuary People explores these sanctuary practices in Ohio and locates them in broader local and national efforts to provide refuge and care in the face of the challenges facing Latina/o communities in a moment of increased surveillance, migrant detention, displacement, and economic and social marginalization. Perez argues for a conceptualization of sanctuary that is capacious, placing support of Puerto Ricans displaced in the wake of Hurricane Maria within the broader practices of sanctuary and expanding our understandings of the movement that addresses the precarious conditions of Latinas/os beyond migration status. Based on four years of ethnographic research and interviews at the local, state, and national levels, Sanctuary People offers a compelling exploration of the ways in which faith communities are creating new activist strategies and enacting new forms of solidarity, working within the sometimes conflicting ideological space between religion and activism to answer the call of justice and live their faith.
"F*ck the Army! resurrects the history of the FTA, an antiwar variety show led by Jane Fonda in 1971, building a new theory of revolutionary activism out of the theatrical acts of solidarity and resistance that soldiers and civilians performed together, on stage and off, as they sought to end the U.S. war in Vietnam by connecting struggles for liberation across the lines of race, gender, and nationality"--
Highlights how millennial Jewish stars symbolize national politics in US mediaJewish stars have longed faced pressure to downplay Jewish identity for fear of alienating wider audiences. But unexpectedly, since the 2000s, many millennial Jewish stars have won stellar success while spotlighting (rather than muting) Jewish identity. In Millennial Jewish Stars, Jonathan Branfman asks: what makes these explicitly Jewish stars so unexpectedly appealing? And what can their surprising success tell us about race, gender, and antisemitism in America? To answer these questions, Branfman offers case studies on six top millennial Jewish stars: the biracial rap superstar Drake, comedic rapper Lil Dicky, TV comedy duo Abbi Jacobson and Ilana Glazer, âEURman-babyâEUR? film star Seth Rogen, and chiseled film star Zac Efron. Branfman argues that despite their differences, each starâEUR(TM)s success depends on how they navigate racial antisemitism: the historical notion that Jews are physically inferior to Christians. Each star especially navigates racial stigmas about Jewish masculinityâEUR"stigmas that depict Jewish men as emasculated, Jewish women as masculinized, and both as sexually perverse. By embracing, deflecting, or satirizing these stigmas, each star comes to symbolize national hopes and fears about all kinds of hot-button issues. For instance, by putting a cuter twist on stereotypes of Jewish emasculation, Seth Rogen plays soft man-babies who dramatize (and then resolve) popular anxieties about modern fatherhood. This knack for channeling national dreams and doubts is what makes each star so unexpectedly marketable. In turn, examining how each star navigates racial antisemitism onscreen makes it easier to pinpoint how antisemitism, white privilege, and color-based racism interact in the real world. Likewise, this insight can aid readers to better notice and challenge racial antisemitism in everyday life.
"Though many see religion and race as separate public school issues, Ribovich reframes religion's role in twentieth-century American public education by using New York City as a window into how religion undergirded school policies and practices on race before and after school prayer and Bible-reading became unconstitutional"--
A scholarly edition of a classic textbook on logic Najm al-DÄ«n al-KÄ?tibÄ«â¿s al-RisÄ?lah al-Shamsiyyah is a scholarly edition and translation of The Rules of Logic, with commentary and notes. Composed by Najm al-DÄ«n al-KÄ?tibÄ«, a scholar of the ShÄ?fiÊ¿Ä« school of law, al-RisÄ?lah al-Shamsiyyah is the most widely read introduction to logic in the Arabic-speaking world. It has probably enjoyed a longer shelf-life than any other logic textbook ever written, having been in use by madrasah students from the early eighth/fourteenth century up until the present day. Building on the theories of Avicenna, al-RÄ?zÄ«, and other pioneers of logic, al-KÄ?tibÄ« discusses the many pitfalls of building arguments and setting out unambiguous claims in natural language. The enduring nature of the text is a testament to al-KÄ?tibÄ« and his impact on concepts of formal discourse and argument.
"In one of the first scholarly examples of Christian premarital counseling, the book explores how religious communities attempt to intervene to emotionally socialize couples into a vision of a covenant marriage which they view as distinct from what they view as the contractual approach in secular society"--
"Underneath the formal health care safety net system is an informal, threadbare, and disconnected infrastructure of free health services - a Third Net - that provides a patchwork of basic care to millions of undocumented and uninsured migrants across the country"--
Explores questions of masculinity, privilege, and identity to explain why some men become feminists while others become men's rights activistsIn the evolving landscape of gender activism in the United States, it is intriguing that four-in-ten American men now identify as feminists. Despite this seemingly positive shift, gender inequality remains deeply rooted in the US. Good Guys, Bad Guys delves into this paradox, unraveling the complexities of men's feminist allyship and its limitations in propelling genuine progress. Emily K. Carian masterfully dissects the narratives of two distinct groups of gender activists: feminist men and men who belong to the men's rights movement, which opposes feminism. By engaging directly with the men themselves, Carian constructs a compelling analysis of their journeys into these contrasting social movements. Surprisingly, Carian finds that both feminist men and men's rights activists share a common motivation for their engagement in gender activism: the desire to be perceived as "good men." However, this well-intentioned yet superficial drive hinders feminist men from envisioning concrete and effective strategies to challenge gender inequality. Conversely, it fuels men's rights activists' participation in a movement that fosters a virulent misogyny. Good Guys, Bad Guys exposes how even self-proclaimed feminist men inadvertently perpetuate gender inequality through their attitudes, behaviors, and relationships. As society navigates the complexities of gender activism, this book serves as a valuable resource in guiding the path towards a truly equal and inclusive future.
"Incorporating insights from leading experts across a range of disciplines, including the social sciences, the humanities, and the biological sciences, When Animals Die offers a fascinating and comprehensive examination of animal death, one of the most fraught aspects of human relations with other-than-human animals"--
Examines Black Americans' suspicion about the potential political harassment of Black elected officialsIn Marked Men, Nyron N. Crawford offers a novel perspective on political scandal, corruption, and racial politics in the United States. Contrary to traditional beliefs that politicians are forgiven for their transgressions because of the benefits they provide their constituents, Crawford argues that Black Americans view political misdeeds by Black elected officials through a lens of suspicion towards the criminal legal system. Crawford's work reveals that Black Americans often question the motivations behind investigations and indictments of Black politicians, expressing concern that such actions by the state are intended to undermine, embarrass, and harass Black leaders. Through a mixed-method approach including experiments, case studies, and survey data, Crawford illustrates that racialized suspicion shapes the way Black voters rally to protect their embattled Black political representatives. The book challenges conventional wisdom by highlighting how a tolerance of corruption is not the driving force behind the support for wayward politicians. Instead, racialized mistrust of the criminal justice system plays a pivotal role. By shedding light on this dynamic, Marked Men examines the complexities of political scandals and the intricate interplay between race and politics in contemporary America. The study calls for a deeper understanding of the motivations and attitudes of Black voters, prompting readers to reconsider prevailing assumptions about political accountability and forgiveness in the context of race.
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