Böcker utgivna av Nick Hern Books

'She has, to my knowledge, an almost unblemished record in never having failed to spot a great new play...' Philip Howard, from his ForewordJoyce McMillan has been writing about theatre in Scotland for more than three decades. As drama critic successively for The Guardian, Scotland on Sunday and The Scotsman, she has reviewed thousands of plays. During that time she has borne witness to an extraordinary cultural and political renaissance in Scotland, reflected in the newfound confidence of its playwrights, in the vibrancy of its theatre culture and in its recent outburst of new theatre companies.Compiled by McMillan and the theatre director, Philip Howard, Theatre in Scotland is a panoramic history of modern Scottish theatre, reported from the frontline. It traces the remarkable journey of Scottish theatre towards its new self-confidence: the road to 1990, when Glasgow was European Capital of Culture; followed by the explosive expansion of the 1990s; culminating in the emergence of the National Theatre of Scotland and its drive to bring theatre culture right into the heart of the nation.Gathered here are the leading Scottish playwrights, from John Byrne to Liz Lochhead, from David Greig to David Harrower, as well as the full breadth of English playwrights, from Shakespeare to Pinter. There are reflections on the great Scottish plays, classic - Ane Satyre of the Thrie Estaitis, Men Should Weep - and modern - Black Watch, The James Plays. There are reports not only from the urban theatre centres of Edinburgh and Glasgow but from all over Scotland; and from the feast that is the Edinburgh Festival, to the nourishing A Play, A Pie and A Pint.A leading thinker and writer about Scotland, McMillan has an incomparable ability to detect the wider cultural resonances in Scottish theatre, and to reveal what it can tell us about Scotland as a whole. Her book serves as a portrait of a nation and a shared cultural life, where visions of 'what we have been, what we are, and what we might become' are played out in sharp focus on its stages.'When Scottish theatre works [its] magic over the coming years, I will be there, to try to catch the moment in print, and to tell it as it was. And believe me, on the good nights and the bad ones, the privilege will be mine: to be paid to go looking for joy, and occasionally to find it.' Joyce McMillan

Twelve leading actors, including Alan Rickman, Chiwetel Ejiofor, Eileen Atkins, Ian McKellen and Patrick Stewart, discuss playing twelve key Shakespearean roles.

The story of a young girl trapped in an increasingly tiny world. Based on a true story.

Five of the most exciting voices in theatre explore the pressures on our public services as one young woman buckles under pressures of her own.

Reproduces the text of the "Shakespeare First Folio" (1623) in modern type.

A double bill by Terence Rattigan, featuring two plays of striking contrast that display his astonishing range as a writer.

Ibsen's forensic examination of a marriage as it falls apart, in a version by Richard Eyre. How is a life well-lived? Alfred Allmers comes home to his wife Rita and makes a decision. Casting aside his writing, he dedicates himself to raising his son. But one event is about to change his life forever. Little Eyolf was first performed in 1894. This new version, adapted and directed by Richard Eyre, premiered at the Almeida Theatre, London, in 2015. The third in a trilogy of revelatory Ibsens, Little Eyolf follows Richard Eyre's multi-award-winning adaptations of Ghosts (Almeida, West End and BAM, New York), and Hedda Gabler (Almeida and West End).

The average person will speak 123,205,750 words in a lifetime. But what if there were a limit? Oliver and Bernadette are about to find out. Sam Steiner's award-winning play Lemons Lemons Lemons Lemons Lemons imagines a world where we're forced to say less.

A play about conflicted desire and dangerous loyalties in a world trembling in the grip of a devastating epidemic.

An insightful and revealing play, inspired by real events, which explores society's uncomfortable embrace of the outsider.

Ella Hickson's version of J.M. Barrie's much-loved story puts the character of Wendy firmly centre stage, in an adaptation that is refreshingly modern but never loses the charm of the original.

An exhilarating and unsentimental exploration of working-class life in Belfast.

A play about a group of young women seeking to form a new type of society and a better way of living. Part of Platform, a series of big-cast plays with predominantly or all-female casts, written specifically for performance by school, college and youth-theatre groups.

A powerful drama based on the extraordinary life of Sor Juana Ines de la Cruz, a poet, nun and major literary figure of Mexico.

Wry, emotive, funny and heartfelt, buckets is a play with a unique perspective on a universal dilemma: how do you deal with the fact that time always runs out?

A shattering play about one woman's unspeakable decision.

A gripping, kaleidoscopic drama about a clash of values in multicultural Britain, from actor and playwright John Hollingworth.

A thrillingly fast-paced play about youthful disaffection, protest and violence, drawing on the history of the Scuttlers, the youth gangs of nineteenth-century Manchester.

A bold reimagining of Hans Christian Andersen's tale of love, loss and longing. First performed by Shared Experience on UK tour in 2015.

A deeply provocative thriller set in a blighted landscape where nature is fiercely taking its course, Deluge is a gripping drama from the Papatango Prize-winning author of Coolatully. Winner of the 2014 Eamon Keane Full-Length Play Award.

A ferociously funny, eye-poppingly theatrical play about art, animals and what happens when you try to take on the system from within... a crocodile.

The essential, one-stop handbook for actors, with everything you need to survive and thrive, from the team behind the internationally successful Surviving Actors conventions.Being an actor is a vocation, but it's also a real-life job. Talent, determination and passion are vital, but will only get you so far. In addition to developing the craft of acting, actors have to remember that it is a career, and so the business side needs to be taken just as seriously.This manual covers the day-to-day essentials you need to succeed in the industry, with sections that cover:Establishing your personal brand and business planGetting great headshots, showreels, voicereels and a website Dealing with agents, casting directors and auditionsDeveloping your networking skillsAnd managing your moneyHonest, straightforward, but also empowering, it will help you unlock your potential and focus on being the best, most employable - and, hopefully, successful - actor you can be.Compiled by the team at Surviving Actors, and drawing on a wide range of other experienced professionals, theSurviving Actors Manual is designed to help you develop and sustain your career and to create your own new opportunities.Felicity Jackson and Lianne Robertson both trained as actors. Together they run Surviving Actors, founded in 2009 to help and encourage other actors in all areas of their professional lives.

In the haze of a late summer in a London garden, the apples have all fallen to the ground. It is the day of Daddy's funeral, and two orphans find themselves suddenly alone, with nobody to cling to but each other.

A touching and provocative story of first love though the eyes of a gender-curious teen, inspired by recent UK cases of 'gender fraud'.

A smart, funny play about love, friendship and growing up, from the author of WINK and Fury.

A new play from the Platform initiative, which comprises big-cast plays with predominantly female casts, written specifically for youth performers.

Second Person Narrative is part of Platform, a new initiative from Tonic Theatre in partnership with Nick Hern Books.

This second volume of plays from award-winning playwright Fin Kennedy features three ensemble plays for large casts of young people aged thirteen to nineteen. With their flexible, mixed casts, the plays are particularly suited to performance by young people's groups.

An electrifying drama about what happens to personal identity in an age of ubiquitous technology and social media.

Mischievously adapted from Roald Dahl's story, acclaimed playwright Enda Walsh turns The Twits upside down and brings this revolting revolution to the stage. First performed at the Royal Court Theatre in April 2015.