A hilarious city comedy by the authors of A Mad World, My Masters and The Shoemaker's Holiday.
A sharp, dark comedy that explores the inescapable difference between feeling 19 and being 19.
An insightful play that studies the challenges we face in a foreign land, and where or to whom we belong.
An updated edition of the smash-hit debut play from the author of Jerusalem.
A powerful play that weaves together the haunting tales of three lost people from different eras, united by the common setting of the fishing village of Orford in Suffolk, its castle and its mysterious island, Orford Ness.
debbie tucker green's play nut premiered at the National Theatre's temporary venue The Shed in October 2013.
An urgent and explosive new play that explores of the pressures on young people today in the wake of advancing technology.
A witty and heartfelt look at a family falling apart and pulling together when life doesn't turn out quite the way they imagined.
An invaluable guide to directors and actors, to dramatists working in the field of adaptation, and to any theatregoer who has been moved by the power of an unfolding story to ask: 'Then what happens?'
A dark and uncompromising play about romance, expectation and mortality, James Fritz's Ross & Rachel takes an unflinching look at the myths of modern love. Premiered as part of the 2015 Edinburgh Festival Fringe.
A short play about death by Caryl Churchill, Here We Go premiered at the National Theatre, London, in November 2015.
Laura Eason's celebrated adaptation of Jules Verne's classic novel, in which fabulously wealthy Victorian gentleman Phileas Fogg wagers his life's fortune that he can circumnavigate the globe in just eighty days.
Winner of the 2015 Papatango New Writing Prize. As debate over genetic screening rages, Tomcat asks how far will we go to keep humanity healthy? When you can learn everything about a person from a computer screen, is there anything left to discover?
A funny and tender drama that explores how even if you live on the brink, destiny can have a way of surprising you.
A witty, tender, and occasionaly surreal exploration of one family's experience of the NHS.
A fascinating selection of one hundred objects, each illustrated in full colour and accompanied by a compact essay, chosen by the Victoria and Albert Museum's curators for the insight they afford into the world of Shakespeare and his plays.
Lucy Kerbel's 100 Great Plays for Women is an inspiring guide to a hundred plays that put female performers centre stage, dispelling the myth that 'there aren't any good plays for women'. With a foreword by Kate Mosse. Women buy the majority of theatre tickets, make up half the acting profession and are often the largest cohort of any youth theatre or drama club. And yet they have traditionally been underrepresented on stage. 100 Great Plays for Women seeks to address this gap by celebrating plays that put female performers centre stage. Lucy Kerbel's myth-busting book features compact and insightful introductions to 100 plays, each of which has an entirely or predominantly female cast, with the female characters taking an equal or decisive role in driving the on-stage action. Also featured are 10 plays for solo female performers. The result is a personal but wide-ranging reappraisal of the theatrical canon, a snapshot of the very best writing - from ancient times right up to the present day - that has female protagonists at its heart. A fascinating mixture of familiar and less well-known works dealing with a broad range of themes, it is an essential resource for all directors and producers looking for plays to stage, writers seeking inspiration and actors trying to track down a new audition piece. It is also an exciting provocation that will have readers, both male and female, championing their own personal favourites. The book is the culmination of a project by Tonic Theatre and the National Theatre Studio. Tonic Theatre was founded by Lucy Kerbel in 2011 to support the theatre industry in achieving greater gender equality in its workforces and repertoires; it partners with leading theatre companies around the UK on a range of projects, schemes and creative works. The National Theatre Studio provides support and resources for both emerging and established theatre-makers of outstanding talent, and contributes to the National's ongoing search for and training of new artists. 'A gem of a book' Lucy Kerbel has done hard-working directors and artistic directors, of spaces large and small, a great service.' Kate Mosse, from her foreword
A smart and provocative thriller about spies, double agents, and the opaqueness of the human soul.
West End Producer is the anonymous Twitter sensation whose hilarious and unfailingly accurate barbs satirising and celebrating the theatre industry have won him a devoted following. His identity is the subject of feverish speculation in the media, fuelled by his regular appearances at West End opening nights in costume, wig and latex mask. He has become a genuine theatre impresario, launching talent competitions Search for a Twitter Star and its successor, Search for a Twitter Composer. And now West End Producer is ready to share all he's learnt about how to get ahead in showbusiness, in the form of a handy paperback book. Full of the wit and mischievous indiscretion that has gained him such a cult following, packed with gossip and insider knowledge of the theatre business, and containing enough savvy advice on acting to kickstart a career, West End Producer's book offers tips (both practical and deliciously impractical) on: Getting into drama school (learning how to sit in a circle) Auditioning (perfecting the 'staring vacantly out front' pose) Rehearsals techniques (including how to act in a serious play) The different kinds of actor (from sex pest to company idiot) Combating boredom (and avoiding backstage naughtiness) How to behave at first-night parties (obeying the traffic-light colour code) And, most importantly, the correct way to bow at the curtain call Also included in the book are many of West End Producer's most memorable tweets, miniature comic salvos despatched with all the shrewdness of a man who truly knows his Barrowmans from his Balls. 'Prepare to be shocked, rocked and mocked in this genuinely laugh-out-loud-funny, lovingly crafted, meticulously researched, spookily insightful and accurately spelled guide to all things thespian.' Michael Ball 'Don't even consider putting your daughter on the stage, Mrs Worthington, until you've first consulted this wonderful book.' Paul O'Grady
A unique, personal guide to Shakespeare's life and plays told through the experience of one of our leading classical actors.
A moving, comical and eye-opening story of four young women fighting for education and self-determination against the larger backdrop of women's suffrage.
A hilarious and heart-felt landmark play about courage, compassion and the fear of loneliness in life's journey towards self-discovery.
The author's guide to Kindertransport, an invaluable and uniquely authoritative resource for anyone studying, teaching or performing the play. Since it was first staged by the Soho Theatre Company in London in 1993, Diane Samuels' Kindertransport has enjoyed huge success around the world, has been revived numerous times, and is widely studied in schools and colleges. The play tells the story of how nine-year-old Eva, a German Jewish girl, is sent by her parents on the Kindertransport to start a new life with a foster family in Britain just before the outbreak of World War Two. Over forty years later, she has changed her name to Evelyn and denied her roots. When her own daughter discovers some old letters and photos in the attic, she is forced to confront the truth about who she really is and to reveal a dark secret that she has done everything to keep hidden. In this author's guide to the play, Diane Samuels investigates the historical background, drawing on the personal testimony of those whose lives were transformed by the Kindertransport. She explores the creative process that shaped the play through successive drafts. And she presents detailed accounts from the actors, directors, a composer and designer who have contributed to the play's most notable productions.
A practical guide to writing radio drama and getting it produced, by a leading radio dramatist and a hugely experienced radio drama producer who have both created award-winning dramas for the BBC.For writers, radio drama offers a remarkable degree of creative freedom, a unique relationship with an audience listening at home or on the move, and a wealth of opportunities to earn a living. But writing for radio is also a very particular craft, with its own distinctive conventions, techniques and pitfalls. And you need to know how the industry works to stand the best chance of getting your play commissioned.This book, written from the dual perspective of a writer and a radio drama producer, tells you all you need to know about:What works well on radio, and what doesn'tHow to hook listeners from the start, and how to keep them listeningHow to format your scriptHow to research and contact the right producer for your playWhat to expect after you've received a commissionWhat happens when you're in the recording studioFull of practical advice, tips and invaluable inside information about the industry, it also includes extracts from many outstanding radio dramas and a series of writing exercises to help put ideas into practice.So You Want To Write Radio Drama? is an essential guide for anybody who wants to write a radio play, whether you're a first-time writer or one currently working in a different medium. It will also be of help to those already involved in making radio drama, or who simply want an insight into how it is written and made.'A useful new addition to NHB's eclectic So You Want series. A radio dramatist and a radio play producer, the authors take you step by step through the process, from defining what radio drama is and how it works, to creating your own and, most importantly, the practicalities of marketing your work. It's an inspiring book which left me thinking that perhaps during this bright, shiny new year I ought to hone my creative skills and have a go myself.' - The Stage'A hands-on guide, ideal for aspiring radio writers. Representing two books in one, it tackles both the initial process of writing a script and the daunting progression to getting commissioned. The authors' passion for radio effervesces throughout and makes for a motivational read.' - Teaching Drama Magazine
Reproduces the text of the "Shakespeare First Folio" (1623) in modern type.
This edition of "As You Like It" reproduces the First Folio of the play but in modern type. As an aid to understanding, a fully modernised version of the text appears on each opposite page. This edition also includes textual notes and a facsimile page from the First Folio.
A painfully comic excavation of a family history that asks if there is an authorised version of the past - or just the one we can live with. Premiered at the Traverse Theatre in October 2012. Kate Bane returns home to her parents for a winter weekend to introduce her new boyfriend. As the snow falls, Kate finds herself searching with increasing desperation for the truth about her family's past. Are her memories fact, or are they continually shifting acts of imagination? Unable to pin down the truth, can she write a version of the family mythology that will ensure her own happiness? 'Fascinating... an Escher-like playfulness in its examination of the nature of creation' The Stage 'An amusing piece, well-crafted' The List
One bathroom. Two people. One day. A relationship witnessed in minute, devastating detail. A story of intimacy, fragility and the darker side of love, Jack Thorne's Mydidae exposes the private and disturbing moments a couple share, and explores what becomes of a relationship when it is held together not only by love, but by fear, guilt and despair. 'A two-hander full of unexpected menace that probes and chips at its characters, peeling back layers of skin... a potent piece of writing' Exeunt Magazine 'Like a punch in the gut... what makes all of this not only bearable but completely transfixing is the unmistakeable honesty of the writing' Whatsonstage.com
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