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  • av Robert Westall
    171

    An adaptation of the Carnegie Medal-winning children's novel.

  • av Louise Monaghan
    181

    A raw, uncompromising drama about bigotry and racism that explores the insidious rise of the British National Party. Winner of the 2012 Papatango New Writing Competition.

  • av Luke Dixon
    191

    Forty monologues for young women, drawn from across the whole of Shakespeare's canon, complete with summaries, ideas for consideration and a glossary. Part of the Nick Hern Books Good Audition Guides series.

  • av Luke Dixon
    164

    Forty monologues for young men drawn from across the whole of Shakespeare's canon, complete with summaries, ideas for consideration and a glossary. Part of the Nick Hern Books Good Audition Guides series.

  • av Lucy Kirkwood
    161

    Lucy Kirkwood's sharp comedy looks at power games and privacy in the media and beyond. Carrie's getting them out for the lads, Charlotte's just grateful to have a job, Sam's being asked to sell more than his body, and Aidan's trying to keep Doghouse magazine from going under. Set in the cut-throat media world, Lucy Kirkwood's timely new comedy exposes power games and privacy in the age of Photoshop. [NSFW = Not Safe For Work, online material which the viewer may not want to be seen accessing in a public or formal setting such as at work.]

  • av Jez Butterworth
    161

    A bewitching play by Jez Butterworth, author of the global smash-hit Jerusalem. Premiered at the Royal Court Theatre in 2012. On a moonless night in August when the sea trout are ready to run, a man brings his new girlfriend to the remote family cabin where he has come for the fly-fishing since he was a boy. But she's not the only woman he has brought here - or indeed the last... 'A delicately unfolding puzzle... all of it is wrapped in marvelous language... extraordinary.' The Times 'One of the best productions of the year... a magnetically eerie, luminously beautiful psychodrama.' Time Out 'Strange, eerie, tense... Butterworth possesses a singular talent.' Guardian

  • av Caryl Churchill
    157

    A stunningly ambitious work from one of the UK's most influential playwrights. Someone sneezes. Someone can't get a signal. Someone shares a secret. Someone won't answer the door. Someone put an elephant on the stairs. Someone's not ready to talk. Someone is her brother's mother. Someone hates irrational numbers. Someone told the police. Someone got a message from the traffic light. Someone's never felt like this before. In this fast-moving kaleidoscope, more than a hundred characters try to make sense of what they know. Premiered at the Royal Court in September 2012. 'This exhilarating theatrical kaleidoscope... What is extraordinary about Churchill is her capacity as a dramatist to go on reinventing the wheel' The Guardian 'The wit, invention and structural integrity of Churchill's work are remarkable... She never does the same thing twice' The Telegraph 'A wonderful web of complex emotions, memories, secrets and facts' A Younger Theatre

  • av Howard Brenton
    171

    A gripping historical drama that dramatises a crucial moment of English history. Premiered at Hampstead Theatre in October 2012. December 1648. The Army has occupied London. Parliament votes not to put the imprisoned king on trial, so the Army moves against Westminster in the first and only military coup in English history. What follows over the next fifty-five days, as Cromwell seeks to compromise with a king who will do no such thing, is nothing less than the forging of a new nation, an entirely new world. Howard Brenton's play depicts the dangerous and dramatic days when, in a country exhausted by Civil War, a few great men attempt to think the unthinkable: to create a country without a king. 'A forgotten era of revolutionary British history is fascinatingly unlocked... electrifying.' Whatonstage.com '[A] confident and idea-packed piece... It could have been a dour history lesson. Instead it engages with the present, raising some pungent questions about the kind of democracy we have in Britain today.' Evening Standard

  • av Sandi Toksvig
    161

    Nationally known and loved as a broadcaster, comedian and writer - Sandi Toksvig's ferociously gripping play BULLY BOY, with great tenderness, offers a startling insight into the minds of soldiers.

  • av Clare Bayley
    157

    A harrowing site-specific drama about people-trafficking by an up-and-coming writer.

  • av Steve Waters
    147

    1949. Small town Colorado. A group of regular American students struggle to accept a foreigner in their midst; their unthinking behaviour will have terrible consequences that are to change world history.

  • av Enda Walsh
    181

    When an irish busker and a young Czech mother meet through a shared love of music, their songwriting sparks a deep connection and a tender, longing romance that neither of them could have expected. Based on the much-loved Oscar-winning film, Once is an extraordinary, original and irresistibly joyous celebration of love, friendship and music. It won eight Tony Awards when it opened on Broadway in 2012, including Best Book and Best New Musical. It opened in Dublin in February 2013 before transferring to the West End. 'charmingly funny and affecting... demonstrates the power of music both to express deep psychic hurt and to perform a cure of sorts' Independent 'quiet, wistful, tender... it has a delicate soulfulness and a truthful charm' Evening Standard 'there is a genuine warmth and inclusiveness to this show... best of all is Enda Walsh's script, which has great, puckish fun applying a bit of Brechtian silliness to the romcom formula' Time Out

  • av Janice Okoh
    181

    A startling and darkly comic drama about childhood, family and fantasy. Winner of the Bruntwood Prize 2011.

  • av Lee Mattinson
    147

    A story about dystopian, modern-fairy-tale town where the lines between fact and fiction weave and snag.

  • av Deirdre Kinahan
    181

    A devastating new play about loss and families, by Deirdre Kinahan, one of Ireland's most exciting playwrights.

  • av Robert Holman
    181

  • - War, Revolution & Design
     
    351

    A landmark volume which explores the remarkable flowering of radical, visionary and experimental design for performance in Russia from 1913-1933.

  • Spara 13%
    av Peter McKinnon & Eric Fielding
    647 - 847

    The second volume in a series of large-format, lavishly illustrated books documenting for posterity a collection of significant and influential theatrical set, costume, and lighting designs.

  • av Tena Stivicic
    171

    A portrait of an eclectic family, held together by the courage to survive.

  • av Jack Thorne
    281

    A collection of six plays by one of the UK's most exciting young writers. Also includes a revealing Introduction by the author.

  • av Jack Thorne
    147

    An urgent political play from the writer behind Let The Right One In and This is England '86. Hope is a funny and scathing fable attacking the squeeze on local government.

  • av Rose Heiney
    171

    A sharp black comedy with a tender heart that explores the paths we take in life and their repercussions on the people we love most.

  • - Unlocking Plays Through Physical Theatre
    av Dymphna Callery
    191

    Many theatre practitioners think of physical theatre as one thing and text-based theatre as another. In this book, Dymphna Callery, author of Through the Body: A practical guide to physical theatre, shows how exercises and rehearsal techniques associated with physical and devised theatre can be applied to scripted plays. Working 'through the body' enables performers to discover what really makes a play work. Drawing on key practitioners, including Jacques Lecoq, Joan Littlewood, Peter Brook and Simon McBurney, The Active Text offers a complete approach to working with a scripted play, leading the reader through a process of active exploration and experimentation that includes: Uncovering a play's internal dynamics Using improvisation and theatre games Exploiting the languages of the body Getting inside the words that are spoken (as well as those that aren't!) Discovering image structures Understanding the impact on the audience Throughout the book, the author draws on a core selection of well-known texts (from Sophocles and Shakespeare to Brecht, Arthur Miller, Steven Berkoff and Sarah Kane), showing how an active approach to text can challenge assumptions about even the most familiar of plays. Packed with theatre games, improvisation exercises and rehearsal techniques, The Active Text is an inspirational guide for performers, directors, students and teachers. It will revitalise work in the rehearsal room, workshop or classroom - anywhere that dramatic text needs to be brought to life.

  • - Two-handers from the Abbey Theatre, Ireland
     
    447

    Eight short plays, all two-handers, from the national theatre of Ireland that represent the very best of new Irish drama.

  • av Stephen Beresford
    311

    A funny, touching and at times savage portrait of a family full of longing that's losing its grip - The Last of the Haussmans is a play examining the fate of the revolutionary generation. It premiered at the National Theatre in 2012, starring Julie Walters and Rory Kinnear. Anarchic, feisty but growing old, high-society drop-out Judy Haussman remains in spirit with the ashrams of the 1960s, while holding court in her dilapidated art deco house on the Devon coast. After an operation, she's joined by her wayward offspring, her sharp-eyed granddaughter, a local doctor and a troubled teenager who makes use of the family's crumbling swimming pool. Over a few sweltering months they alternately cling to and flee a chaotic world of all-day drinking, infatuations, long-held resentments, free love and failure. 'A knockout - entertaining, sad and outrageous. [Stephen Beresford] is going to be a major name' Observer 'Beresford's drama is frequently a hoot... you can't not enjoy' Metro 'Beresford's debut is thoughtful and fresh, delighting in the savagery of a dysfunctional family... deliciously comical... drips with smart lines' Evening Standard

  • av Matt Hartley
    147

    Pete and Rich are two very different brothers. Rich needs to confront ex girlfriend, Lucy, and shadows of his recent past. Pete's search is for one woman in his life he's never known and never knowingly hurt, his daughter. As they each embark on a journey of forgiveness, they discover that, even separated by sixty five miles - people never forget.

  • av Ella Hickson
    171

    Four boys face the tricky transition to adulthood in Ella Hickson's riot of a play. Premiered at High Tide Festival 2012, then Nuffield Theatre, Southampton, and Soho Theatre, London. The Class of 2011 are about to graduate and Benny, Mack, Timp and Cam are due out of their flat. Stepping into a world that doesn't want them, these boys start to wonder whether there's any point in getting any older. How will they find the fight to make it as adults? Before all that they're going to have one hell of a party. It's hot and there'll be girls. Predict a riot. 'Marvellous... a play that both powerfully captures the mood of a generation and addresses permanent truths with exhilarating flair' Independent 'Will leave you with laughter lines' Time Out 'Heartfelt directness of writing that taps into a generation torn between action and inertia' Guardian

  • av Helen Edmundson
    197

    Mary Shelley: daughter of Mary Wollstonecraft; lover of Shelley; author of Frankenstein' Helen Edmundson's compelling play explores a crucial episode in the early life of Mary Shelley - her meeting and scandalous elopement aged sixteen with Percy Bysshe Shelley, and its consequences for her sisters, her stepmother and above all, her troubled father, the political philosopher William Godwin. 'Gripping... without ever reducing Mary Shelley to an issue drama, Edmundson suggests the destructive nature of a life lived without compromise' The Times

  • av Enda Walsh
    167

    A virtuosic study of one man's descent into religious mania in small-town Ireland. This edition was published alongside the 2012 production at the National Theatre starring Cillian Murphy.

  • - A Complete Voice Course for Actors
    av Sarah Case
    247

    A unique new approach to the understanding and training of the actor's voice, with an accompanying 110-minute DVD showing the work in action.

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