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  • av Elaine Murphy
    187

    Amber has fierce bad indigestion and the Sambucas aren't getting rid of it. Lorraine attacks a customer at work and her boss wants her to see a psychiatrist. Kay's got an itch that Gem can't scratch (but maybe Kermit can). Paul is just using Amber until he can get to Australia. The Hairy man fancies Lorraine but fails to rise to the occasion.

  • av Andrew Bovell
    181

    When a woman disappears, four marriages become entangled in a web of love, deceit, sex and death. Who will survive?

  • av Rona Munro
    171

    Dornoch, in Sutherland, northern Scotland, 1727. The eccentric widow, Janet Horne boasts that she can cure beasts, call the wind and charm fish out of the sea. As her refusal to deny witchcraft incenses the local community, her crippled daughter steps dangerously into the fray.

  • - Finding the Life of the Play
    av William Gaskill
    181

    Words Into Action shows actors how they can bring the text of a play to life on stage. It looks at action and intention, stillness and movement, sentences and rhetoric, and punctuation and pauses. There are also chapters on masks, on language as character, and on verse and prose, taking Hamlet as a model.

  • av Nina Raine
    161

    A penetrating play about belonging, family and the limitations of communication, Tribes is an exciting follow-up to Raine's successful debut, Rabbit, and follows such hits as Enron and Jerusalem into the Royal Court Theatre.

  • av Various
    186

    The second in a fascinating collection of plays that look mat the position of women in politics in English History.

  • av Enda Walsh
    131

    A powerful play from one of Ireland's most innovative writers. Enda Walsh's extraordinary update of a section of The Odyssey sites four belligerent, self-made men in an empty, dilapidated swimming pool and watches them strut, posture and compete to outdo each other with every hilariously overweening speech.

  • av David Hirson
    131

    In this wildly distinctive comedy set in 17th-century France, a vulgar and impossibly self-obsessed writer/perfomer attempts to win the favour of a Royal Personage and ignominiously oust his high-minded rival. All is accomplished in a virtuoso cascade of rhyming couplets!

  • av the Lions part
    171

    A remarkable and sparkling piece of theatre celebrating an extraordinary episode in British history - the Women's Land Army of World War 11. Based on the letters and personal testament of hundreds of original Land Girls

  • av Robert Tressell
    171

    Robert Tressell's pre-First World War account of the working lives of a group of housepainters and decorators has become a classic of working-class literature. Howard Brenton's vivid stage adaptation lays bare the many social injustices perpetrated on these men but captures their individual characters with touching truth to life.

  • av pamela carter
    181

    A funny, painful and deeply moving play about loss - and cooking.

  • av Terence Rattigan
    167

    A classic drama based on the true story of Alma Rattenbury who was tried with her 18-year-old lover for the murder of her husband. Cause Celebre was Terence Rattigan's last play. Published alongside a production at the Old Vic during the centenary year of Rattigan's birth.

  • av Euripides
    147 - 161

    A play of psychologically and physically murderous vengeance, Medea is one of the most powerful and perennially produced of all ancient drama.

  • av Nicholas Wright
    211

    First staged at the national theatre in 1988, this title is reissued in a new edition alongside the 21st anniversary revival at the Almeida Theatre in the autumn.

  • av Jessica Swale
    161

    Offers insight and experience in a series of exercises and games that are designed to free up creativity and release the imagination.

  • av Tom Basden
    181

    A blackly funny, absurd, hilarious, razor-sharp and fast-paced new comedy from playwright Tom Basden.

  • av Sam Holcroft
    147

    The valiant teacher battles on with biology revision. Outside the classroom, the world is in the middle of a long and bloody war. One by one pupils and teacher are pulled under, as their hopes and dreams float away from them. But in her biology lesson the teacher has taught her pupils that, like the cockroach, the fittest will survive.

  • av Ali Taylor
    147

    "Overspill".

  • av Billy Roche
    147

    Set in rural Ireland of the early 60s, this work takes us into the burlesque world of Delaney's Travelling Roadshow and in particular its boxing hall where prizefighter Dean takes on all comers on a nightly basis. That is, until a challenge from a professional fighter upsets the apple-cart.

  • av Helen Edmundson
    147

    Published alongside the West End transfer of the hit RSC production.

  • av Jack Thorne
    301

    From the writer of Harry Potter and the Cursed Child. Junkyard is a coming-of-age story about friendship and standing up for what matters.

  • av Branden Jacobs-Jenkins
    157

    In the offices of a notorious Manhattan magazine, a group of ruthless editorial assistants vie for their bosses' jobs and a book deal before they're thirty. But trapped between Starbucks runs, jaded gossip and endless cubicle walls, best-selling memoir fodder is thin on the ground - that is until inspiration arrives with a bang...

  • av Martin Crimp
    287

    New York. A film studio. A young woman has an urgent story to tell. But here, people are products, movies are money and sex sells. And the rights to your life can be a dangerous commodity to exploit.

  • av Stephen Laughton
    171

    Set over one unforgettable summer and encompassing all of space and time, Run explores what it means to love, to lose and how to grow from a boy into a man.

  • av Kathy Burke
    287

    The blackly comic story of a closeted homosexual in 1950s London, Mr Thomas is Kathy Burke's first play, premiered at the Old Red Lion in Islington in 1990 starring Ray Winstone.

  • av Ella Hickson
    161

    Eight compelling monologues offering a state-of-the-nation group portrait for the stage. First seen on the Edinburgh Fringe, the play was produced in the West End in 2012. Edinburgh Fringe First Award 2008 Carol Tambor 'Best of Edinburgh' Award From Millie, the jolly-hockey-sticks prostitute who mourns the loss of the good old British class system, to Miles, a 7/7 survivor, and Danny, an ex-squaddie who makes friends in morgues, Eight looks at what has happened to a generation that has grown up in a world where everything has become acceptable. In its original performances, each audience voted for four of the eight monologues that they wished to see, resulting in a different line-up at every performance. A ninth unperformed monologue is included in this edition. The monologues are ideal for performance by student and amateur groups; any number and any combination can be performed. They also provide excellent opportunities for actors looking for audition material. 'Hickson's writing remains astonishing, with a huge, angry energy and poetry' The Scotsman 'Ella Hickson has already found her voice and it's a powerful one - a potent show indeed' New York Times 'One of the most self-assured, startlingly well-written and moving pieces of theatre around' Herald

  • av Mikhail and Vyacheslav Durnenkov
    137

    In a provincial town somewhere in Russia, a shell-shocked soldier downs vodka on his return from the frontline in Chechnya. As he arrives home he stumbles into the epicentre of an extraordinary power struggle that threatens to tear the town apart.

  • av Joel Horwood
    137

    On a sweltering summer's day Wheeler and Fitz are ambushed by Dani, the fittest (and poshest) girl on the beach. So begins a crazy twenty-four hours that will change the lives of the three sixteen-year-olds for ever.

  • av Andrew Bovell
    161

    The hit Australian play published alongside Almeida Theatre, directed by Mike Attenborough.

  • av Bram Stoker
    171

    Brings the fabled figures of Jonathan Harker, the archetypal innocent abroad, Mina Westerman, his anxious fiance, Renfield, Van Helsing and, of course, Count Dracula himself, in an adaptation for the stage.

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