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  • av Elizabeth Kuti
    147

    Eddie returns home for a peaceful family Christmas for the first time in many years. Neither he nor his parents can forget or forgive themselves for the death of their other son, Richard. Was it an accident or did he intend to kill himself? Hurtful recriminations begin to surface and raise the ghosts of Christmases past.

  • av David Edgar
    147

    A play on immigration which provides a satirical look at what it means to be British.

  • - Preparation, Rehearsal, Performance
    av Oliver Ford Davies
    207

    Drawing on a lifetime's experience of playing Shakespearean roles, the author offers advice to actors, directors and drama students on a variety of scenes, characters, speeches and individual lines from Shakespeare's plays. He takes us through the process of Preparation, Rehearsal and Performance.

  • av Mike Bartlett
    157

    A razor-sharp, acid-tongued new play by Mike Bartlett, one of the UK's most exciting and inventive young writers. Two jobs. Three candidates. This would be a really bad time to have a stain on your shirt... Bull opened at Crucible Studio Theatre, Sheffield, in February 2013 in a Sheffield Theatres Production, directed by Clare Lizzimore. 'Sinewy, stinging, witty... it's as if Bartlett has taken the nastiest needling from a Mamet or a Pinter play and put them into a space of pure verbal aggression' The Times 'A writer with a startling breadth of ambition coupled with an ear for dialogue unmatched by many of his contemporaries... Bull taps into something incredibly relevant and potent' Exeunt Magazine

  • av Lisa McGee
    161

    Emma and Clare were childhood friends. Now, they replay the events and incidents of their youth: the tree house they sheltered in, the two elderly sisters they ran errands for, the film they went back to time and time again. But, Clare becomes obsessed with a new arrival on the street - an attractive young woman with a baby, but apparently no man.

  • av Michael Morpurgo
    161

    A stage adaptation of Michael Morpurgo's story of a boy washed ashore on a Pacific Island.

  • av Rudyard Kipling
    157

    A stage adaptation of "The Jungle Book".

  • av Chloe Moss
    137

    Down the road in Oil Street, Liverpool, there are no walls, and a fierce sense of belonging that has nothing to do with place. There are two families, two ways of life: yards apart, yet worlds between. But when Bobby starts skipping school to hang out with Danny, their friendship forces both families to look beyond the walls that divide them.

  • av Fin Kennedy
    177

    The award-winning play that follows one man's desperate attempts to buck the system, and asks what really makes us who we are in the 21st century. When a young executive reaches breaking point and decides to disappear, he pays a visit to a master of the craft in the form of a seafront fortune teller in Southend. Haunted by visitations from a pathologist who swears he is already lying flat out on her slab, he begins a nightmarish journey to the edge of existence that sees him stripped of everything that made him who he was. How To Disappear Completely and Never Be Found was first performed at the Crucible Studio, Sheffield, in March 2007. It won the John Whiting Award for New Theatre Writing. 'an unsettling, dangerous play that makes you want to run away from yourself' Guardian 'the sort of thrilling new work that completely restores your faith in theatre' Sheffield Star

  • av James Joyce
    151

    It's the summer of 1912. Back in Dublin after nine years abroad, Richard, a successful writer, and Bertha, his wife, have to confront two other people who love them, and ask themselves questions about guilt and responsibility. Will infidelity hold them together?

  • av Victoria Benedictsson
    171

    Paris in the 1880s. Louise Strandberg has fallen ill visiting her bohemian artist friends. An almost-famous French painter calls round and, somehow inevitably, she falls heavily under his spell. A year later, having run herself deep into debt on his account despite his coolness towards her, she - somehow also inevitably - kills herself.

  • av Enda Walsh
    171

    It's 11 o'clock in the morning in a council flat in south London. In two hours' time, as is normal, three Irishmen will have consumed six cans of Harp, fifteen crackers with spreadable cheese, ten pink biscuit wafers and one oven-cooked chicken in a strange blue sauce. Also in two hours' time, as is normal, five people will have been killed.

  • av Amanda Whittington
    161

    A follow-up play to "Ladies Day", here, Pearl, Jan, Shelley and Linda - are celebrating with the trip of a lifetime to the Land of Oz. While Shelley dreams of luxury and glamour, the rest of the gang decide to go and camp out under the stars at Ayers Rock. But Shelley soon discovers there's more on offer than posh hotels, casinos and surfers.

  • av Dan Muirden
    147

    Reformed womaniser Nick is approaching thirty and has fallen head over heels with the girl he wants to marry and have kids with. But then a dark little fling he'd rather forget comes back to threaten everything. How far will he go to keep himself in the game that everyone else seems to be playing?

  • av Ayub Khan Din
    251

    The wedding feast is over and his father's dancing the bhangra, but the groom himself is busy on the net, and when it's time for bed, he's so woefully inhibited by the proximity of his parents, let alone his brother's childish pranks, that his beautiful virgin bride remains just that. Six weeks later, the whole family start to panic.

  • av Ben Musgrave
    211

    Winner of the first prize in the 2006 Bruntwood Playwriting Competition.

  • av Jack Thorne
    147

    Includes two plays by Jack Thorne published alongside their premieres: "Stacy" at the Arcola Theatre, London and "Fanny and Faggot" at the Finborough Theatre, London.

  • av Emile Zola
    157 - 201

    A story of lust, madness and destruction set within the backstreets of Paris. Based on Emile Zola's classic novel.

  • - A Step-by-Step Guide for Actors
    av Barbara Houseman
    191

    A practical handbook for student actors on how to cope with text, character and situation, by the author of "Finding Your Voice."

  • av Federico Garcia Lorca
    91

    Translation by Jo Clifford.

  • av Diane Samuels
    167

    Reinvention of Chekhov's "Three Sisters" set amongst the Jewish community in war-torn Liverpool.

  • av Steve Thompson
    181

    The Conservatives are back in power. A controversial vote is coming up, and the Whips Office is using all its guile to head off a rebellion, not helped by the cunning shenanigans employed by the Opposition Whip. The climax comes when a bunch of placard-carrying protesters is let on to the floor of the House in a last attempt not to lose the vote.

  • av Jez Butterworth
    177

    In rural Devon, one man in a barn is visited by two men from London, intent on dealing with some unfinished business. Only two men will leave the barn. This is the author's third play. His debut play "Mojo" marched off with all the awards - including the Olivier Award for Best Comedy, and the George Devine Award.

  • av Stephen Lowe
    147

    Set in 1945 during the hundred days that elapsed between victory in Europe and victory in Japan, this work follows the fortunes of a group of women in a working-class suburb of Nottingham.

  • av Harley Granville Barker
    107

    This is one of a series of books that provide a guide to Shakespeare's plays. The prefaces include endorsements by both actors and directors.

  • av Helen Freeman
    211

    Newly updated for 2019. The essential guide to getting into drama school. Packed with sound advice and essential information for young people who want to train as actors and performers. It will help all aspiring actors develop the self-confidence, motivation and skills required to get into the drama school of their choice.

  • av Eugene O'Neill
    191

    An affectionate and witty comedy of recollection from one of the twentieth century's most significant writers. This edition includes a full introduction, biographical sketch and chronology.

  • av August Strindberg
    171

    Caryl Churchill's spare and resonant version of Strindberg's enigmatic masterpiece.

  • av Conor McPherson
    167

    The spellbinding, beautifully observed hit from the master of suspenseful realism; combining superbly chilling tales of the supernatural with the hilarious banter of a small community in the heart of rural Ireland. A bar in a remote part of Ireland. The local lads are swapping spooky stories to impress a young woman recently moved to the area from Dublin. As the drink flows and the stories become increasingly frightening, it's clear that Valerie has something on her mind. She has a tale to tell that'll stop them all dead in their tracks. Winner of: Olivier Award for Best New Play, Evening Standard Award for Best New Playwright, Critic's Circle Award for Most Promising New Playwright. 'The play of the decade... a modern masterpiece' Express 'Puts one in mind of an Irish Chekhov. I have rarely been so convinced that I have just seen a modern classic' Daily Telegraph

  • av Eugene O'Neill
    161

    One of a series of plays by the Nobel Prize-winning dramatist, this was first staged in 1928. The play incorporates a "stream-of-consciousness" technique, numerous asides to express the unspoken thoughts of the characters, and draws on contemporary psychology.

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