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  • av Waleed Akhtar
    167

    Zafar flees homophobic persecution in Pakistan to seek asylum in the UK. Londoner Bilal (or Billy as he prefers to be known) is ground down by years of Grindr and the complexity of being a brown gay man.In Soho, at 2 a.m., parallel worlds collide - and Zafar and Billy's lives are about to change forever.The P Word is Waleed Akhtar's sharp-witted and devastating play charting the parallel lives of two gay Pakistani men as they negotiate everything from casual hook-ups to the UK's hostile environment.A story of who wins in the luck of life's draw, it was premiered at the Bush Theatre, London, in 2022, directed by Anthony Simpson-Pike.

  • av Dawn King
    161

    The near future. The climate emergency is gathering pace, and our generation is being judged.The jurors are children. But are they delivering justice - or just taking revenge?Dawn King's searing play The Trials was first performed at the Düsseldorfer Schauspielhaus in January 2022, and was a finalist for the Susan Smith Blackburn Prize. It received its British premiere at the Donmar Warehouse, London, in August 2022, directed by Natalie Abrahami.The Trials offers an exciting opportunity for theatre companies to address the climate emergency and intergenerational conflict, as the jury of 12 to 17-year-olds hold the stage alongside three adult defendants.

  • av Sami Ibrahim
    161

  • av Lucy Roslyn
    157

  • av Tabby Lamb
    161

  • av Louisa May Alcott
    167

    A joyful and spirited adaptation of one of the best-loved novels of all time.

  • av Sonali Bhattacharyya
    161

  • av Haley McGee
    151

    A gripping one-person play that wrestles with the glorious and melancholy uncertainties of human life, from the author of The Ex-Boyfriend Yard Sale.

  • av Karina Wiedman
    161

  • av JJ Green
    167

    An uplifting play about the experience of growing up neurodivergent and queer in early 2000s Britain, based on real events from the perspective of the writer and the autistic community.

  • av Anna Jordan
    161

    A compelling new play by Anna Jordan that explores the profound effect that war has on young lives, and asks -- what does coming home really mean?

  • av Chris Bush
    251

    Three intricately interwoven plays about family, heritage and legacy, centring around a Sheffield manufacturing family.

  • av Lucy Kirkwood
    161

    A slippery thriller for the stage, about love, power and belief. In a modern world where reality is whatever we imagine it to be, how do we know the stories we tell ourselves are true?

  • av Alison Carr
    311

    An ordinary Tuesday turns really, really weird when the sky over the school playground suddenly rips open. Pupils and teachers are sucked up to a parallel universe, whilst a new set of people start raining down from above. 'Us' and 'Them' must come together to work out what is going on, and how they can get things back to how they were.Alison Carr's play Tuesday is funny and playful, with a little bit of sci-fi and a lot of big themes: friendship, family, identity, grief, responsibility - and what happens when an unexpected event literally turns the world upside-down.Written specifically for young people, the play formed part of the 2020 and 2021 National Theatre Connections Festivals and was premiered by youth theatres across the UK. It offers opportunities for a large, flexible cast of any size, age and mix of genders.This bilingual edition includes the original English play with a Welsh-language translation, Un Bore Mawrth, by playwright Daf James.Un Bore Mawrth''Wi 'di bod yn aros i rywbeth fel hyn ddigwydd. 'Wi'n synnu'i fod e 'di cymryd mor hir. Ma'r arwyddion 'di bod 'ma ers sbel.'Dydd Mawrth digon cyffredin yw hi, ond yn sydyn mae'n troi'n ddiwrnod rhyfedd iawn pan mae'r awyr uwch ben yr ysgol yn rhwygo'n agored. Caiff disgyblion ac athrawon eu sugno i fyny i fydysawd cyfochrog wrth i garfan newydd o bobl arllwys i lawr oddi uchod. Rhaid i 'Ni' a 'Nhw' ddod ynghyd i ddeall beth sy'n digwydd ac i ddatrys sut i gael pethau'n ôl fel yr oedden nhw.Mae'r ddrama wreiddiol hon gan Alison Carr, Tuesday, yn ddoniol ac yn chwareus, gyda phinsiad o ffugwyddoniaeth a thomen o themâu mawr: cyfeillgarwch, teulu, hunaniaeth, galar, cyfrifoldeb - a beth sy'n digwydd pan fydd digwyddiad annisgwyl yn llythrennol yn troi'r byd wyneb i waered.Wedi'i hysgrifennu ar gyfer pobl ifanc, roedd y ddrama'n rhan o Ŵyl National Theatre Connections yn 2020 a 2021, a chafodd ei llwyfannu am y tro cyntaf gan theatrau ieuenctid ar draws y DU.Mae'n cynnig cyfleoedd i gastiau mawr, hyblyg o unrhyw faint, oedran a rhywedd.Mae Tuesday yn waith gosod ar fanyleb TGAU Drama CBAC. Yn y gyfrol ddwyieithog hon, fe welwch y ddrama wreiddiol Saesneg ynghyd â chyfieithiad Cymraeg y dramodydd Daf James, Un Bore Mawrth.

  • av Antony Sher
    161

    Antony Sher's account - richly supplemented by his own paintings and sketches - of researching, rehearsing and performing one of Shakespeare's best-known and most popular characters. As heard on BBC Radio 4. From the author of the acclaimed Year of the King.

  • av Andy Barker
    147

    A practical, empowering guide for performers and creatives, helping you navigate and overcome the pressures and demands of a career in the arts.

  • av Russell Lucas
    211

    'The future of theatre will belong to the maverick minds who possess the skills to mix things up and who have enough tools in their box to trick the game.'This is a practical, grassroots, self-empowerment book for theatremakers. It's for anybody who wants to make live theatre, whether you're an actor, a director, a producer, a designer or a writer. Whether you're all of these, or none of them. Categories don't matter. What matters is making your show, and putting it in front of an audience.This book is not a method, nor a practice. It's an accessible toolbox of reflections and provocations designed to help you - an independent-minded, career-driven, professional theatremaker - along the path towards achieving your dreams.Inside, Russell Lucas shares his decades of experience in independent theatremaking, covering aspects including:Generating and developing ideasWorking with other creativesPromoting your show and selling ticketsUnderstanding the power of the audienceMaking ends meet and sustaining your careerHe tackles abstract problems, dissects the practical ones, and debunks plenty of myths along the way. Inspiring and unconventional, but always grounded in sound, real-world sense, 300 Thoughts for Theatremakers is a book for anyone who's passionate about a life in theatre, and wants to make that a reality.'Thank God for this book. It will surely be a comfort and support to all those who follow in Russell Lucas's independent and determined footsteps' Alan Lane, Artistic Director of Slung Low, from his Foreword

  • av Carmen Nasr
    157

  • av Danusia Samal
    161

    It's club night and the tracks are spinning. Set against a backdrop of precarious lives in urban London, two headliners crossfade between stories of love, sex, and losing their creative spark.Bangers follows the highs and lows of two strangers as they struggle with their own pasts, while hurtling towards each other's futures. All the while, the DJ continues to play, dropping samples and words of wisdom. In the end, it's not the last track that counts, but the one coming up next...Featuring original music inspired by early noughties and present-day RB and Garage, Danusia Samal's exhilarating play was first co-produced by Cardboard Citizens and Soho Theatre, and directed by the former's Artistic Director Chris Sonnex. It toured community venues across London, before a run at Soho Theatre, London, in 2022.

  • av Chloe Moss
    161

  • av Lucas Hnath
    161

  • av August Wilson
    161

  • av Ambreen Razia
    167

  • av Howard Brenton
    161

  • av Joel Tan
    167

  • av Stephen Beresford
    161

    The Southbury Child is a darkly comic play exploring family and community, the savage divisions of contemporary society, and the rituals that punctuate our lives.

  • av Anton Chekhov
    181

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