Böcker utgivna av Nine Arches Press

Shaun Hill's debut poetry collection, warm blooded things is a radical and intimate encounter with boyhood, sexuality, and violence, love, desire and solitude. Wandering the nocturnal city streets, through random encounters, co-opting space and capturing conversations in a multitude of voices, this collection evokes alienation whilst longing for tenderness. Hill's agile poems are alive to fear, loss, danger - and to the possibility of other ways of being, other, better stories that we can write. The poems also explore a uniquely queer archive of time and place, the legacy of AIDS, and draw strength from giving voice to unheard histories. Seeking sanctuary and alternatives to a capitalist reality, these precise, humane poems gesture towards hope, survival and the necessity to be responsible for one another.

Angela France's distinctive new collection of poems, Terminarchy eloquently considers the troubling terms of existence in an age of climate catastrophe and technological change. How do we negotiate a world where capitalism and greed threaten a fragile earth, where technology seems to promise us connection but might also fuel isolation? Where even finding solace in nature reminds us that the seasons can no longer be trusted? How is human urge and want hastening us towards our own 'endling' - and what might it mean to be the 'last'? In reframing ecopoetics in her own instinctive, radical, lyrical form, France juxtaposes the accelerated, all-consuming speed of contemporary and future times with the 'longtime' and ancient, and considers whether, rather than collison-course, there might be a better way to coexist. Where extinction threatens, these wry, alert poems and their eloquent, earthy voices try to find a way through and look for hope.

Cynthia Miller's debut poetry collection, Honorifics, is an astonishing, adventurous, and innovative exploration of family, Malaysian-Chinese cultural identity, and immigration. From jellyfish blooms to glitch art and distant stars, taking in Greek gods, space shuttles and wedding china along the way, Miller's mesmerizing approach is experimental, luscious, and expansive with longing - "e;My skin hunger could fill a galaxy"e;.

Boy in Various Poses, a debut collection of poems from Lewis Buxton, explores all the different types of boy you can be - tender, awful, thoughtful, vulnerable. Here, a maelstrom of mental health, male bodies, and sexuality is laid bare with wit and curiosity, and the complexity and multiplicity of gender itself is revealed. The boy in question is often shapeshifting, slippery, unreliable, close yet never quite in focus, moving too fast to pause and take a breath - yet Buxton studies these boys, their bodies and behaviours, with a disarming intimacy and precision. These poems are provocative, nuanced and often laugh-out-loud funny, shining with a naked, shameless brilliance.

Katie Griffiths' debut poetry collection, The Attitudes is a search for trust and faith - in the body, in the mind, in all those things we seek to hold on to but cannot. Here, we intimately encounter mortality and tread the balance between visceral wisdom and the intellect, between fragile, fallible bodies, and the mind's hold over them, between the bright spaces and the haunted ones. In poems that are bold, effervescent, frequently playful, Griffiths approaches serious subjects - eating disorders, ageing, grieving - with a precise and inventive lyricism. The Attitudes compiles multitudes, with layer upon layer of counterpoints, juxtaposing and exploring the unresolvable, all the while seeking to move towards a place of deeper reflection and stillness away from the noise and distraction of the daily business of being alive.

Khairani Barokka's second poetry collection is an intricate exploration of colonialism and environmental injustice: her acute, interlaced language draws clear connections between colonial exploitation of fellow humans, landscapes, animals, and ecosystems. Amidst the horrifying damage that has resulted for peoples as interlinked with places, there is firm resistance. Resonant and deeply attentive, the lyricism of these poems is juxtaposed with the traumatic circumstances from which they emerge. Through these defiant, potent verses, the body-particularly the disabled body-is centred as an ecosystem in its own right. Barokka's poems are every bit as alarming, urgent and luminous as is necessary in the age of climate catastrophe as outgrowth of colonial violence.

Kate Fox's distinctive new collection The Oscillations explores distance and isolation in the age of the pandemic, refracted through the lenses of neurodiversity and trauma in poems that are bold, often frank and funny but also multifarious, dazzling and open-hearted in their self-discoveries. Fox's poetry explores difference and community, silence and communication, danger and belonging - and a world that has been distinctly broken into a 'before' and 'after' by the pandemic. Throughout, a strong voice sings of what it means to be many things at once - autistic, creative, northern, a woman. Fox measures not only distances, social or otherwise, but how we breach them, and what the view might be from beyond them.

One Hundred Lockdown Sonnets by Jacqueline Saphra is a poetic journal that chronicles the personal and political upheavals and tragedies of the Coronavirus pandemic, this sequence of sonnets charts the dislocated, frightening and at times uplifting experience of one hundred days of lockdown. Written as a daily sonnet throughout the first lockdown, from 23rd March 2020, Saphra's candid and revealing sequence is a unique record of strange and unparalleled days.

Jane Burn's new poetry collection Be Feared is a captivating reclamation of self, sisterhood and love, encountering everything from the Snow Queen and the morning song of chainsaws to myths, monsters, plagues and infernos. Acknowledging fear, this book embraces discovery, moving from 'beware!' and 'bereft' towards a becoming - a process of translation and transformation, of finding a voice radiant with both curses and psalms. Rebellious, bloody, and encroached upon by violence, Burn's poetry examines survival, abuse and healing. Intensely imaginative, these incantatory poems rework fairy tale and folklore, invoke a divine carnival of sexuality and wild nature, and hold up enchanted mirrors to the everyday truths of being a working-class autistic woman, daring to become, claiming her own magnificent, unstoppable fluency and spell-making power.

Caleb Parkin's debut poetry collection, This Fruiting Body, plunges us into octopus raves and Sega Megadrive oceans, in the company of Saab hermit crabs and ASDA pride gnomes. It's a playful invitation to a queer ecopoetics that permeates our bodies and speech, our gardens, homes, and city suburbs. It reintroduces us to a Nature we've dragged up until it's unrecognisable. Parkin's perceptive poetry sparks with neon visuals, engaged in the joyful, urgent, imagining of alternative realities and new futures. How might we relate queerly and dearly to our environment and its shared conundrums? These adventurous poems delight in human and nonhuman intimacies, teem with life, ponder bug sex and put masculinities under the microscope. This Fruiting Body roves our grandiloquent planet, embracing our kinships with matter, culture, creatures and drag-mother Earth herself.

Richie McCaffery's debut collection of poems, Cairn, begins with a dedication and ends with ghosts in between lie artefacts and antiquities: a police whistle, a tarnished silver spoon, a bookmark lodged in an old book. Soaring and melancholy, the poems form signposts in the landscape of life, lore and family, mementoes for the buried and the living. Cairn is an understated and quietly-brilliant collection of poems, where each word is tactile and polished like a beach-combed pebble; these are poems you ll want to pocket and treasure.