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It also provides a glimpse into the secret life of animals and plants, assimilated from the latest scientific publications, curated and presented as easy-to-understand text.

Through stylistic analyses and interpretations of over 100 paintings from his collection, many of them published here for the first time, the author brings to light the accomplishments of the Orchha school during its heyday in the seventeenth century.

As weird weather overtakes the land and Kapoor sets out with his accomplices to kidnap the businessman, the flimsy lines between friend, foe and lover begin to quickly disappear.

Will Aameer reunite with his wife either? These, and other pressing concerns (who invented porcelain? Who was the king of Iran's Nishapur and how was the monster of Sumiyoshi slain?

There is an experiment in abstraction, and legend and reality are brought together when three sleepers of an earlier civilisation wake up in the modern world.

This book showcases the original illustrations by Jatindrakumar Sen for the illustrated story collections Gaddalika (1924), Kajjali (1928) and Hanumaner Swapno Ityadi Galpo (1937). It includes sketches and instructions by Parashuram himself as he conveyed his vision to the artist.

Introductions to the parvas illuminated in these four volumes offer reflections on the moral resonance of the stories, as they reveal the fate of a civilisation from its divine beginning to its fateful destruction.

With haunting beauty the award-winning author describes the destinies of the lovers against the dramatic background of the British Raj in Bengal as well as the conflicts of our times across Kabul, Rome and London.

The tales in Guilt Trip and Other Stories reveal an unbridled exuberance of appetite which mirrors women¿s hungering for lost opportunities, the sting of indifference to one¿s aspirations and denied selfhood.

The author brings alive Pierre Jeanneret's days in Chandigarh, portrays the brilliance of the architect, the humility and simplicity of the man, as well as shows how he worked with dedication to leave a lasting impact on the world of architecture.

This monograph presents the behind-the-scenes story of Narayan¿s becoming a writer, and narrates the circumstances of his life that shaped his vision.

This book focuses on the floor covering traditions of Kashmir, one of the two distinct regions that constitute the Union territory of Jammu and Kashmir.

The children grow into fine young people from different walks of life¿religion, warfare, the arts and crafts¿to become the progenitors of Kerala.

Based on an eyewitness account of life in royal harems, these stories describe the very human interaction between men and women in this milieu. They highlight power play, disinheritance and the threat of assault, which are perennial concerns for women.

Drawing on his experiences in the Indian public sector, Raza throws light on the workings of varied industries, such as fisheries, textiles, chemicals and fertilizers.

Through her interpretive commentary, the author shows that Shuvaprasannäs articulation about culture, his insatiable child-like curiosity, fascination with the `City of Joy.

The informative text is accompanied by rarely seen images from museums and private collections, offering fresh insights into these iconic examples.

Year after year, our exposure to the Gita remains limited to these fleeting visual engagements as they become part of our muscle memory as we go about our chores.

They delineate the ghastly communal riots at various places and the trauma and disruptions of memory caused by them, the exodus of the `refugees¿ from the then East Pakistan and their fierce struggle for survival in newly mushrooming colonies at unknown terrains, and above all, the nostalgia for an imaginary desh that defies cartographic barriers.

"This work in three volumes is an improved and expanded edition of my two volume German language book from 2015: Orchha, Datia, Panna, 'Malwa' Miniaturen von den rajputischen Hèofen Bundelkhands, 1580-1820"--Page 11.

- A book that maps down the journey of the tradition of textile and crafting- Locates the culture of craft in the pages of history- A guideline to the generations to explore the fieldCrafting a Future is a heartfelt celebration of artisans and their vocational skills. Each region in India has its own distinctive raw materials, craft techniques, textiles, motifs and color palettes, and through her well-researched narrative enriched with numerous stories, Archana Shah demonstrates the diversity and true value of handcrafted textile processes. She believes that handspun, handwoven fabrics made using indigenous fibers and natural materials for dyeing will help create a unique identity for handcrafted textiles, and suggests ways to repurpose the abundant artisanal talent available across the country to rejuvenate this sector. These tenets are woven throughout the book, which is broadly divided into three sections based on natural fibres: cotton from plants, silk from insects and wool from animals. This resonates with Gandhiji's concept of developing khadi and village industries to rejuvenate the rural economy, and stimulate development through a bottom-up approach. Beyond its beauty and heritage value, artisanal production is eco-friendly, has a negligible carbon footprint and fulfils most of the United Nations Sustainable Development Goals (SDGs). It has the potential for creating dignified employment opportunities for millions of people in their own regional location, so that they are not compelled by economic constraints to abandon their ancestral professions and migrate to urban slums to earn a meagre livelihood as unskilled laborers. In essence, the book focuses on artisans, their aspirations and fulfilment in their work. It also draws upon their traditional wisdom to address two of the most serious challenges that we face today: growing unemployment and climate change.

This book is in pursuit of Alice, whose name rhymes with gallus. That, however, is another memory, another book waiting to germinate. John Lang (1816-1864), inebriated on John Exshaw, ''a ruling spirit of those days'', most of his adult life, was a dogged underdog from Sydney, who spared no effort to hurt the John Company (East India Company). He settled in India at the age of 26, and was a prolific writer, journalist and lawyer. His novels were too feminist for Victorian comfort, while his white male protagonists were often described with the phrase-''India he loved, England he despised.'' As a journalist he was irreverent towards the army and legal systems; modern journalists could take a lesson or two from Mr Lang. As a lawyer, John Lang learnt Persian and Urdu fast so that he could argue cases in the lower courts. He fought a number of important cases for Indians against the John Company, and won some-the establishment found a way to send him to jail. The Rani of Jhansi was so impressed, she invited him to be her lawyer. There was a party going on at Lang''s house when he died. He said that a party should not be stopped just on account of his ill health.