Böcker utgivna av Ohio University Press

Radio technology and broadcasting played a central role in the formation of colonial Portuguese Southern Africa and the postcolonial nation-state, Angola. Moorman details how settlers, the colonial state, African nationalists, and the postcolonial state all used radio to project power, while the latter employed it to challenge empire.

Age of Concrete is about people building homes on tenuous ground in the outer neighborhoods of Maputo, Mozambique, places thought of simply as slums. But up close, they are an archive: houses of reeds, wood, zinc, and concrete embodying the ambitions of people who built their own largest investment and greatest bequest to the future.

In Collaborative Dickens, Melisa Klimaszewski undertakes the first comprehensive study of Dickens's Christmas numbers. She argues for a revised understanding of Dickens as an editor who, rather than ceaselessly bullying his contributors, sometimes accommodated contrary views and depended upon multivocal narratives for his own success.

In 1860, Ohio was among the most influential states in the nation. As the third-most-populous state and the largest in the middle west, it embraced those elements that were in concert-but also at odds-in American society during the Civil War era.

As a function of its corporate duties, the Consolidation Coal Company had photographers take hundreds of pictures of nearly every facet of its operations. Here, geographer Geoffrey L. Buckley examines the company's photograph collection housed at the Smithsonian Institution's National Museum of American History.

Addresses the possibility of political change in a nation that some in America consider part of the axis of evil. This book explores the effects of the Islamic Revolution of 1979 including censorship, execution, and pending war on the country as well as on his understanding of his own origins.

Many challenges facing the African continent today are rooted in colonial practices, Cold War alliances, and outsiders' attempts to influence its political and economic systems. Interdisciplinary and intended for nonspecialists, this book provides a new framework for thinking about foreign political and military intervention in Africa.

This book adds a novel and provocative element to the library of art museum collection catalogs, featuring selected works from the museum's collection and concise essays by scholars of art who reflect on respond to the distinctive aspects of each work.

In the accessible and concise A Short History of Chinua Achebe's Things Fall Apart, Terri Ochiagha asks new questions and brings wider attention to unfamiliar but crucial elements of the story, including new insights into questions of canonicity, and into literary, historiographical, and precolonial aesthetic influences.

In locating her arguments at the intersection of visual culture and literary and performance studies, Giorgis details how innovations in visual art intersected with shifts in narratives of modernity. The result is a bold intellectual, cultural, and political history of Ethiopia, with art as its centerpiece.

In the early 1800s, books were largely unillustrated. By the 1830s and 1840s, however, innovations in wood- and steel-engraving techniques changed how Victorian readers consumed and conceptualized fiction. A new type of novel was born, often published in serial form, one that melded text and image as partners in meaning-making.

There is currently in Madagascar a rich literary production (short stories, poetry, novels, plays) that has not yet reached the United States for lack of diffusion outside the country. Until recently, Madagascar suffered from political isolation resulting from its breakup with France in the 1970s and the eighteen years of Marxism that followed.Wit

Patrice Lumumba was a leader of the independence struggle in what is today the Democratic Republic of the Congo, as well as the country's first democratically elected prime minister. After a meteoric rise in the colonial civil service and the African political elite, he became a major figure in the decolonization movement of the 1950s.

Addresses consumption of food, drink, and drugs in the conspicuously consuming 19th century in order to explore the question of what, in fact, makes a man in novels of the period. This book analyzes the rituals of dining room, opium den, and cocaine lab and the ways in which these alimentary behaviors make, unmake, and remake the gentlemanly body.

Eloquent and thought-provoking, this classic novel by the Eritrean novelist Gebreyesus Hailu, written in Tigrinya in 1927 and published in 1950, is one of the earliest novels written in an African language and will have a major impact on the reception and critical appraisal of African literature.

Ralph J Bunche (1904-1971), winner of the Nobel Peace Prize in 1950, was a key U.S. diplomat in the planning and creation of the United Nations in 1945. This book examines the totality of Bunche's unrivalled role in the struggle for African independence both as a key intellectual and an international diplomat.

A guide to the art of plant identification. It gives step-by-step instructions and definitions to help readers recognize and classify plants.

Developing a perspective on Victorian culture as the breeding ground for early theories of the psyche, this title offers a reading of the Victorian siblings' literature and visual arts. It views poems and artworks such as Christina Rossetti's "Goblin Market" and Dante Gabriel Rossetti's "The Blessed Damozel" and "Venus Verticordia".

Gebser's central thesis was that a potent "leap" in thinking was happening in the 20th century. This new mode of thought would be a holistic-centered, or integral one; an answer to the type of thinking responsible for economic and industrial crisis, two World Wars, and what many today consider a dire, global ecological crisis.

The abolition of the slave trade is normally understood to be the singular achievement of eighteenth-century British liberalism. Abolitionism and Imperialism in Britain, Africa, and the Atlantic expands both the temporal and the geographic framework in which the history of abolitionism is conceived.

Perfect for the general reader of poetry, students and teachers of literature, and aspiring poets, All the Fun's in How You Say a Thing is a lively and comprehensive study of versification by one of our best contemporary practitioners of traditional poetic forms.

Today, more than a century after its first performance, Richard Wagner’s The Ring of Nibelung endures as one of the most significant artistic creations in the history of opera. This monumental work not only altered previously accepted concepts of music and drama but also inspired creative and intellectual efforts far beyond the field of opera.Previous studies of the Ring have appealed only to those already acquainted in some way with the Wagnerian art. For the uninitiated, Wagner and his landmark creation have seemed forbidding, and those eager to learn about the masterpiece have faced a vast and frequently esoteric body of commentary. Professor Cord addresses the interests of the non-specialist by taking the reader first into Wagner''s unique intent, and then through the complete history of the Ring.Cord, who has attended forty performances of the Ring, considers the conception of the poem, its development into a music-drama exemplifying Wagnerian thought, its introduction to the world, and the reactions and interpretation it elicits.

Explores the meteoric rise, sudden fall, and legendary resurgence of Oscar Wilde's reputation from his hectic 1881 American lecture tour to Hollywood adaptations of his dramas. This volume reveals why Wilde's value in the academic world, the auction house, and the entertainment industry stands higher than that of any modern writer.

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Presents a collection of essays that celebrates the contributions of scores of newspapers, newsletters, and magazines that confronted the state in the generation after 1960.

Reading Victorian Deafness is the first book to address the crucial role that deaf people, and their unique language of signs, played in Victorian culture.

Emperor Haile Selassie was an iconic figure of the twentieth century, a progressive monarch who ruled Ethiopia from 1916 to 1974. This book, written by a former state official who served in a number of important positions in Selassie's government, tells both the story of the emperor's life and the story of modern Ethiopia.