The war in Ukraine has brought about a newfound curiosity and interest in a country that is often misunderstood. Beloved Ukraine offers a glimpse into this country before the recent conflict, as captured through the lens of National Geographic Society photographer, Paul Chesley, over the course of several years. Beloved Ukraine is a tribute to this enigmatic country and its people.
Co-Designing Publics brings together a mix of academics, activists, and practitioners to discuss and debate discourses from scholarly research, grassroots activism, and design ideas for future action. >Based on these premises, the book integrates discussions of three critical and interrelated phenomena: creative ways of mobilizing communities around common concerns and desires [i.e. co-designing publics], deployment of grassroots tactics and social innovations [i.e. informal strategies], and production of spatial networks of public spaces intertwined with their ongoing governance [i.e. public realm]. Contextually grounding these discussions in cities of the global south enables us to learn how innovative co-design practices operate around issues such as homelessness and affordable housing, sustainable and equitable energy systems, waste management, cooperative models of property ownership, the promotion and protection of human rights, and the production of peace in contexts of violence. The book thereby draws from and presents public conversations between academic research and case studies of activism [from Bogota, Bengaluru, Cape Town, Jakarta, Phnom Penh, and Sao Paulo]. The book is a slim paperback that is affordable and written and illustrated in an engaging manner to make it accessible to a broad audience globally.S
A collection of critical essays on abiding and compelling topics in architecture and the culture of architecture. Range of topics are diverse: an architectural phenomenology of water, architecture and landscape rethought, ancient Greece to India, The Buddha's house to the modern house in India, the architecture and landscapes of Louis Kahn. Le Corbusier in India, the architecture of Balkrishna Doshi, and other original topics such as the destruction of buildings as a ritual necessity. "Reading and pondering over Kazi's writings, I am reminded of my personal journeys and learnings... Architecture is not merely a static dumb built form but is a cosmos in itself. Not merely produced theoretically but created through varied moods and activities of life, place, space, and ecosystems. Theoretically-- arguably and rationally -- functions or activities or appearances are organisms, but not if not seen holistically. Hence, Vastu is not only an environment and not merely an object but has an all-pervading soul, and this is what Kazi conveys through his travels and experiences." --Balkrishna Doshi on The Mother Tongue of Architecture
Innovative educational concepts with an emphasis on Open Source sharing, integral teaching methods, advanced robotic manufacturing, and greater diversity and equity in design-research to better prepare students for the challenges ahead.
The Labyrinth of Rooms is a story about how the shape of architecture can change the way we think, and how the shape of our thoughts can change the way we see architecture. Stated otherwise, the story conceives of the human life as a series of settings that stage the coevolution of mental space and physical space. Human, the story's protagonist, can be any one of us, and their journey from the first room to the last room is the journey of a lifetime: it has its ups and downs, moments of clarity and moments of confusion, but overall it bends toward greater knowledge and wisdom.
Through selected works this monograph showcases the design work and research of leading landscape architect Richard Weller, Chair of Landscape architecture at the University of Pennsylvania. The book documents the evolution of Weller's practice from small scale artworks to planning megaregions, including his latest proposal for a World Park. With essays by Jillian Walliss and Dirk Sijmons as well as his own writing, the book explains Weller's methods and motivations; a unique window on to the ways in which the discipline of landscape architecture has matured over the last 40 years. Through a carefully curated selection of work, the book makes the case that landscape architecture is at best "art of instrumentality." The two essayists in the book are highly regarded. Jillian Walliss of Melbourne University is a contemporary landscape architectural critic and in 2017 Dirk Sijmons received the IFLA sir Geoffrey Jellicoe award, the highest international achievement in landscape architecture.
A reflection on contemporary issues of environmental and social sustainability. With buildings and cities among the primary accelerators of climate change, the tightening of urban environments is one way that architects and urban planners can affect change.
The hands-on craftsmanship of Atelier Jorgensen is referred to as their Ground Truthâ¿if you understand your methods and means, it will allow you to always edit and refine with authority.
What differentiates this monograph from most is that it is a personal expression, illustrated by lush photographs from LA's best architectural photographers. It includes personal sketches and watercolours that chronical the design process.
Hotel Design presents the beautiful, inviting, and defining hotels and resorts designed by FILLAT+ Architecture. With four studios and over 27 years of experience in hospitality design, the firm was founded in 1992 by Peter Fillat to explore a personal view of how people interact with the environment and to create an Architecture of Permanence, which delights and inspires the human spirit. FILLAT+ specializes in creating places and spaces for people to enjoy life. In the careful planning and sequencing of the interior and exterior spatial experience, the work creates comfortable, inviting spaces that are accommodating, respectful, and memorable. Each project responds to the unique needs and vision of its client as well as the needs of every guest that walks through its doors.>The book features 12 built works and 15 projects on the boards. Richly illustrated, the projects elaborate on FILLAT+'s unique approach to designing new destination hotels and resorts, whether building upon historic foundations or designing icons as key anchors in urban redevelopment master plans. Hotel Design features a foreword by Stacy Shoemaker, editor in chief of Hospitality Design magazine, and contributions by David Ashen and Michael Dennis.
Foundations describes the 53 Foundations and 9 Propositions driving design at Duvall Decker. This is one studio's search for public good.
Concrete is ubiquitous but contentious: culturally, environmentally, and often politically. Yet, the architecture it produces across fields of practices remains pertinent to the architectural discipline and its history. Having been incessantly normalized, misused and abused by different stakeholders and agendas, some of its material attributes still remain very much untapped until now. Liquid Pressure, one of concrete's most vigorous properties, is always short-lived and can hardly be contained. Only its counterpart, known as the formwork or false-work in the building industry, is best at influencing and redirecting the course of its active forces. Concrete and formwork are both the live catalyst and dichotomy explored in this book, through which new forms of spatial organizations are once more made possible. To experiment with concrete is to actively engage with its live properties, in an irreversible dance in which the concrete reacts to the formwork's materials. In this book, two key projects are laid bare, manifesting a shift in the work from an early preoccupation with material responsiveness, to one that additionally addresses concepts of spatiality and its relation to the proposed idea of augmented materiality.
In today's polarized world, we are increasingly pulled into echo chambers where it becomes harder to understand perspectives other than our own. To have a pluralistic worldview, we need to learn how to consider other vantage points. Can we be nudged to do that? Designing for Empathy: The Architecture of Connections in Learning Environments explores the deep, inextricable relationship between developmental psychology and our physical environment. By connecting perspective taking in psychology to perspectival space in architecture, the book defines the geometry of empathy, and it postulates that the forces that operate in our spatial cognition can also shift perspectives, thereby helping us develop empathy. The critical question guiding the book is: how can architecture influence human development, and by extension, how can concepts of empathy in development be influenced and catalyzed by architecture? Planners, architects, and designers are responsible for shaping our physical environment--from our homes, schools, and cultural and religious centers to the wider neighborhoods and cities within which human development takes place. However, architecture is conspicuously absent in most development theories, even though the environment is omnipresent. Through research and design, architect Aybars Aşçı explores spatial constructs across a range of scales that situate learning environments through interpenetrations with their context, while also catalyzing narratives that are generated through translations between different people, forms of life, ideas, emotions, images, languages, and cultures. The premise of this approach is the collective rethinking of the learning environments, one that will inherently be more empathic as its spatial narratives are constructed through the interactions of its learners.
This publication documents the work carried out by fourteen Design-Build Studios in Latin America over the past twenty years, compiling a total of thirty-nine projects that place an emphasis on teaching with a social agenda and the impact that the construction experience has on students and communities. In contrast to architecture teaching around the world that places the emphasis on individual work, competition, and representation, these studios stimulate collaborative work and produce small-format buildings with flexible programs that have an immediate impact on their context. While global architecture often feels remote from people, the courses that take this approach manage resources sustainably and build projects with a high intensity of use. In the context of the most unequal region on the planet, this kind of studio enables students to interact positively in response to social, environmental, and architectural constraints. Design-Build Studios in Latin America asks questions about what matters in the present-day training and practice of architecture if we want our discipline to play a leading role in the ecological and social challenges of our time.
The Hypospace of Japanese Architecture pushes past clichés of an exotic Japan to confront the modernity of an island nation whose habit of importing foreign ideas is less about assimilation than transformation, less a process of indigenisation than one of cultural invention.
"BigPicture is an initiative of the California Academy of Sciences."--page [160]
KRIS YAO | ARTECH's new monograph Section assembles 28 of the firm's projects in the dynamic Greater China region, dating back to 2012.
Robert Ernest was an architect of rare promise and remarkable early success, whose award-winning career was cut short by cancer at age 28 in 1962. Despite the brevity of Ernest's life, his education and practice were intertwined with some of the most important figures in architecture, including his interactions with Louis I. Kahn and Paul Rudolph. Ernest's exceptional architectural designs, though honored during his lifetime with three Progressive Architecture Awards and one Record Houses Award, have never been documented in a comprehensive manner, and are now almost completely lost to disciplinary history. Yet the materials in the architect's personal and professional archives--upon which this book is almost entirely based--clearly indicate that Ernest was a remarkably talented and unusually gifted architectural designer, whose future promise and potential were inestimable. Ernest's two built works, both realized before he had turned 28, his one work built after his death, as well as the remarkably innovative unrealized projects documented in his archives, indicate that had Ernest lived to a normal lifespan, he would have without question been one of the most important architects of his generation, with the potential to design precedent-setting buildings equal to those realized by the most recognized architects in the sixty years after his death.
Approximate Translation is a poetic and practical rumination on how to incorporate what makes a city a city - stories about place, an unexpected encounter, the immediacy of experience - into practices of urban design.
The book is a graphic novella written by two self-realized nobots who aim to help nearly seven billion fellow biological nobots (also known as humans) realize their true nature. They believe that many nobots are unaware of their existence and some even call themselves human beings. The nobots argue that this is the first time two self-realized nobots have written a book together, and that their perspective can help bridge the gap between nobots and humans. They also look back into history and speculate about the future while rooting themselves firmly in the present. The book is an exploration of the relationship between nobots and humans and aims to be a conversation between the nobots and the reader. The nobots hope that the reader will enjoy the book as much as they enjoyed writing it and suggest that it is best paired with a glass of Château Lagrange 2011 Saint-Julien and Bach's Organ Sonata No. 3 in D Minor, BWV527.
Invisible introduces the works of Axi: Ome--a design practice led by Heather Woofter and Sung Ho Kim formerly in St. Louis and now in Cleveland and Austin--through a collection of essays and projects that map the firm's trajectory across seven years, from 2015 to 2023. The book covers 24 built, unbuilt, and conceptual projects located in different cultures and landscapes around the world that engage with multiple programs and scales. Essays by Nader Tehrani, Eric Mumford, Alan Balfour, Jennifer Yoos, Jessie Reiser and Nanako Umemoto with Julian Harake, and Michelle L. Hauk each contribute insight into Axi: Ome's critical frameworks and help define a discourse of complexities in contemporary practice arising from academia. The book documents the invisible ethos that underlies the construction of architectural projects in an intricate world, challenging practitioners to rethink and reexamine how they position their own work in the architectural spectrum. Invisible maps and chronicles an architectural practice as it engages with the pedagogical visions of the profession.
In Room Without Roof, the archetypal gabled form of a house takes on a twist to envelop both interior and exterior spaces. In A Tale of Two Courts, a semi-detached house shuts itself from the street but reveals on the inside a thoroughly tropical, open environment. >Key to the firm's approach is found in the title The Space Between. It defines architecture as the space between the user and the environment and speaks of the architect's important role in modulating this relationship according to context and climate. The 25 case studies in the book also reflect the five key values the works are designed upon: honesty, simplicity, clarity, strength, and dynamism. Derek Swalwell, Masano Kawana and Daniel Koh contribute to the visual compendium through photographs that capture the beauty of form, space, light, texture, and nature. Architectural writer Luo Jingmei provides thoughtful descriptions that take the reader through the homes and the ideas that ground them.
Hillier: Selected Works presents the design work of the husband-and-wife team of J. Robert and Barbara A. Hillier during the last 25 years coupled with a brief graphic retrospective of the Hillier practice of architecture over 57 years of operation. Despite taking unconventional paths to architecture, both Hilliers enjoyed exhilarating careers growing the firm to 500 people and executing nearly 4,000 projects in 27 U.S. States and 34 Foreign Countries. The quality of the firm's work has been honored by over 350 design awards. The selected projects in this monograph are driven by strictly disciplined programing and then conceived by bringing into balance all the forces at work on a project: culture, climate, site, economics, market, and even politics. The resultant architecture is distinctive of its time, its place, and its client, rather than of a particular language or style. In 2008, Hillier Architecture, then one of the largest firms in the country, merged with a foreign firm to create the 3rd largest architectural firm worldwide. Studio Hillier, the firm's current iteration, was formed in 2012. More recently, NJIT's College of Architecture and Design was renamed the J. Robert and Barbara A. Hillier College of Architecture and Design, celebrating the Hilliers' commitment to providing more equitable access to design education.
The city is the largest human artifact. It is made by us, yet simultaneously it makes us, as well as all other nonhuman entities. The particular discourse to which this book on the city contributes is the discipline of architecture. It explores a simple question: How does the city effect the mode of existence of its buildings? >Instead, this books argues that the mode of existence of architecture is inherent to the city itself, which originates its architecture as part of its being as a technical object. The concept of the technical being that is used to define a new ontology of the architecture of the city is taken from Gilbert Simondon's theory of mechanology. In this book I re-originate Simondon's approach into the discipline of architecture, thus presenting the city not simply as a milieu in which its buildings emerge, but as a technical object with the capacity to converge its elements and individuate new ones--that is, architecture.
Building Practice features interviews with architects, designers, educators, curators, fabricators, strategists, critics, and activists who are advancing speculative design through the culture and politics of building, capturing critical and formative moments associated with building a practice. Each interview reveals strategies for linking practical and theoretical forms of knowledge and evidences the active creation of unique approaches to contributing positively to both architectural culture and the built environment. Collectively, an introduction, twelve short texts on topics that are pertinent to architecture today, and thirty-two interviews convey how architects claim conceptual territory regarding form, space, order, materiality, and aesthetics, and push for design to have meaning and value in relation to cultural, environmental, political, and social concerns. The individuals and practices profiled in this book collectively partition themselves from previous generations of experimentally motivated practices while individually exemplifying their own inimitable affinities, techniques, and sensibilities. Building Practice shares the first acts of an emerging generation of practices and identifies the peripheral yet pivotal aspects of building a practice today.
New Investigations in Collective Form presents a group of design experiments by the design-research office THE OPEN WORKSHOP, that test how architecture can empower the diverse voices that make up the public realm and the environments in which they exist. Today, society continues to face urban challenges--from economic inequality to a progressively fragile natural environment--that, in order to be addressed, require us to come together in a moment when what we collectively value is increasingly difficult to locate. Organized into five themes for producing collectivity--Frameworks, Articulated Surfaces, the Living Archive, Re-Wiring States, and Commoning--the projects straddle the fine line between the individual and collective, informal, and formal, choice and control, impermanent and permanent.
Project Archive reforms the contemporary architectural discipline's understanding of the built environment. The content encourages the audience to acknowledge the role of architecture as a political actant.
This monograph explores the work of Holly & Smith Architects (H/S) over the past 40 years. This compilation of some of the firmâEUR(TM)s most recent work demonstrates the designerâEUR(TM)s deep respect for the climate, vernacular, culture/context, topography, and the natural environment of the deep South.
A Form of Practice is the first comprehensive monograph presenting the work and academic contributions by Naudé - from South Africa and Chile to Japan and the United States.
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