Böcker utgivna av Palgrave Macmillan US

Interrogating a broad array of lesbian, gay, and feminist theories, this book considers instances of unnecessarily divisive turf-battling, yet focuses primarily on the productive debates that define and vitalize the field.

Revisionist Shakespeare appropriates revisionist history in order to both criticize traditional transitional interpretations of Shakespearean drama and to offer a new methodology for understanding representations of social conflict in Shakespeare's play and in Early Modern English culture. Rather than argue that Shakespearean drama allegorizes historical transitions and ideological polarization, Revisionist Shakespeare argues that Shakespeare's plays explore the nature of internally contradictory Early Modern institutions and belief-systems that are only indirectly related to competing political and class ideologies. Such institutions and belief-systems include Elizabethan strategies for the management of vagrancy, the nature of Jacobean statecraft, objective and subjective theories of economic value, Protestant ethical theory, and Augustinian notions of sinful habituation. The book looks at five of Shakespeare's plays: The Tempest, Coriolanus, The Merchant of Venice, King Lear, and Hamlet .

This book explores how steam engine technology was transferred into nineteenth-century China in the second half of the nineteenth century by focusing on the transmission of knowledge and skills. It takes on the long-term problem in historiography that puts too much emphasis on politics but ignores the techno-scientific and institutional requirements for launching such an endeavor. It examines how translations broke linguistic and conceptual barriers and brought new a understanding of heat to the Chinese readership. It also explores how the Fuzhou Navy Yard¿s shipbuilding and training program trained Chinäs first generation of shipbuilding workers and engineers. It argues that conservatism against technology was not to blame for Chinäs slow development in steamship building. Rather, it was government officials¿ failure to realize the scale of institutional and techno-scientific changes required in importing and disperse new knowledge and skills.

Rap and Politics maps out fifty years of political and musical development by exploring three specific moments of local discourse, each a response to failures by local, state, and national governments to address police brutality, violence, poverty, and poor social conditions in Oakland, California and the surrounding Bay Area. First, in the mid-1960s, Black youth responded to repressive political and socioeconomic factors in West Oakland by founding the Black Panther Party for Self Defense, whose representation of violence and community aid, as well as its radical and militant approach to Black Nationalism, became a foundational discourse that shaped the development of rap music in the region. Second, from the collapse of the Party in the early 1980s through the 1990s, gangster rap emerged as a form of political expression among local youth, who drew heavily on radical and militant elements of Panther discourse in their lyrics and artwork. Third, hyphy music in the mid-1990s to early 2000s continued these radical discourses and also incorporated coordinated, subversive public behavior to the mix. The result was a critique of endemic problems facing the local Black community, but also an infectious subgenre of party music that gained mainstream popularity. Overall, this study shows that the specific types of representation created to resist problems of racism and poverty in Oakland is actually key to understanding other rap undergrounds, grassroots subcultures, and social movements elsewhere. In the process, Rap and Politics offers readers a new model focused on the development of settings, representation, movements, discourse banks, and impact within underground rap scenes.

This book argues that the need for music, and the ability to produce and enjoy it, is an essential element in human nature. Every society in history has produced some characteristic style of music. Music, like the other arts, tells us truths about the world through its impact on our emotional life. There is a structural correspondence between society and music. The emergence of 'modern art music' and its stylistic changes since the rise of capitalist social relations reflect the development of capitalist society since the decline of European feudalism. The leading composers of the different eras expressed in music the aspirations of the dominant or aspiring social classes. Changes in musical style not only reflect but in turn help to shape changes in society. This book analyses the stylistic changes in music from the emergence of 'tonality' in the late seventeenth century until the Second World War.

This book examines the impact of globalization upon Canada, Mexico and the United States. It investigates changes in the structures and practices of federalism, in public policies and practices of governance and politics, and in economic livelihoods in all three nations. It also provides comparisons of the effects of globalization on women's lives.

This book will look at the implications of educational practices in communities that are differentiated by issues of language, culture, and technology. Trifonas argues that a 'community' is at once a gathering of like-minded individuals in solidarity of purpose and conviction, and also a gathering that excludes others. The chapters in this collection will reveal this tension between theory and practice in order to engage the models of community and the theories of difference that support them as a way to teach, to learn, and to know.

The book is an account of Taiwan's evolving national consciousness told through the biography of its former President Lee Teng-hui - the central figure in the island's political transformation over the past two decades. In describing the broader historical and social context of the various stages of Lee's life, the book also analyzes Taiwan's own evolution during the past century as a Japanese colony, a Leninist party-state dictatorship, and then an American-inspired fledgling democracy. The book explores such questions as: Is Lee Teng-hui an opportunistic recidivist who is interested only in his own self-preservation, or is he a hero who not only propelled Taiwan into a new era, but also constructed a new national identity for the islanders? Are the multi-ethnic islanders culturally 'Chinese' or are they 'Taiwanese'? Is Taiwan historically and politically part of 'China' or does it have its own history and identity, and deserves international recognition as an independent sovereign country?

This book recovers and recommends the core conviction of Victorian liberal theory that human beings, with the help of the state, can achieve an objective moral perfection. The first half of the book considers the diverse modern biases that have blinded us to the merit of this core conviction and weaves together disparate new scholarship (primarily in political theory and Victorian Studies) to set the stage for a reconsideration of that conviction. The second half of the book is that reconsideration outlining the various policies the Victorian liberals (John Stuart Mill and Matthew Arnold, primarily, with a half dozen other nineteenth-century British and American authors) recommended the state employ in the perfection of human beings.

AIDS and the Sexuality of Law investigates the role that HIV/AIDS has played in the legal construction of sexuality. AIDS and its metaphors have been judicially enlisted to patrol the boundaries of heterosexuality, producing flawed understandings of HIV/AIDS and sexuality. The proliferation of this flawed knowledge through judicial discourse has had a profound impact on the way sexuality is understood. Even more fundamentally, closer analysis exposes the ironic processes of the law whereby material reality, ignorance, and belief interact to replace unknowns with 'social facts.' The book concludes optimistically, arguing that there is political value in uncertainty.