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  • - A Food and Wine Journey in The Caucasus
    av Carla Capalbo
    317

    Award-winning food writer and photographer Capalbo has travelled Georgia collecting recipes and gathering stories from food and winemakers in this stunning but little-known country. Both a cookbook and a travel guide to such a special place on the world's gastronomic map.

  • av John Ruskin
    211

    The first facsimile of Ruskin's epoch-making 'Nature of Gothic' as printed by his disciple William Morris at the Kelmscott Press. Essays by specialist contributors enlarge on the great significance of this book.

  • - Voyage to Tahiti
    av Paul Gauguin
    150

    One of the great classics of modern art: Gauguin's own account of his time in Tahiti, in its original version

  • av Sir John Everett Millais
    247

    An anthology of Sir John Everett Millais's illustrations for Trollope, Tennyson, Collins and weekly periodicals - some of the finest black and white work of the Victorian era.

  • Spara 10%
    av Duncan Robinson
    751

    Richly illustrated examination of the relationship between art and literature in English art from Hogarth to Constable.

  • av Ian Warrell
    477

    Rarely seen watercolours by the greatest English artists of the 19th century, beautifully reproduced.

  • av Charles Ricketts
    277

    Charles Ricketts wrote this account of his close friendship with Oscar Wilde, partly as an imagined conversation with a fictitious French writer. Facsimile with afterword.

  • av John Ruskin
    247

  • av Louis-Sebastian Mercier
    351

    Great French journalist Louis-Sébastien Mercier's descriptions of an optimistic, utopian 18th-century London. First translation in English by Laurent Turcot and Jonathan Conlin. Contemporary illustrations in colour.

  • av Jan Morris
    247

  • av Giulio Mancini
    167

  • av Lucas Cranach
    191

    A monograpgh dedicated to the leading German Reformation artist, Lucas Cranach, who was one of the most influential northern Renaissance printmakers. His Passion series has drama and pathos rivalling his contemporary Dürer.

  • av Albrecht Durer
    191

    A volume dedicated to Albrecht Dürer's series of woodcuts illustrating the Passion of Christ. An astonishing sixteenth-century demonstration of virtuosic printmaking.

  • av Francisco de Holanda
    157

  • av Ascanio Condivi
    191

  • av John Ruskin
    157

    The Storm Cloud of the Nineteenth Century is John Ruskin's rigorous and prophetic denunciation of capitalism's assault on the environment, developed through his conflicted relationship with 19th-century science.

  • av George Stubbs
    351

  • av Anthony Langdon
    341

    This volume is Anthony Langdon's guide to Rome's baroque palaces, companion to Anthony Blunt's A Guide to Baroque Rome: The Churches and features 140 prints, plus diagrams, new photographs, references and indexes.

  • av Julian Spalding
    201

    A novel based on the few facts known about Botticelli, informed by his paintings, Beauty: Botticelli in Florence imagines his thoughts and feelings as he painted them.

  • av J. W. von Goethe
    191

    These reminiscences of Caspar David Friedrich by fellow romantic painters and poets give a fascinating picture of the impact of his art on his contemporaries.

  • av Belinda Thompson
    241

    This book explores Édouard Vuillard's early career combining intimate subject matter with abstraction by simplifying pictorial elements and observing decorative fabrics and wallpapers. Introduced by Chris Stephens, director of the Holburne Museum, and with an original essay by Belinda Thompson.

  • av Jim McCue
    147

    Postings, volume 2 supplies yet more linguistic and social absurdities by editor Jim McCue. An elegant gift, McCue's wit is complemented by delightful, historical printers' decorations.

  • av Eva Figes
    157

  • av Chris Stephens
    351

    - Beautiful catalog for the Holburne's retrospective of Henry Moore's small-scale sculptures in stone, wood, terracotta, plaster, lead, plasticine and bronze, including works previously unpublished and unexhibited- Accompanies a show at The Holburne Museum, from 3 May - 8 September, 2024This is a beautifully produced catalog accompanying the Holburne Museum's groundbreaking retrospective of Henry Moore's sculptures that could fit in the hand. At the heart of Moore's practice was the directness of working on a small scale, whether carving small stones or pieces of wood, casting lead, modeling in clay or, in later years, modeling in plasticine around a found stone or bone to be cast in bronze. The exhibition will include sculptures in stone, wood, terracotta, plaster, lead, plasticine and bronze, and span themes recurrent in his work: the reclining female figure, the mother and child, the human head, and the fallen warrior. It will include maquettes for some of his best-known, public sculptures alongside lesser-known works, including the display for the very first time in a museum exhibition of a recently discovered early lead cast of Mother & Child. The catalog presents 80 duotone illustrations with an essay and commentary by Chris Stephens.

  • av Anthony Dawton
    421

    Anthony Dawton and Jim McFarlane's photographs of Rohingya people living in the refugee camp at Cox‿s Bazar, Bangladesh, having fled genocide by Myanmarese government, military and militias. "

  • av Julian Spalding
    277

    Witty, illuminating, coruscating essays on art and museums from the late twentieth century to now, by one of Britain's leading curators and agitators.

  • av Jim McCue
    147

    Absurdities, howlers, malapropisms, foot-in-moutheries of all kinds gleefully collected by Jim McCue.

  • av Gertrude Stein
    231

    One of the classic texts on Picasso, republished with full illustration as originally conceived. By one of the seminal writers of the twentieth century.

  • av John Holden
    251

    The first biography of Ralph Dutton, one of the leading taste-makers of his generation, a crucial figure in our understanding of heritage today.

  • av Richard Wills
    2 617

    First book dedicated to pioneering equine artist James Seymour, who painted many of the great horses and races of the first Golden Age of British racing. Over 700 illustrations.

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