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The Thomson Collection contains examples of the highest quality of most types of medieval ivory carving, both secular and religious.

Collecting Gauguin is the first of a new series of special Summer displays which will showcase aspects of The Courtauld's outstanding permanent collection.

Isabella Stewart Gardner routinely went toe-to-toe with major museums and titans of industry to purchase masterpieces, created a museum unlike any other, and was famous for consistently flouting the social conventions that governed women of her time. This book shows another side of Isabella that readers may not expect: her love of dogs.

Adam Elsheimer is first recorded in 1600 and by 1610 he was dead. But, rather like Giorgione, who had died young in Venice 100 years earlier, Elsheimer was influential on the coming century to a degree out of all proportion to his brief career and small oeuvre.

This catalogue accompanied an exhibition at the Groeninge Museum, Bruges, which celebrated one of the greatest European artists of the late fourteenth century, Andre Beauneveu, apparently born in Valenciennes c. 1335.

The Harold Samuel Collection Art Collection of Dutch and Flemish seventeenth-century pictures is one of the finest groups of Old Master paintings assembled in Britain over the past hundred years, but one of the least known.

Accompanying an exhibition at the Staatliche Kunstsammlungen Dresden, this publication presents the glass swallow works Perched, created by the artist Feleksan Onar.

Accompanying the first ever exhibition devoted to the Dutch painter and draughtsman Adriaen van de Velde (1636-1672), this is also the first monograph on the landscape artist - one of the finest of the Dutch Golden Age.

"First published to accompany 'Into the Twentieth Century, New Displays at the Courtauld', October 2002"--T.p. verso.

Seeks to revisit the art of Elijah Pierce and see it in its own right, not simply as 'naive'.

Recounts the exciting rediscovery of Giorgio Vasari's painting Allegory of Patience, painted in 1551-52 for the Bishop of Arezzo.

The Virgin Mary rises up like a giant Tower of Babel in a close-up view, separated from us by a slender railing along which runs the painter's signature. The Virgin appears to be sitting on a marble slab, slightly raised, and her right shoulder is thrust forward to show us her nude son.

Published to accompany the exhibition held at the Foundling Museum, 24 January - 26 April 2020.

Divine People is the first major written study of McEvoy's life and work and aims to firmly place this long-neglected artist back into the canon of 20th-century British art.

The Splendor of Germany examines the major developments in German draughtsmanship over the course of the eighteenth century. Published to coincide with the collection's 150th anniversary.

Accompanying an exhibition at the Barber Institute of Fine Arts - only the second exhibition ever devoted to the artist - this noteworthy publication considers De Beer¿s work and career, working methods, and traces the history of De Beer¿s paintings in British collections. The Antwerp painter Jan de Beer (c.1475-1527/28) was highly esteemed in his lifetime and still famous a couple of generations after his death, but then fell into oblivion until the early twentieth century. Only recently have his achievements been fully recognized and documented. The artist¿s known oeuvre consists of forty works, mainly devotional paintings and triptychs but also a dozen drawings and a stained glass window, after a lost design. De Beer¿s stylish and elegant art appealed to patrons and collectors, churches abroad, and copyists. His work is typically associated with that of the Antwerp Mannerists, a prominent group of mostly anonymous painters active in the city during his lifetime. This publication will accompany an exhibition at the Barber Institute of Fine Arts, University of Birmingham (25 October 2019 to 19 January 2020) that focuses on one of its and De Beer¿s acknowledged masterpieces: the double-sided Joseph and the Suitors/ The Nativity. This is the only surviving fragment from what must have been a major altarpiece. It will be accompanied by a half-dozen key loans of paintings and drawings by De Beer and his workshop including all the attributed paintings in UK collections. These will provide both an instructive context for the Barber painting and for De Beer¿s art more generally, with the whole chronological range of his career represented. It will be only the second ever exhibition devoted to De Beer, and the first to show the broad range of his work. The fully-illustrated catalogue will feature extended entries for all the exhibited works and three essays exploring the core themes of the show, written by Robert Wenley, Head of Collections at the Barber Institute and the lead curator of the exhibition, and two leading De Beer specialists. Professor Dan Ewing (Barry University, Miami Shores, Florida) will consider De Beer¿s work and career; while Peter van den Brink (Director, Suermondt-Aachen Museum) will explore De Beer¿s working methods, in particular as revealed by the underdrawings of his pictures. Robert Wenley¿s essay will survey the history of De Beer¿s paintings in British collections.

A lavishly illustrated volume of Pakistani textiles of extraordinary colour and vibrancy from one of the most arid areas on Earth.

George Stubbs: 'all done from Nature' presents the first significant overview of Stubbs's work in Britain for more than 10 years and brings together 100 paintings, drawings and publications, from the National Gallery's Whistlejacket to pieces that have never been seen in public.

Accompanies a landmark exhibition at the Fondation Louis Vuitton exploring Samuel Courtauld's role as one of the great collectors of the twentieth century. The catalogue and exhibition showcase Courtauld's extraordinary collection, which will be on display in Paris for the first time in over sixty years.

Patricia Wengraf is one of the world¿s leading dealers in bronzes, sculpture and works of art. In her particular speciality, bronzes of the 15th-18th centuries, her knowledge and connoisseurship are of world repute. This exquisite catalogue - the first sales catalogue ever published by the dealer - presents a selection of exceptional works. Accompanies an exhibition in New York City.

Published to coincide with two major exhibitions at Compton Verney Art Gallery& Park, Warwickshire, this publication will address key works and themes from both exhibitions, exploring the subject of children in art through a series of essays written by the exhibition curators and external academics.

Eliot Hodgkin (1905-1987) is best known as a painter of still life subjects beautifully executed in tempera. Less well known are his haunting views of bomb-sites in London after World War II. This revealing, fully illustrated catalogue accompanies the first survey exhibition on the artist since 1990.

This catalogue brings together preparatory drawings and paintings, as well as documentary photographs, to commemorate an extraordinary fresco cycle by the Venetian painter Giambattista Tiepolo (1696-1770). Painted for Palazzo Archinto in Milan, the frescoes were destroyed in a bombing during WWII. Accompanies an exhibition at The Frick Collection.

This publication is the latest in the Close Up series of books accompanying Gardner Museum exhibitions which showcase aspects of the museum's outstanding permanent collection.

Stanley Spencer's patrons have never before been studied collectively. Drawing on archival research and conversations with Spencer's family and descendants of patrons, this exciting new publication looks at how collecting habits were affected by war and economic change.

The 300 spectacular photographs in Call of the Blue are the culmination of a five-year project by photographer and ocean conservationist Philip Hamilton to witness and photograph marine life around the world.

An in-depth examination of one of the most important ancient works in America, the exquisite Farnese Sarcophagus.

Accompanying an exhibition at the Morgan Library & Museum, New York, Thomas Gainsborough: Experiments in Drawing off ers an overview of his work as a draftsman, with a particular look at his technical innovations and his mastery of material.

Published to coincide with the first major retrospective on the artist in over 30 years, and featuring a number of rediscovered masterpieces, Henry Lamb: Out of the Shadows aims to cement his rightful position in the forefront of early 20th-century British art.