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  • av Roma Tearne
    260,-

    Drawing on Tearne's background, and experience of loss - she left Sri Lanka for the UK with her family, at the start of the civil unrest during the 1960s - the book imagines an archive and museum collection cultivated from a trunk of photographs and artefacts from an unknown donor. With no known provenance and in poor condition, the collection stands in as a substitute for the lost possessions of every dislocated individual - whether a displaced person or refugee, or simply someone who has been forced by circumstance to leave the familiar behind, losing special objects in the process. People often cannot help looking for artefacts which belong to their past, and are unable to rest if they can't find them. TRACe provides that rest - it is the story of a collection, and the house which becomes a museum to hold those possessions."On entering you will notice that the collection within these rooms appears to belong to one person alone. However, I hope that on closer inspection it will become clear that the exhibits belong to everyone who has ever lived."

  • av Rosie Garland
    310,-

    Who was Tilly Losch? Dancer, artist, choreographer, lover, wife, muse ... Tilly seems a blur, glimpsed at the corner of the eye, dancing in and out of focus.This book, and the film it grew out of, is a collaboration between filmmaker Jane Glennie and writer/performer Rosie Garland. They ask questions about biographies of women who fall into the footnotes, lost from history as so many women's stories are, and discover hope in reclaiming her-stories.Tilly Losch was an Austrian dancer who lived and worked with prominent and cutting-edge choreographers and artists in the UK and the US, from the West End to Hollywood. She was also a choreographer in her own right, and later turned to painting.Through images and poetry Glennie and Garland explore the elusive and fragmentary nature of Tilly's life, evoking the spirit of the 1920s-40s when she was at the peak of her fame.'Because Goddess is never enough' is about self-worth and the credibility of creative women - Losch was someone who was at times exploited yet determined to maintain a path of her own making despite the obstacles that were very present in her era.Glennie and Garland consider the complexity of female identity both then and now. Highlighting how far women have come in 90 years, and yet how far they still have to go to get recognition and true independence.

  • av Jessica Birk
    200,-

    Ellie loves to sing, but whenever she sings a G it sounds terrible! This doesn't stop her, and one day Ellie's voice comes to the rescue in a surprising way.

  • - One Word: 3000 definitions
     
    320,-

    A New Dictionary of Art takes a refreshingly alternative approach to the question 'What is Art?'. Take your pick from over 3,000 definitions compiled from the internet via chat-rooms and discussion forums as well as from the more established authorities, artists and institutions. Passions run high as formal sits alongside informal, humorous alongside vulgar: all are left to fight it out on the page.The result is a streetwise cacophony of creativity and an energizing summation of the potentials of art.

  • - One Word: 3000 definitions
     
    200,-

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