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"A bold new road map for finding meaning and purpose at work, based on insights drawn from hundreds of life stories of Americans from all backgrounds and vocations"--

“The people in The Third Realm are as vivid and convincing as Knausgaard’s autobiographical persona . . . Enthralling . . . you can’t stop reading.” —Lev Grossman, The Atlantic“One of the most genuinely suspenseful, alluring books I’ve ever read. Novel by novel, Knausgaard is replenishing some feral charge to the world.” —Brandon Taylor, The Washington PostFrom bestselling author Karl Ove Knausgaard, a kaleidoscopic novel about human nature in the face of enormous change—and the warring impulses between light and dark that live in all of usFor several days, a strange and bright new star in the sky above Norway has sown an unyielding sense of foreboding, of agitation, and of fear. Tove, a painter on holiday with her family, has spiraled into a psychosis that stirs her into a flurry of unbridled creativity. Geir, a policeman who has been investigating a grisly triple murder, comes to a sinister revelation he must keep to himself. Nineteen-year-old Line falls in love with the lead singer of a metal band and is lured into a secret and frightening world.But most bewildering, and disquieting, is the discovery made by Syvert, an undertaker: since the star has appeared, no one has died.In The Third Realm, Karl Ove Knausgaard returns to the spellbinding world of The Morning Star and The Wolves of Eternity, as a cast of new and familiar characters continue to reckon with the meaning of this star. What is haunting them, and why?As supernatural forces collide with the mundanities of everyday, and the threshold between life and death becomes diffuse, people are forced to live their lives as before while the world around them slowly changes in inexplicable ways. Piercing through human existence into the bestial and phantasmagorical, Knausgaard flings opens the gates to our most distressing neuroses and forces us to ask: What happens if the dark forces in the world are set free?

"From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. ... It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. It was the product of a moment when the arts, no less than industry and agriculture, were thought to be vital to the health of the republic, bringing Shakespeare to the public, alongside modern plays that confronted the pressing issues of the day--from slum housing and public health to racism and the rising threat of fascism. The Playbook takes us through some of its most remarkable productions, including a groundbreaking Black production of Macbeth in Harlem and an adaptation of Sinclair Lewis's anti-fascist novel It Can't Happen Here that opened simultaneously in 18 cities, underscoring the Federal Theatre's .. range and vitality"--

"A woman's personal journey through abortion, sex, friendship, love, and swimming"--

"From journalist and historian Steve Inskeep, a compelling and nuanced exploration of the political acumen of Abraham Lincoln via sixteen encounters before and during his presidency, bringing to light not only the strategy of a great politician who inherited a country divided, but lessons for our own disorderly present ... The man who went on to become the sixteenth president of the United States has assumed many roles in our historical consciousness, but most notable is that he was, with no apology, a politician. And as Steve Inskeep argues, it was because he was willing to engage in politics--to work with his critics, to compromise with those whom he deeply opposed, and to move only as fast as voters would allow--that he was able to lead a social revolution ... While it isn't clear if Lincoln was able to alter his critics' beliefs--many went to war against him--nor if they were able to change his, what is notable is that he learned how to make his beliefs actionable, via precise and practical techniques. Lincoln was a skilled storyteller, and a great orator. He told jokes, he relied on sarcasm, and often made fun of himself. But behind the banter was a master storyteller, who carefully chose what to say and what to withhold. He knew his limitations and, as history came to prove, he knew how to prioritize."--

"The period from 1933 to 1943 was one of the darkest and most chaotic in human history, as the Second World War unfolded with unthinkable cruelty. It was also a crucial decade in the dramatic, intersecting lives of some of history's greatest philosophers. In particular, four women whose parallel ideas would come to dominate the twentieth century--at once in necessary dialogue and striking contrast with one another. Simone de Beauvoir ... was laying the foundations for nothing less than the future of feminism. Born Alissa Rosenbaum in St. Petersburg before emigrating to the US in 1926, Ayn Rand was honing one of the most politically influential voices of the 20th century ... Hannah Arendt was developing some of today's most important leftwing ideas, culminating with the publication of The Origins of Totalitarianism and her arrival as a peerless intellectual celebrity. Perhaps the greatest thinker of all was a classmate of de Beauvoir: Simone Weil, who turned away from fame to devote herself entirely to refugee aid and the resistance movement during the war"--

"A witty, winning, and revelatory personal narrative of the author's transition from sightedness to blindness and his quest to learn all he can about blindness as a distinct and rich culture all its own We meet Andrew Leland as he's suspended in the strange liminal state of the soon-to-be blind: He's midway through his life with retinitis pigmentosa, a condition that ushers those who live with it from complete sightedness to complete blindness over a period of years, even decades. He grew up with full vision, but starting in his teenage years, his sight began to degrade from the outside in, such that he now sees the world as if through a narrow tube. Soon-but without knowing exactly when-he will likely have no vision left. Full of apprehension but also dogged curiosity, Leland embarks on a sweeping exploration of the state of being that awaits him: not only the physical experience of blindness but also its language, internal debates, politics, and customs. He also negotiates his changing relationships with his wife and son, and with his own sense of self, as he moves from sighted to semi-sighted to blind, from his mainstream, "typical" life to one with a disability. Part memoir, part historical and cultural investigation, The Country of the Blind represents Leland's determination not to merely survive this transition, but to grow from it-to seek out and revel in that which makes blindness enlightening. His story reveals essential lessons for all of us, from accepting uncertainty and embracing change to connecting with others across difference. Thought-provoking and brimming with warmth and humor, The Country of the Blind is at once a deeply personal journey and an intellectually exhilarating tour of a way of being that most of us have never paused to consider-and from which we have much to learn"--

From the New York Times-bestselling author of Stony the Road and one of our most important voices on the African-American experience, a powerful new history of the Black church in America as the Black community's abiding rock and its fortress.The companion book to the upcoming PBS series.For the young Henry Louis Gates, Jr., growing up in a small, segregated West Virginia town, the church was his family and his community's true center of gravity. Within those walls, voices were lifted up in song to call forth the best in each other, and to comfort each other when times were at their worst. In this book, his tender and magisterial reckoning with the meaning of the Black church in American history, Gates takes us from his own experience onto a journey across more than four hundred years and spanning the entire country. At road's end, we emerge with a new understanding of the centrality of the Black church to the American story--as a cultural and political force, as the center of resistance to slavery and white supremacy, as an unparalleled incubator of talent, and as a crucible for working through the community's most important issues, down to today. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black church has always been more than a sanctuary; it's been a place to nourish the deepest human needs and dreams of the African-American community. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meeting houses were subject to surveillance, and often destruction. So it continued, long after slavery's formal eradication; church burnings and church bombings by the Ku Klux Klan and others have always been a hallmark of the violent effort to suppress the struggle for equality for the African-American community. The past often isn't even past--Dylann Roof committed his slaughter in Charleston's Emanuel AME Church 193 years after the church was first burned down by whites following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the vital center of the civil rights movement, and produced many of its leaders, from the Reverend Martin Luther King, Jr. on, but at the same time there have always been churches and sects that eschewed a more activist stance, even eschewed worldly political engagement altogether. That tension can be felt all the way to the Black Lives Matter movement and the work of today. Still and all, as a source of strength and a force for change, the Black church is at the center of the action at every stage of the American story, as this enthralling history makes vividly clear.